{"title":"[COLLECTION LIVRES ]RENCONTRES D'ARLES 2026 - UNE SIMPLE DISTANCE","description":"\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eÀ l’occasion des \u003c\/em\u003eRencontres d’Arles 2026\u003cem\u003e, écho 119 réinvestit pour la deuxième année la Chapelle de la Madeleine pour y présenter \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e«\u003c\/span\u003e\u003c\/em\u003eUne simple distance\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e»\u003c\/span\u003e\u003cem\u003e. Faisant dialoguer les artistes japonaises Sayuri Ichida et Ayako Sakuragi, l’exposition explore la distance —géographique, familiale, intime— comme espace de création, de mémoire et de transformation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003ePour cette occasion, nous vous proposons une collection de livres photographiques en lien avec cette exposition : famille, femmes photographes japonaises ou encore expérimentations argentiques sont les fils conducteurs de cette sélection composée d'ouvrages rapportés directement du japon, ou issus d'éditeurs indépendants dont nous soutenons le travail. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eBonne lecture !\u003c\/em\u003e\u003c\/p\u003e","products":[{"product_id":"yingguang-guo-the-bliss-of-conformity","title":"YINGGUANG GUO - The bliss of conformity","description":"\u003cp\u003e \u003cstrong\u003eYingguang Guo\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eThe bliss of conformity\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Maison de Z, 2018\u003cbr\u003e First edition\u003cbr\u003e New condition\u003cbr\u003e Book Size 28.7 × 20.5 cm\u003cbr\u003e Pages: 86 pages\u003cbr\u003e Binding: Softcover\u003cbr\u003e Language: English, Chinese\u003cbr\u003e Limited Edition 800\u003c\/p\u003e\n\n \u003cp\u003eArmed with a piece of paper showing name, date of birth, occupation and a photo, the mothers and fathers of Shanghai’s People’s Park, captured by Chinese artist Yingguan Guo, seek to arrange marriages for their children. Having been cast aside herself due to her advanced age (at 33), Guo began documenting the bizarre, frantic matchmaking ceremonies that take place between desperate parents from far and near: Every few pages, the photobook contains pockets in which Guo has hidden scenes taken with a spy camera, capturing discussions with matchmakers like: “How old are you?” – “Born in 1983” – “Oh, good luck. You are very brave.”\u003cbr\u003e Winner of the Madame Figaro Jimei x Arles International Photo Festival Prize 2017.\u003c\/p\u003e\n\n\u003cp\u003e -----------\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eArmed with a piece of paper showing name, birthdate, profession and a picture, the mothers and fathers in Shanghai's People's Park, captured by Chinese artist Yingguan Guo, are looking to arrange marriages for their children. Having herself been dumped because of her advanced age (at 33 years), Guo began documenting the strange, frenzied matchmaking ceremonies taking place between desperate parents both from afar and nearby: every few pages, the photobook contains brittle pockets in which Guo hid scenes taken with a spy camera, capturing her interactions with the matchmakers. “How old are you?” - “Born in 1983” - “Oh, good luck. You are very brave.” Winner of the 2017 Prix Madame Figaro Jimei x Arles International Photo Festival.\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie \u0026co119","offers":[{"title":"Default Title","offer_id":31752244330548,"sku":"","price":49.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/Theblissofconformity_couv.jpg?v=1585145080"},{"product_id":"issei-suda-family-diary","title":"Issei Suda - Family Diary","description":"\u003cp\u003e \u003cstrong\u003eIssei Suda\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eFamily Diary\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Chose Commune, 2021\u003cbr data-mce-fragment=\"1\"\u003e Size: 23 x 15 cm\u003cbr\u003e 176 Pages - 80 photos\u003cbr data-mce-fragment=\"1\"\u003e Softcover\u003cbr data-mce-fragment=\"1\"\u003e Languages: French, Japanese, English\u003cbr data-mce-fragment=\"1\"\u003e ISBN: 979-10-96383-26-9\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003eBetween 1991 and 1992, Issei Suda photographed compulsively with the Minox camera, one of the smallest cameras available. So small that it was frequently used for espionage activities during the war. Issei Suda turned his lens onto the intimacy of his own home, documenting with a great sense of humor the daily life he shared with his daughter, his wife, and his dog. The photographs featured in \"Family Diary\"—a title Suda chose himself in the 1990s—have never been published in book form.