{"title":"Femmes photographes japonaises","description":null,"products":[{"product_id":"self-image-signed","title":"Self-image (signed)","description":"\u003cp\u003eIl s'agit d'une série d'autoportraits réalisés par Mika Ninagawa, auparavant cachés au public. Pris principalement au début des années 2010, le livre comprend 34 photographies en noir et blanc et 11 en couleur. Des compositions étonnantes en noir et blanc pour Mika Ninagawa, dont le travail a été synonyme de couleur.\n\u003cbr\u003eComprend un essai de Yukio Ninagawa, réalisateur et un metteur en scène.\u003c\/p\u003e","brand":"Ninagawa Mika","offers":[{"title":"Default Title","offer_id":56721292329292,"sku":"NM4-000002","price":62.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/ba8483d6-9b7f-4569-ae97-d97c448062a1-l.jpg?v=1771011760"},{"product_id":"yokosuka-again-1980-1990-signed","title":"YOKOSUKA AGAIN 1980 - 1990 (SIGNED)","description":"","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":56721298751820,"sku":"IM2-000002","price":180.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/e7a64cf8-3ad6-44fd-a685-38be52fd9380-l.jpg?v=1771011867"},{"product_id":"gift-signed","title":"Gift (signed)","description":"\u003cp\u003eMari Katayama\n\u003cbr\u003eGift\n\u003cbr\u003eBook Size 21 x 29,7 cm\n\u003cbr\u003eHard Cover \n\u003cbr\u003eFirst edition \n\u003cbr\u003eRelease date: January 2019\n\u003cbr\u003ePublished by United Vagabonds \n\u003cbr\u003eSigned \u003c\/p\u003e\n\n\u003cp\u003ePresenting the first book of Mari Katayama (b. 1987, Gunma, Japan), Gift is a retrospective of her past works and evolution as an artist. Born with only two fingers on her left hand and tibial hemimelia, a rare deficiency in which one leg bone is absent, Katayama amputated both her legs at the age of nine, and has since then transcend her condition by works she creates with her prosthetics, intricately embroidered objects and also self-portrait photography, using her own body as a living sculpture.\u003c\/p\u003e\n\n\u003cp\u003eWith text contribution by Simon Baker, director of the Maison Européenne de la Photographie in Paris, Gift will be published concurrently with Katayama’s first solo exhibition in Europe, at the White Rainbow Gallery (47 Mortimer Street, London) between 24 January – 2 March, 2019.\u003c\/p\u003e\n\n\u003cp\u003e- - - \u003c\/p\u003e\n\n\u003cp\u003eGift, premier livre de Mari Katayama (née en 1987 à Gunma, Japon) est une rétrospective de ses œuvres et de son évolution en tant qu'artiste. Née avec seulement deux doigts à la main gauche et une hémimélie tibiale, une déficience rare dans laquelle un os de la jambe est absent, Katayama a été amputée des deux jambes à l'âge de neuf ans. Depuis, elle a transcendé cette situation par des  œuvres qu'elle crée avec ses prothèses, des objets brodés et des autoportraits, utilisant son propre corps telle une sculpture vivante.\u003c\/p\u003e\n\n\u003cp\u003eAvec un texte de Simon Baker, directeur de la Maison européenne de la photographie à Paris, Gift a été publié en même temps que la première exposition personnelle de Katayama en Europe, à la White Rainbow Gallery (47 Mortimer Street, Londres) entre le 24 janvier et le 2 mars 2019.\u003c\/p\u003e","brand":"Katayama Mari","offers":[{"title":"Default Title","offer_id":56721299112268,"sku":"KM8-000001","price":65.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/9a50a1fd-4e62-4bfc-95f7-d67593599baf-l.jpg?v=1771011901"},{"product_id":"childhood-garments-signed","title":"Childhood Garments (SIGNED)","description":"\u003cp\u003eAt best, the silk kimono has a lifespan of three generations. From grandmother, to mother, down to daughter - roughly a hundred years. Beyond that, it would not be fit for wearing. One formal kimono of superb craftsmanship that I received had cotton filling in the lining of the skirt hem, identical patterns on the outer material and lining, and was gorgeously embroidered with flowers and plovers; a kimono likey worn by an individual of high standing. As a section of it was damaged and could not be worn, I decided to take it apart and have the fabric repurposed into some other article of clothing. But when I pulled on the seam, it disintegrated as though the very foundation of the fiber had crumbed. I let out a gasp. The kimono was a historical artifact that should not have been meddled with. Proving itself to be well over a hudnred years old, there was little else I could do but apologize to that crumbling, disintegrating silk cloth.