\u003cbr\u003e - Editor's text\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":42089692135642,"sku":"","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/Isseisuda_familydiary-couv.jpg?v=1637252497"},{"product_id":"seiichi-furuya-first-trip-to-bologna-1978-last-trip-to-venice-1985","title":"SEIICHI FURUYA - FIRST TRIP TO BOLOGNA 1978 \/ LAST TRIP TO VENICE 1985","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003ch4\u003e SEIICHI FURUYA\u003cbr\u003e \u003cem\u003eFIRST TRIP TO BOLOGNA 1978 \/ LAST TRIP TO VENICE 1985\u003c\/em\u003e\n\n\u003c\/h4\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003ePublished by Chose Commune, 2022\u003cbr\u003e\u003c\/span\u003e Book size\u003cmeta charset=\"utf-8\"\u003e 16.5 x 24.4 cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e 192 pages 122 film stills 39 photographs\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e Softcover otabind\u003cbr\u003e \u003cspan\u003eEditorial direction: Cécile Poimboeuf-Koizumi\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eDesign: Kayser Office\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eLanguages ​​English \/ French \/ Japanese \/ German\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eISBN: 979-10-96383-29-0\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eIn 1973, Seiichi Furuya left Japan for Europe on board of the Trans-Siberian train. He arrived in Austria where he first settled in Vienna, before moving to Graz where he met Christine Gössler in 1978. From this day forward, he started photographing her, in the intimacy of their home in Graz but also during their travels abroad — to Germany , England, Italy…and Japan, their most distant destination. Christine studied art history and worked for the radio, making documentary programs. After the birth of their son in 1981, she became increasingly involved in the world of theater. As she was devoting herself to her acting lessons, she started to show signs of schizophrenia. Christine committed suicide in East Berlin in 1985.\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eSince Christine's disappearance, Furuya has never stopped revisiting his archive. This initiative was presented in a series of five books entitled\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMémoires\u003c\/em\u003e , published between 1989 and 2010, and in\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFace to Face\u003c\/em\u003e , published by Chose Commune in 2020. In 2018, Seiichi Furuya found super 8 film rolls in his attic. One of them was a recording of the very first trip he made with Christine, in Bologna in 1978 a few weeks after they had met. As an attempt to remember a trip he had completely forgotten about, Seiichi Furuya started extracting stills from the film, frame by frame. These images compose his new series\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFirst Trip to Bologna 1978\u003c\/em\u003e . Together with this series, in the same book, we are releasing a newly edited version of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLast Trip to Venice 1985\u003c\/em\u003e , which was first self-published in 2002. This series presents photographs from Seiichi and Christine's very last trip, before Christine took her own life.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e-----\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eIn 1973, Seiichi Furuya left Japan for Europe on the Trans-Siberian Railway. Arriving in Austria, he first settled in Vienna before moving to Graz, where he met Christine Gössler in 1978. He quickly began photographing her, in the privacy of their home in Graz but also during trips abroad—in Germany, the United Kingdom, Italy…and Japan, their furthest destination. Christine studied art history before working as a documentary producer for radio. After the birth of their son in 1981, she immersed herself in the world of theater. While devoting herself to her theater classes, she began to show signs of schizophrenia. Christine committed suicide in East Berlin in 1985.\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eSince Christine's passing, Furuya has continued to revisit his archive. This approach has taken the form of a series of five books entitled Mémoires, published between 1989 and 2010, and Face to Face, a book published by Chose Commune in 2020. In 2018, Seiichi Furuya found reels of super 8 film in his attic, including one from the first trip they took together a few weeks after meeting, to Bologna in 1978. In an attempt to remember a trip he had completely forgotten, Seiichi Furuya made freeze frames from the film, frame by frame. These images gave birth to the new series First Trip to Bologna 1978. On the occasion of the publication of this series, Chose Commune publishes in the same book a new version of the series Last Trip to Venice 1985 that Seiichi Furuya had self-published in 2002. This work presents a selection of photographs from Seiichi and Christine's last trip, before Christine committed suicide.\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho","offers":[{"title":"Default Title","offer_id":42495906742490,"sku":"","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/FURUYA_COUV.jpg?v=1647091115"},{"product_id":"moe-suzuki-sokohi","title":"Moe Suzuki - Sokohi","description":"\u003cp\u003e\u003cb\u003eMoe Suzuki\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eSokohi\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ePublié par Chose Commune, 2022\u003cbr\u003eTaille : 26 x 19 cm \u003cbr\u003e150 \u003cmeta charset=\"utf-8\"\u003ePages\u003cbr\u003eSoftcover\u003cbr\u003eLangues : Anglais, Français, Japonais\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCe livre a été initialement produit en 2020 dans une édition comprenant 76 exemplaires créés suite à la masterclass Photo book as Object de Yumi Goto et Jan Rosseel. “Sokohi”, est un terme japonais qui décrit une maladie oculaire provocant une perte de la vision. Dans cet ouvrage, Suzuki documente la perte de la vision de son père dû à son glaucome, les images sont un mélange entre les archives familiales et les photographies prisent par son père. Il tente de nous montrer ce que les personnes atteintes de cette maladie ne peuvent plus percevoir et à l’inverse ce qu’ils voient que nous ne voyons pas. \u003c\/p\u003e\n\u003cp\u003e- Texte de l'éditeur \u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":43301667569882,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/SUZUKI_MOE_SOKOHI_COUV.jpg?v=1664361391"},{"product_id":"deanna-dikeman-leaving-and-waving-1","title":"Deanna Dikeman - Leaving And Waving","description":"\u003cp\u003e \u003cstrong\u003eDeanna Dikeman\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eLeaving And Waving\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by Chose Commune, 2021\u003cbr\u003e Size: 19 x 23.5 cm\u003cbr\u003e 112 Pages \/ 66 Photos\u003cbr\u003e Hardcover\u003cbr\u003e Languages: English and French\u003cbr\u003e ISBN: 979-10-96383-21-4\u003cbr\u003e \u003cbr\u003eThis book, which spans 27 years of photography, collects photographs Deanna Dikeman took of her parents as they said goodbye. As she drove away, Deanna Dikeman always kept her camera pointed at her parents. What began as a quick snapshot in 1991 evolved into a ritual over the years. The book chronologically documents the goodbyes as the seasons change and the years pass, splitting the photographs into color and black-and-white. Leaving and Waving — part of a larger body of work called Relative Moments — is a touching exploration of family, the passage of time, and the sadness of parting.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":47763537396044,"sku":"","price":48.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/DEANNA_594df838-18e3-4a0d-888b-c174eb853e0a.jpg?v=1709324725"},{"product_id":"tokuko-ushioda-my-husband-1","title":"Tokuko Ushioda - My Husband","description":"\u003cp\u003e \u003cstrong\u003eTokuko Ushioda\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eMy Husband (2 volumes)\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Torch Press in 2022\u003cbr\u003e Book size 24x19cm\u003cbr\u003e Book 1: 122 pages, hardcover\u003cbr\u003e Book 2: 76 pages, softcover\u003cbr\u003e Language Japanese, English\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eThe happy days spent with her husband, Shinzo Shimao, and daughter, Maho, in a single room of a Western-style house, and the loneliness she faced in the quiet night. Dormant for 40 years, the story of these photographs is finally revealed. A set of two books, Book 1 and Book 2, present the 6x6 and 35mm photographs, respectively.\u003c\/p\u003e\n\n \u003cp\u003eIn early 1979, shortly after the birth of their child Maho, the three of them moved into a historic Western-style house where Yukio Ozaki, known as the \"God of Constitutional Politics,\" had transferred his old home. It was a simple, box-like room on the second floor, with a shared toilet and no bathroom; at first, there wasn't even a refrigerator. As soon as she became a newlywed with a child, Ushioda's days began to fill. Her husband, Shimao, is a very unique artist and family member, and he continued to take photographs in the limited space he shared with Ushioda. Perhaps because it was a record of life with such a partner, she was able to maintain a meticulous balance, neither nostalgic nor cynical, depicting the human drama hidden behind the objects.\u003c\/p\u003e\n\n \u003cp\u003eThis book comprises photographs taken in the five years following Maho's birth in 1978. Book 1 features the 6x6 square format, synonymous with Ushioda, and is paired with Book 2's 35mm snapshots, creating a treasured photobook that will be remembered as the starting point of his photography.\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":48491592614220,"sku":"","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/Tokuko-USHIODA_My_Husband.png?v=1781624210"},{"product_id":"masao-yamamoto-small-things-in-silence-3","title":"Masao Yamamoto - Small Things in Silence (3rd Edition)","description":"\u003cp\u003e \u003cstrong\u003eMasao Yamamoto\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eSmall Things in Silence\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Editorial RM, 2024\u003cbr\u003e Size: 24.6 x 30.8 x 9 cm\u003cbr\u003e 130 Pages\u003cbr\u003e Hardcover\u003cbr\u003e Languages: English\u003c\/p\u003e\n\n\u003cp\u003e The polar opposite of frontal photography with large formats that impose themselves on the viewer, Masao Yamamoto has been developing a discreet body of work for twenty years that must be approached closely to grasp its finesse and subtlety. His images are like fragments of life forever indecipherable, flashes of grace comparable to haikus. His prints, small formats that he creates himself before patinating and wearing them, have been the subject of numerous exhibitions.