\u003c\/p\u003e\n\n\u003cp\u003e-Excerpt Garments of Life afterword by Ishiuchi Miyako\u003c\/p\u003e\n\n\u003cp\u003eIshiuchi Miyako's Childhood Garments presents a series of portraits which delve into the power of objects and memories. Tied alongside her images which capture the personal artifacts of subjects as private as her mother to famed individuals within the public sphere; Frida Kahlo, the photographs bring forth an intimacy shared between a person and an object into a realm of public experience. Working with Shinjoji Temple located in Kanazawa, Ishiuchi’s Childhood Garments illustrates a collection of kimono worn and created specifically for the young. Known as hyakutoku kimono and semamori, the portraits capture the embodied thoughts, prayers and lives of both community and family for the new born child.\u003c\/p\u003e","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":56721300881740,"sku":"IM2-000011","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/a66ccde9-c937-468a-b558-20e937776c3b-l.jpg?v=1771011972"},{"product_id":"moving-away-signed","title":"Moving Away (SIGNED)","description":"\u003cp\u003eDans « Moving Away », la photographe japonaise Miyako Ishiuchi devient elle-même le sujet de sa photographie. Au cours des trois années qui se sont écoulées entre la décision soudaine de quitter la maison dans laquelle elle avait vécu pendant 43 ans et son déménagement réel, elle a pris une série de paysages, de photos de rues, de plans de détail et de vies autour de sa maison et de son quartier que tous – soit directement comme une image miroir ou indirectement – la présentez d’une manière ou d’une autre. Ishiuchi documente la fin d’un autre chapitre de sa vie avec attention, sentimentalité mais aussi résolument positivement.\u003c\/p\u003e\n\n\u003cp\u003e« J’ai toujours cru que chaque photographie est le reflet de son créateur, quel que soit son sujet. Je ne me suis donc jamais photographié intentionnellement. Mes photographies se sont toujours démarquées de l’essence de la photographie en tant que documentation afin d’évoquer l’extraordinaire.\u003c\/p\u003e","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":56721303273804,"sku":"IM2-000015","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/d9299afb-61c1-4977-ba22-20c4babb91e8-l.png?v=1771012006"},{"product_id":"beginnings-1975-signed","title":"Beginnings 1975 (SIGNED)","description":"\u003cp\u003e«Beginnings: 1975» est une collection des premières photographies de Miyako Ishiuchi. Ishiuchi a découvert les images par hasard en préparant une exposition personnelle au Yokohama Museum of Art.\n\u003cbr\u003eLes photos ont été prises dans la vie quotidienne d’Ishiuchi et développées dans une chambre noire de fortune de la maison de ses parents.\n\u003cbr\u003eLes photos en noir et blanc «ne provoquent aucune nostalgie, aucun souvenir sentimental; ils apparaissent plutôt comme une preuve mystérieuse de la profondeur des décennies entre cette époque et ma vie aujourd’hui », écrit Ishiuchi dans sa postface (disponible en japonais et en anglais), ajoutant:\n\u003cbr\u003e«Bien que je les trouve toujours imparfaits, je reconnais que j’ai déjà eu la vision qui m’a amené à créer‘ Yokosuka Story ’,‘ Apartment ’et‘ Endless Nights ’.»\u003c\/p\u003e","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":56721303667020,"sku":"IM2-000018","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/c29cf1c3-a214-47bf-903f-841c04372e5b-l.jpg?v=1771012039"},{"product_id":"sleepy-town-signed-眠そうな町","title":"Sleepy Town (signed)\/ 眠そうな町","description":"\u003cp\u003eA photo book \"Drowsy Town\" by Japanese female photographer Takeda Hana. Takeda Hana was born under the direction of Takeda Taisuke and essayist Yurie Takeda, and her father bought me a camera after graduating from high school. After graduating from university he continued to work as a freelance photographer while continuing to work as a part-time student. I am in charge of portraits and more at the contemporary poet library. Most of the subjects as works are cats (stray cats), and they publish many cat photographs, as well as working on photo essays, and co-authored \"Study Diary\" with mother and lily. This book is a collection of photographs that can be said to be representative works of Takeda who won the 15th Kimura Ihei Photography Award. About two and a half years from 1987, it is composed of photographs taken of local cities such as Suka, Ashikaga, Tatebayashi, and Kiryu, and it focuses on rusty scenes unique to the region, such as shops, alleys, houses, etc. . The sight of the weathered town makes you feel different from nostalgia, and you can feel the unique sight of Takeda in a scene that seems to be commonplace and sculptural, or something that is offensive.\u003c\/p\u003e","brand":"Hana Takeda","offers":[{"title":"Default Title","offer_id":56721308352844,"sku":"ECHO-TAKH-001","price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/ae48fed1-5dbf-458b-8a0a-df481131b425-l.jpg?v=1771012307"},{"product_id":"school-day","title":"School Day","description":"\u003cp\u003eA photo book \"School Days\" by Tomoko Sawada (1977-), a Japanese female photographer and artist. In 1999, she drew a lot of attention with her solo exhibition of \"ID400\", and in 2000 she won the \"Special Award for the New Century of Photography\". She won the \"Kimura Ihei Award for Photography\" and the Twentieth Annual ICP Infinity Award for Young Photographer at the NY International Center of Photography. Tomoko Sawada is expanding the stage of her activities. This book is a collection of works created under the theme of \"group photo of high school girls\", and played 40 high school girls (and teachers) in total, with 40 female students + 1 female teacher for 10 classes per class. Tomoko Sawada's self-port collection. From uniforms to hairstyles, makeup, and facial expressions, this book creates a unique world view and pursues the'infinitely expanding'individuality of a woman.\u003c\/p\u003e","brand":"Tomoko Sawada","offers":[{"title":"Default Title","offer_id":56721308516684,"sku":"ECHO-SAWT-001","price":90.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/87eed906-0e0e-4bb7-bdf4-4e99a3dfce3f-l.jpg?v=1771012340"},{"product_id":"philia","title":"Philia","description":"\u003cp\u003eJapanese photography artist Michiko Kon uses everyday items such shoes and hats and foodstuffs like fish and fruit to create objects and stage scenes from a strange otherworld. This book, published to commemorate Michiko Kon’s exhibition of the same title at the Museum of Modern Art, Kamakura \u0026amp; Hayama, includes more than one hundred of her works from early in her career to her recent works.\u003c\/p\u003e\n\n\u003cp\u003eKon’s work has garnered critical attention both in Japan and internationally for her imaginative combination of ordinary items and the mysterious nature of her creations. Including forewords by the artist and the Japanese poet Takashi Mutsuo, a long interview with Michiko Kon, essays by Tate Modern senior curator Nakamori Takafumi and art critic Mizusawa Tsutomu as well as an extensive overview of her career (all texts included in Japanese and in English translation), “Philia” is an ideal publication for anyone interested in Michiko Kon’s art.\u003c\/p\u003e\n\n\u003cp\u003eBook Size284 × 230 mmPages192 pagesBindingHardcoverPublication Year2021LanguageEnglish, JapaneseISBN978-4-336-07298-6\n\u003c\/p\u003e","brand":"Kon Michiko","offers":[{"title":"Default Title","offer_id":56721308942668,"sku":"ECHO-MICK-008\/1","price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/a7f858a0-f9ec-4bfa-9cdb-7594280807c0-l.jpg?v=1771012373"},{"product_id":"imperfect-cats","title":"Imperfect Cats","description":"\u003cp\u003e“Imperfect Cat” is a collection of portraits by Japanese photographer Kawori Inbe. Four years after her critically acclaimed photobook “Time to go back... to the moon”, Inbe used her website to find 62 women to portrait.\u003c\/p\u003e\n\n\u003cp\u003eIn her sensitive portraits, Inbe decidedly avoids a perfect, stylized representation of her models, instead she openly embraces faults and imperfections.