\u003c\/p\u003e\n\n \u003cp\u003e\"Small Things in Silence\" offers a twenty-year perspective on the career of one of Japan's most important photographers. The publication includes images from each of Yamamoto's major projects—Box of Ku, Nakazora, Kawa, and Shizuka.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":49013585936716,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/masao_smallthings3.jpg?v=1739360477"},{"product_id":"femmes-photographes-japonaises-des-annees-1950-a-nos-jours","title":"Japanese Women Photographers from the 1950s to the Present Day","description":"\u003cp\u003e \u003cstrong\u003eVarious Artists\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\u003cstrong\u003eJapanese Women Photographers from the 1950s to the Present Day\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Textuel, 2024\u003cbr\u003e Size: 28 x 21 cm\u003cbr\u003e 440 pages\u003cbr\u003e First Edition\u003cbr\u003e Languages: French\u003c\/p\u003e\n\n \u003cp\u003eThis book highlights the work of Japanese women photographers from the 1950s to the present day. While recognition of the Japanese scene has primarily benefited male photographers since the 1970s, many women artists have played a pivotal role in the development of the medium, with undeniable virtuosity. Through more than 500 images, including a wide selection of photographs, book facsimiles, and an anthology of texts, this book reveals the immensity of what has been hidden and constitutes a critical and joyful enrichment of the history of Japanese photography.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":49154779611468,"sku":"","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/femmesphotographesjaponaises.png?v=1733415060"},{"product_id":"deanna-dikeman-relative-moments","title":"Deanna Dikeman - Relative Moments","description":"\u003cp\u003e \u003cstrong\u003eDeanna Dikeman\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eRelative Moments\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by \u003cspan data-mce-fragment=\"1\"\u003eChose Commune, 2024\u003cbr\u003e\u003c\/span\u003e Size: 26 x 22.5 cm\u003cbr data-mce-fragment=\"1\"\u003e 304 Pages\u003cbr data-mce-fragment=\"1\"\u003e Hardcover\u003cbr data-mce-fragment=\"1\"\u003e Languages: English, French\u003c\/p\u003e\n\n \u003cp\u003eIn Relative Moments, Deanna Dikeman chronicles ordinary moments spent with her family. Gardening, cutting a cake, filling the birdbath, mending a garment, mowing the lawn, picking rhubarb—it is through these activities that we discover an everyday life that would otherwise go unnoticed. In this book, which has been generously edited and sequenced—200 photographs in total—the focus is not just on the moment captured in a photograph, but on all the moments that make up the story.\u003cbr\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eWhile this project creates a visual archive of the photographer's family life, it also contains larger, more universal truths about American culture, about the familiar, and about the endless source of wonder that the everyday provides.\u003c\/span\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":49168978968908,"sku":"","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/deannadikeman_relativemoments.png?v=1734619013"},{"product_id":"motoyuki-daifu-my-family-is-a-pubis-so-i-cover-it-in-pretty-panties","title":"Motoyuki Daifu - My Family Is A Pubis So I Cover Them In Pretty Panties","description":"\u003cp\u003e \u003cstrong\u003eMotoyuki Daifu\u003c\/strong\u003e \u003cbr\u003e\u003cem\u003e\u003cstrong\u003eMy Family Is A Pubis So I Cover Them In Pretty Panties (signed)\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cdl\u003e\n\n\u003cdt\u003e Published by Little Big Man, 2024\u003cbr\u003e Size: 27.8 × 23.2 cm\u003cbr\u003e 136 pages\u003cbr\u003e Hardcover\u003cbr\u003e First edition limited to 700 copies\u003c\/dt\u003e\n\n\u003cdt\u003e\u003c\/dt\u003e\n\n\n\u003c\/dl\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cspan\u003eAt the\u003c\/span\u003e beginning of the project, I wrote the following words:\u003cbr\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e“\u003c\/span\u003e \u003cem\u003eI come from a family of seven \u003ca href=\"https:\/\/store.tsite.jp\/daikanyama\/event\/humanities\/40439-1118160513.html\" rel=\"noopener\" target=\"_blank\"\u003e.\u003c\/a\u003e My parents’ living room is a permanent mess, with laundry drying inside due to lack of space on the balcony. The dining table is cluttered with leftover food and condiments, while the kitchen sink is overflowing with dirty dishes. The house is littered with my siblings’ dirty clothes and unfolded laundry scattered on the floor. My mother sleeps amidst the chaos, exhausted, her face covered in makeup. Meanwhile, my younger brother loses his cool when my cheeky sister, who is in fourth grade, runs around the piles of clothes, causing fights. My father, unfazed, takes care of the household chores alone, washing the dishes and cleaning. My mother hardly does any chores around the house. She also doesn’t know how to cook, so everyone leaves food on their plates when she does. Despite this, my mother cooks more food than necessary for the family, leaving her to finish everything herself.\u003cbr\u003e\u003c\/em\u003e \u003cbr\u003e\u003cspan\u003eThis body of work, begun in 2005 and spanning 13 years, documents my family home in suburban Yokohama, capturing the intimate dynamics of this family as if seen through the eyes of an outside observer.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e- Motoyuki Daifu\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cdl\u003e\n\n\u003cdd\u003e\u003cbr\u003e\u003c\/dd\u003e\n\n\u003cdt\u003e\u003cbr\u003e\u003c\/dt\u003e\n\n\u003cdt\u003e\u003c\/dt\u003e\n\n\u003cdd\u003e\u003c\/dd\u003e\n\n\n\u003c\/dl\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":52094794334540,"sku":"","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/myfamilyis_motoyukidaifu.jpg?v=1741171447"},{"product_id":"rinko-kawauchi-utatane","title":"Rinko Kawauchi - Utatane","description":"\u003cp\u003e \u003cstrong\u003eRinko Kawauchi\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eUtatane\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Little More, 2024\u003cbr\u003e 24.5 x 19.5 cm\u003cbr\u003e \u003cstrong\u003eUtatane is currently being imported from Japan\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003e\"Every now and then, a new photographer appears on the scene who is difficult to categorize; Kawauchi is one of them. His images are so fresh, so simple, and so original that they almost defy understanding. Utatane translates as nap, which works perfectly with the almost dreamlike quality of these images.\" - Martin Parr.\u003c\/p\u003e\n\n \u003cp\u003eJust when it seems that everything has been photographed in every possible way, a photographer appears whose work is so original that photography itself is renewed. Rinko Kawauchi is such a photographer; she makes simple, lyrical images so fresh and unusual that they are difficult to describe or categorize. Her images document everyday life, but cannot be called documentary. They are generally light in tone, but have a kind of dark humor. They are dreamlike, almost hallucinatory, and yet they seem to capture something fundamental about the psychological state of modern life, like a series of stills from a film about a dream.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":52170691608908,"sku":"","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/utatane.jpg?v=1743177553"},{"product_id":"rinko-kawauchi-halo","title":"Rinko Kawauchi - Halo","description":"\u003cp\u003e\u003cstrong\u003eRinko Kawauchi\u003c\/strong\u003e\u003cbr \/\u003e\u003cem\u003e\u003cstrong\u003eHalo\u003c\/strong\u003e\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003ePublished by EXB, 2017\u003cbr \/\u003eSize: 32 x 22.5\u003cbr \/\u003eLanguage: French\u003cbr \/\u003e96 pages\u003cbr \/\u003eHardcover\u003cbr \/\u003eFirst edition\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"In a certain village in Hebei Province, China, the day of the Lantern Festival is marked by a celebration called Da Shuhua. This festival—traditionally dating back more than three hundred years—originates from the ancient custom of local blacksmiths celebrating the new year by throwing molten metal against the town walls, instead of fireworks they were too poor to afford. A brilliant idea born of an aspiration for beauty found even among those steeped in poverty. The splashes of fire on the walls form a rain of light, and the men who continually hurl shards of iron under the blazing rain resemble warriors battling an invisible force.\" (Excerpt from Rinko Kawauchi's text.) Cloth cover enhanced with metallic flecks. Japanese binding.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":52171497177420,"sku":"","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/Halo.png?v=1745072127"},{"product_id":"rinko-kawauchi-des-oiseaux","title":"Rinko Kawauchi - Birds","description":"\u003cp\u003e \u003cstrong\u003eRinko Kawauchi\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eBirds\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by EXB, 2021\u003cbr\u003e Size: 26.5 x 21 cm\u003cbr\u003e Hardcover\u003cbr\u003e 96 pages\u003cbr\u003e Language: French\u003cbr\u003e First edition\u003cbr\u003e The special edition includes \u003cspan\u003ethe book\u003c\/span\u003e \u003cem\u003eBirds\u003c\/em\u003e in a box \u003cspan\u003ewith a signed and numbered print of 30 copies.\u003c\/span\u003e \u003cspan lang=\"EN-US\"\u003ePrint size: 17.2 x 25.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003eThis new series by Rinko Kawauchi celebrates the tenth title in the Birds collection. The Japanese photographer focused her attention on the swallows in her neighborhood in Chiba City in spring, during the birthing season, and in particular on these tiny nests that the birds build, sheltered from prying eyes, in window embrasures or in the eaves of roofs, in order to protect their broods, fed by their parents for several weeks. Fascinated by this spectacle, with her characteristic poetry and attention to detail, Rinko Kawauchi brings out the wonder of our daily lives and the ephemeral beauty of suspended moments. The swallows, thanks to their sharp wings, perch everywhere with ease and elegance, bathed in an opalescent light.