\u003c\/p\u003e\n\n\u003cp\u003e“Inbe’s photographs go beyond the mere relationship of subject and photographer. They are the result of superimposing truth and fiction. She embraces the humor, the boldness that springs from open questions and feelings such as anger and sorrow.” \u003c\/p\u003e","brand":"Kawori Inbe","offers":[{"title":"Default Title","offer_id":56721309172044,"sku":"ECHO-INBK-002","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/a06eb6a8-8e51-45b2-b97f-b56bbea9af20-l.jpg?v=1771012407"},{"product_id":"my-grandmothers","title":"My Grandmothers","description":"\u003cp\u003eYanagi started \"My Grandmothers\" series in 2000, which was acclaim internationally. The series portrays what young women imagine themselves to be in 50 years later. Text accompanies each photograph, revealing details of their dreams that Yanagi picked up from conversations she had with her sitters.\u003c\/p\u003e\n\n\u003cp\u003e---\u003c\/p\u003e\n\n\u003cp\u003eYanagi a commencé la série \"My Grandmothers\" en 2000, qui a été acclamée internationalement. La série dépeint ce que les jeunes femmes s'imaginent être 50 ans plus tard. Un texte accompagne chaque photographie, révélant les détails de leurs rêves que Yanagi a recueillis au cours de conversations avec les personnes qu'elle a photographiées.\u003c\/p\u003e","brand":"Yanagi Miwa","offers":[{"title":"Default Title","offer_id":57295548449100,"sku":"YM5-000001","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/de040eca-04aa-46bb-9223-0d98eb7280d8-l.png?v=1776237984"},{"product_id":"just-like-on-the-radio","title":"Just like on the radio","description":"\u003cp\u003eERIKA YOSHINO\n\u003cbr\u003eJUST LIKE ON THE RADIO\u003c\/p\u003e\n\n\u003cp\u003ePublished by Osiris in 2011\n\u003cbr\u003eBook size 16,8x28,8cm\n\u003cbr\u003e72pages\n\u003cbr\u003eHardcover\n\u003cbr\u003eLanguage Japanese, English \u003c\/p\u003e\n\n\u003cp\u003eJust Like on the Radio is a collection of works by the Japanese photographer Erika Yoshino (1970-). Born in Saitama prefecture, Erika Yoshino graduated from the Tokyo School of Photography in 1994. At the time, she mainly created monochrome street photos, and her point of view was so strong that Shino Kuraishi described her as a \"wild snapper\". Since 2000, however, she has moved on to colour work, and her landscapes and still lifes, which are fragments of everyday life cut out from a single point of view, sometimes have a strength that reminds us of Yoshiko Seino. This book is a collection of illustrations full of photographic skill, which seem banal but are somehow captivating.\u003c\/p\u003e\n\n\u003cp\u003e---\u003c\/p\u003e\n\n\u003cp\u003eJust Like on the Radio est une collection d'œuvres de la photographe japonaise Erika Yoshino (1970-). Née dans la préfecture de Saitama, Erika Yoshino a obtenu son diplôme à l'école de photographie de Tokyo en 1994. À l'époque, elle créait principalement des photos de rue monochromes, et son point de vue était si fort que Shino Kuraishi l'a qualifiée de \"snapper sauvage\". Cependant, depuis 2000, elle est passée à des travaux en couleur, et ses paysages et natures mortes, qui sont des fragments de la vie quotidienne découpés d'un point de vue unique, ont parfois une force qui nous rappelle Yoshiko Seino. Ce livre est une collection d'illustrations pleines d'habileté photographique, qui semblent banales mais d'une certaine manière captivantes.\u003c\/p\u003e","brand":"Erika YOSHINO","offers":[{"title":"Default Title","offer_id":57295551037772,"sku":"YE-000002","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/16972a3e-6a20-48aa-9029-acacb5ec842b-l_ee6d0079-518d-4f3d-8858-4e90d687659e.png?v=1778035698"},{"product_id":"one-days","title":"One days","description":"","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":57295553462604,"sku":"IM2-000007","price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/7b76af35-e30f-400b-a8a8-57e6a637690d-l.jpg?v=1776238051"},{"product_id":"mother-river-homing-signed","title":"Mother river homing (signed)","description":"\u003cp\u003e\nPoids\t500 g\n\u003cbr\u003eDimensions\t18 × 23.5 cm\n\u003cbr\u003eDate d'édition\t\n\u003cbr\u003e2021\u003c\/p\u003e\n\n\u003cp\u003eEAN\t\n\u003cbr\u003e2014636333904\u003c\/p\u003e\n\n\u003cp\u003eEditeur\t\n\u003cbr\u003eAkio