\u003c\/p\u003e\n\n \u003cp\u003eThis book is part of the Birds collection, which celebrates, through the eyes of various artists, their immense presence in a world where they are now weakened. Ornithologist Guilhem Lesaffre offers a new essay to accompany each photographic collection. For this book, he focuses on the lifestyle of these swallows, their history, their spring migration from south to north over thousands of kilometers, the birth season, and their special relationship with humans, which has led them to find themselves threatened today.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Regular Edition","offer_id":52387196469580,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true},{"title":"Special Edition","offer_id":52387196502348,"sku":"","price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/desoiseaux_rinko.jpg?v=1743178688"},{"product_id":"rinko-kawauchi-as-it-is-copie","title":"Rinko Kawauchi - As it is","description":"\u003cp\u003e \u003cstrong\u003eRinko Kawauchi\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eAS IT IS\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003ePhotographs and text: Rinko Kawauchi\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEditorial direction: Nao Amino and Cécile Poimbœuf-Koizumi\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eGraphics: Akiko Wakabayashi\u003c\/span\u003e\u003cbr\u003e Published by \u003cspan data-mce-fragment=\"1\"\u003eChose Commune\u003c\/span\u003e , 2020\u003cbr\u003e Book size  \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e18 x 23 cm\u003c\/span\u003e\u003cbr\u003e Pages\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e144 pages +\u003cmeta charset=\"utf-8\"\u003e 18 inserts with text\u003c\/span\u003e\u003cbr\u003e Softcover\u003cbr\u003e Language French and English\u003cbr\u003e ISBN\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e979-10-96383-17-7\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003eA blue sky. A shimmering river. The birth of a new life. These are the first three photographs from Rinko Kawauchi's book “As it is”. This new body of work returns to Kawauchi's earlier photographic focus on her personal universe through family, memory and time. This book presents a succession of mundane moments and gestures ― a spider's web, a bowl of rice, a small hand pointing at an insect ― along with more significant ones ― her daughter's first steps, family outings, the passing of a close relative. The personal narrative of the book is punctuated by a photograph of a kitchen window witnessing the passing of the seasons, and short texts by Kawauchi herself interspersed in the sequence. The pages navigate between the inside and the outside, always within close distance as, through her unique eye, Kawauchi effortlessly catches the fleeting beauty of the in-between moments, telling the story of an ordinary family going through life just as it is.\u003c\/p\u003e\n\n \u003cp\u003eThis book was made in close collaboration with Japanese publisher torch press.\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e----------\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eA blue sky. A sparkling river. The birth of a new life. These are the first three photographs from Rinko Kawauchi's book \"As it is.\" With this new work, the photographer delves back into her personal world through themes that are dear to her: family, memory, and time. This book presents a succession of trivial moments and gestures—a spider's web, a bowl of rice, a small hand pointing at an insect—and more important moments—her daughter's first steps, family outings, the death of a loved one. This personal story is punctuated by photographs of the kitchen window testifying to the passing of the seasons, short texts by Rinko Kawauchi scattered throughout the sequence, and numerous back-and-forths between the interior and exterior, always with the same proximity. Through her unique perspective, Rinko Kawauchi simply captures the ephemeral beauty of suspended moments, and tells the story of an ordinary family going through life \"as it is.\"\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eThis book was designed and produced in close collaboration with the Japanese publishing house Torch Press.\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":52172141822284,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/RinkoKawauchi_asitis_COUV.jpg?v=1614704141"},{"product_id":"rinko-kawauchi-here-and-now","title":"Rinko Kawauchi - Here and Now","description":"\u003cp\u003e \u003cstrong\u003eRinko Kawauchi\u003c\/strong\u003e \u003cbr\u003e\u003cem\u003e\u003cstrong\u003eHere and Now\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Torch Press, 2023\u003cbr\u003e Size: 20.4 x 22.7 cm\u003cbr\u003e 64 pages\u003cbr\u003e Language: English, Japanese\u003c\/p\u003e\n\n\u003cp\u003e \"Here and Now\" combines poems by Shuntaro Tanikawa and photographs by Rinko Kawauchi. The photobook was composed by Kawauchi so that the words and images correspond closely to one another, while the words themselves are woven into the rhythm of the pages designed by art director Hideyuki Saito. The title poem, \"Here and Now,\" is accompanied by fresh photographs of the breath of nature, gently inviting the reader on an imaginative journey into the universe and beyond.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":52172535562572,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/hereandnow.jpg?v=1743177699"},{"product_id":"rinko-kawauchi-hanabi-1","title":"Rinko Kawauchi - Hanabi","description":"\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eRINKO KAWAUCHI\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHANABI\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Published by Little More \u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e1st edition printed in 2001\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e Book size 19x24cm\u003cbr data-mce-fragment=\"1\"\u003e 64 pages\u003cbr data-mce-fragment=\"1\"\u003e Softcover\u003cbr data-mce-fragment=\"1\"\u003e Language Japanese\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003eNow famous for her sensitive, delicate and highly recognizable work, produced mainly with medium-format cameras, Rinko Kawauchi had already captured the emotion of Japanese celebrations featuring fireworks (Hanabi in Japanese) in 2001. In this 64-page collection, which is now hard to come by, she offers us a fine eulogy of these moments of sharing and collective emotion.\u003c\/p\u003e\n\n\u003cp\u003e ---\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eNow famous for her sensitive, delicate and highly recognizable work, produced mainly using medium format cameras, Rinko Kawauchi had already succeeded in 2001 in capturing the emotion of Japanese festivals during which fireworks are displayed (Hanabi in Japanese). Through this 64-page collection, which is now difficult to obtain, she gives us a beautiful eulogy of these moments of sharing and collective emotion.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003c!----\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":52226104983884,"sku":null,"price":33.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/hanabi.jpg?v=1743176975"},{"product_id":"rinko-kawauchi-early-works-1997","title":"Rinko Kawauchi - Early Works 1997","description":"\u003cp\u003e \u003cstrong\u003eRINKO KAWAUCHI\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eEARLY WORK 1997\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e Published by Benrido, 2021\u003cbr\u003e Size 20.5 x 25.5 cm\u003cbr\u003e Portfolio of 6 collotypes, color\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan class=\"\"\u003e\u003cem class=\"\"\u003e\"Rinko Kawauchi Early Works 1997\"\u003c\/em\u003e includes unpublished and never before released images from the artists personal archive. Made during the same period as the works published within her breakthrough series \u003cem class=\"\"\u003eUtatane\u003c\/em\u003e (2001), these images were amongst many which were not included in the book and until now had not been made available to the public. Over a year in production and created with close and careful attention to each image\u003c\/span\u003e \u003cspan class=\"\"\u003e, a selection of six works have been realized in collotype, and offers an intimate glimpse into the beginnings of the artists visual language.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan class=\"\"\u003e---\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan class=\"\"\u003e“Rinko Kawauchi Early Works 1997” includes previously unseen images from the artist’s personal archive. Created during the same period as the works published in his groundbreaking series Utatane (2001), these images are among many that were not included in the book and have not been made available to the public until now. Over a year in the making and created with careful attention to detail, a selection of six works were made in collotype, and offer an intimate glimpse into the artist’s early visual language.\u003c\/span\u003e\u003c\/p\u003e","brand":"Galerie Écho","offers":[{"title":"Default Title","offer_id":52226112192844,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/RINKOKAWAUCHI_COUV.jpg?v=1631368526"},{"product_id":"rinko-kawauchi-illuminance-the-tenth-anniversary-edition","title":"Rinko Kawauchi - Illuminance: The Tenth Anniversary Edition","description":"\u003cp\u003e \u003cstrong\u003eRinko Kawauchi\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eIlluminance: The Tenth Anniversary Edition\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Aperture, 2021\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e 176 pages\u003cbr\u003e Hardcover\u003cbr\u003e Languages: English\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eTen years after the publication of\u003c\/span\u003e \u003ci\u003e\u003cspan\u003eIlluminance\u003c\/span\u003e\u003c\/i\u003e \u003cspan\u003ein 2011, Aperture is reissuing this legendary book, retaining Rinko Kawauchi's original sequence and its characteristic blend of keenly observed gestures, everyday details, and a finely honed palette.