Nagasawa Publishing\u003c\/p\u003e\n\n\u003cp\u003ePhotographe\t\n\u003cbr\u003eKatayama Mari\u003c\/p\u003e\n\n\u003cp\u003eSpécifité\t\n\u003cbr\u003e1ère Édition, Édition Limitée, Livre Signé\u003c\/p\u003e\n\n\u003cp\u003eVille\t\n\u003cbr\u003eTokyo\u003c\/p\u003e\n\n\u003cp\u003eISBN\t2014636333904\n\u003cbr\u003eLangue(s)\tanglais, japonais\n\u003cbr\u003eNombre de pages\t112\n\u003cbr\u003eReliure\tRelié\n\u003cbr\u003eSKU:\t32543\n\u003cbr\u003eRayons\tÉdition Limitée, Livre Signé, Photographes\n\u003cbr\u003eTags:\tAutoportrait, Corps, Femme photographe, Handicap, Mise en Scène, Photographe japonais\u003c\/p\u003e\n\n\u003cp\u003e1ère édition édition numérotée sur 900.\n\u003cbr\u003eExemplaire Signé.\u003c\/p\u003e\n\n\u003cp\u003eCe livre de photographie rassemble des images de la trilogie Shadow puppet, Bystander et On the way home.\u003c\/p\u003e\n\n\u003cp\u003eUne photographie est (comme si je savais de quoi je parle…) quelque chose de vraiment étrange que je pense. Je ne crois pas une photo parce que tout ce qu’elle contient est un mensonge. La seule chose que je crois, c’est qu’il existe une certaine « vérité » entre le sujet et le photographe (ou la personne qui a installé l’appareil photo). Différente de l’intimité des aiguilles et des pinceaux qui me sont proches, la « vérité » est comme la force de la solitude qui éloigne deux corps l’un de l’autre pour qu’ils ne puissent pas en devenir un, peu importe à quel point ils s’embrassent. Alors, qu’est-ce que c’est que cette « vérité »? Un film photographique est développé, et l’image est imprimée ou stockée sous forme de données numériques. Il me semble qu’il y a une raison pour chaque aspect du processus – la caméra, le temps, le traitement et parfois la nécessité d’impliquer d’autres personnes. Plus il y a de ces choses, plus la « vérité » devient forte. » Nous étions certainement là » – c’est ce que je ressens, et je pense que cela m’a inspiré à photographier mes amis et à en faire des « spectateurs » sous la forme de photographies et d’autres objets dans mon travail. – Afterword de Mari Katayama\u003c\/p\u003e\n\n\u003cp\u003eLimited Editions of 900 \/ Signed \u0026amp; Numbered.\u003c\/p\u003e\n\n\u003cp\u003eThis photobooks collects images from the trilogy series shadow puppet, bystander and on the way home.\u003c\/p\u003e\n\n\u003cp\u003eA photograph is (as if I knew what I’m talking about…) something really strange I think. I don’t believe a photograph because everything in it is a lie. The only thing that I believe is that there exists a certain “truth” between the subject and the photographer (or the person who set up the camera). Different from the intimacy of the needles and brushes that are close to me, the ”truth” is like the force of solitude that pushes two bodies away from each other so they can’t become one, no matter how hard they embrace each other. So what exactly is that “truth”? A photographic film is developed, and the picture is printed or stored as digital data. It appears to me that there is a reason for every aspect of the process – the camera, time, processing, and sometimes the necessity to involve other people. The more of these things there are, the stronger the “truth” gets. ”We were certainly there” – this is what I feel, and I think this inspired me to photograph my friends and make them “bystanders” in the form of photographs and other objects in my work. – Afterword by Mari Katayama\u003c\/p\u003e","brand":"Katayama Mari","offers":[{"title":"Default Title","offer_id":57295562506572,"sku":"KM8-000003","price":110.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/277642bb-9aca-47b9-9654-5b6530949d5e-l.jpg?v=1776238085"},{"product_id":"small-myths","title":"Small Myths","description":"\u003cp\u003eMikiko Hara capture furtivement et sans artifice les inconnus qui croisent son chemin: un jeune homme dans le train, un couple qui se tient la main, une petite fille qui joue dans un parc… Les regards se croisent parfois au moment de déclencher, mais Mikiko Hara n’échange pas avec ses sujets. Pourtant, ces portraits donnent à voir quelque chose d’infiniment personnel, comme si la photographe et ses sujets étaient liés par un pacte invisible : celui d’avoir été là au bon endroit au bon moment.\u003c\/p\u003e\n\n\u003cp\u003eSa démarche, bien ancrée dans une documentation du quotidien, se poursuit dans l’intimité de son lieu de vie : des fleurs coupées dans l’évier, un fraisier dans le frigo, ses trois fils assoupis à même le sol. Le regard de la photographe, qui est aussi mère et épouse, va et vient de l’extérieur à l’intérieur, de la sphère publique à la sphère privée. Partout où elle se trouve, Mikiko Hara observe et raconte des histoires comme des fragments de vie.\u003c\/p\u003e\n\n\u003cp\u003eÀ l’initiative de l’éditeur – qui a réalisé la sélection en collaboration avec l’artiste – ces photographies inédites datées entre 1996 et 2021 ont été rassemblées dans ce livre, intitulé Small Myths.\u003c\/p\u003e\n\n\u003cp\u003ePhotographies et texte : Mikiko Hara\n\u003cbr\u003eDirection éditoriale : Cécile Poimboeuf-Koizumi\n\u003cbr\u003eGraphisme : Bureau Kayser\n\u003cbr\u003eFrançais \/ Anglais \/ Japonais\n\u003cbr\u003eCouverture souple\n\u003cbr\u003e23 x 27 cm\n\u003cbr\u003e104 pages\n\u003cbr\u003eISBN: 979-10-96383-34-4\u003c\/p\u003e\n\n\u003cp\u003e***\u003c\/p\u003e\n\n\u003cp\u003eMikiko Hara has her own way of secretly capturing the strangers who cross her path: a young man on the train, a couple holding hands, a little girl playing in a park… Sometimes their eyes meet briefly as she presses the shutter, but Mikiko Hara does not exchange with her subjects. Yet, these portraits reveal something infinitely personal, as if the photographer and her subjects were bound by an invisible pact: being in the right place at the right time.\u003c\/p\u003e\n\n\u003cp\u003eMikiko Hara’s approach, firmly rooted in a documentation of every- day life, extends in the intimacy of her living space: cut flowers in the sink, a strawberry shortcake in the fridge, her three sons dozing on the floor. The eye of the photographer, who is also a mother and wife, moves back and forth from the outside to the inside, from the public to the private sphere. Wherever she is, Mikiko Hara observes and tells stories like fragments of life.\u003c\/p\u003e\n\n\u003cp\u003eAt the initiative of the publisher – who made the selection in collaboration with the artist – these unpublished photographs from 1996 to 2021 have been assembled in this book, entitled Small Myths.\u003c\/p\u003e\n\n\u003cp\u003ePhotographs and text: Mikiko Hara\n\u003cbr\u003eEditorial direction: Cécile Poimboeuf-Koizumi\n\u003cbr\u003eDesign: Bureau Kayser\n\u003cbr\u003eFrench \/ English \/ Japanese\n\u003cbr\u003eSoftcover\n\u003cbr\u003e23 x 27 cm\n\u003cbr\u003e104 pages\n\u003cbr\u003eISBN: 979-10-96383-34-4\u003c\/p\u003e\n\n\u003cp\u003e© Chose Commune\u003c\/p\u003e","brand":"Mikiko Hara","offers":[{"title":"Default Title","offer_id":57295568798028,"sku":"MH3-000001","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/bb27ddfc-19e2-440c-b508-e83873e0e4c0-l_da3d376e-e348-4359-a091-21e10ed920e0.png?v=1778121739"},{"product_id":"soft-opening-1-2-and-3","title":"Soft Opening 1, 2 and 3","description":"\u003cp\u003e“Imperfect Cat” is a collection of portraits by Japanese photographer Kawori Inbe. 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She embraces the humor, the boldness that springs from open questions and feelings such as anger and sorrow.” \u003c\/p\u003e","brand":"Kawori Inbe","offers":[{"title":"Default Title","offer_id":57295579087180,"sku":"ECHO-INBK-002\/1","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/f3151316-b655-4678-8054-0c641c3d078e-l.jpg?v=1776238227"},{"product_id":"selfpolaroids","title":"Selfpolaroids","description":"\u003cp\u003eselfpolaroids is a special box set, bringing together 32 large format postcards of the artist's polaroid selfies (4C), 1 book of Tokyo Rumando's new Peel Apart series (24 pages, 4C), and one original signed polaroid. \u003c\/p\u003e","brand":"Tokyo Rumando","offers":[{"title":"Default Title","offer_id":57295580528972,"sku":"ECHO-RUMT-039","price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/3592c6a5-3d6b-4940-8244-d4b34536e894-l.jpg?v=1776238261"}],"url":"https:\/\/www.galerieecho119.com\/collections\/femmes-photographes-japonaises.oembed","provider":"Galerie Écho","version":"1.0","type":"link"}