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eUpon the book's release, Alec Soth declared\u003c\/span\u003e \u003ci\u003e\u003cspan\u003eIlluminance\u003c\/span\u003e\u003c\/i\u003e \u003cspan\u003e“an exquisite monograph [that] should make Rinko a household name.” This edition, with additional texts by curator David Chandler, philosopher Masatake Shinohara, and Aperture's chief creative officer, Lesley A. Martin, brings new context and perspective to Kawauchi's influential work. Extraordinarily poetic, brimming with imagination and sensitivity, and enjoying international acclaim, this exquisite tenth anniversary edition will once again appeal to photography enthusiasts.\u003c\/span\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":52377911230796,"sku":"","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/IlluminanceR.KA.png?v=1745074406"},{"product_id":"rinko-kawauchi-m-e","title":"Rinko Kawauchi - M\/E","description":"\u003cp\u003e \u003cstrong\u003eRinko Kawauchi\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eME\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Delpire, 2025\u003cbr\u003e \u003cspan\u003eCo-published with Torch Press (Japanese\/English version)\u003cbr\u003e\u003c\/span\u003e First edition\u003cbr\u003e Size: 28.5 x 22 cm\u003cspan\u003e \u003cbr\u003e216 pages\u003cbr\u003e Hardcover\u003cbr\u003e Languages: French, English\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e Bee and the Gods\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"p1\"\u003e“Bee in the heart of flowers\u003cspan class=\"Apple-converted-space\"\u003e\u003cbr\u003e\u003c\/span\u003e Flowers in the gardens\u003cspan class=\"Apple-converted-space\"\u003e\u003cbr\u003e\u003c\/span\u003e Gardens surrounded by earth walls\u003cspan class=\"Apple-converted-space\"\u003e\u003cbr\u003e\u003c\/span\u003e Walls in the villages\u003cspan class=\"Apple-converted-space\"\u003e\u003cbr\u003e\u003c\/span\u003e Villages in the heart of Japan\u003cspan class=\"Apple-converted-space\"\u003e\u003cbr\u003e\u003c\/span\u003e Japan in the world\u003cspan class=\"Apple-converted-space\"\u003e\u003cbr\u003e\u003c\/span\u003e World within the gods\u003cspan class=\"Apple-converted-space\"\u003e\u003cbr\u003e\u003c\/span\u003e Then, then… the gods\u003cspan class=\"Apple-converted-space\"\u003e\u003cbr\u003e\u003c\/span\u003e “In the heart of the fragile bees”\u003c\/p\u003e\n\n\u003cp class=\"p2\"\u003e — Misuzu Kaneko\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003eThis poem by Misuzu Kaneko, a Japanese poet from the early 20th \u003cspan class=\"s1\"\u003e\u003csup\u003ecentury\u003cspan\u003e \u003c\/span\u003e\u003c\/sup\u003e\u003c\/span\u003eThis unjustly forgotten century, rediscovered by the Japanese public at the time of the Fukushima disaster (her poems were read on television), inspired Rinko Kawauchi to write this new book. Paying homage to this author, the photographer explores our relationship with the world, encouraging us to reconsider our connections as human beings with nature.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003eRinko Kawauchi named her book\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eME\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ein reference to Mother\/Earth but only kept the initials ( \u003ci\u003eme\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ein English) to emphasize the connection she has with Mother Earth.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eShe casts her singular gaze, imbued with gentleness, on the living world to capture its fragile beauty: that of a drop of dew on a leaf or the gigantic front of a glacier in front of which levitates the white halo of a cloud of vapor caused by the collapse of the ice into the sea.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe artist's approach is highly intuitive; her images are not constructed; they simply \"arrive.\" The result: almost meditative images, as if from a dream. They can be poetic, mysterious, even bizarre. Moreover, they are not perfectly clear. Rinko Kawauchi seeks the ephemeral; she captures that fleeting moment that precedes the eye's accommodation.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"p1\"\u003eThe artist captures both her immediate environment and her family as well as more spectacular subjects. In this book, she offers a dialogue between images of Iceland and Japan, mainly around water: clouds, rain, rainbows, ice, snow, torrents, mist… The work is constructed by playing with the idea of ​​transparency that is dear to her. The images are printed on very fine Japanese paper and are gradually revealed. Blank pages, like silences, punctuate the sequences. The cover, meanwhile, is splashed with silver shards that reflect the light.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":52378004455756,"sku":"","price":52.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/m_e_rinko.jpg?v=1745405683"},{"product_id":"masahisa-fukase-yoko","title":"Masahisa Fukase - Yoko","description":"\u003cp\u003e \u003cb\u003eMasahisa Fukase\u003cbr\u003e Yoko\u003c\/b\u003e \u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003ePublished by Akaaka, 2025\u003cbr\u003e\u003c\/span\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eSize: 24.5 x 24.5\u003cbr\u003e\u003c\/span\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eHardcover\u003cbr\u003e Languages: English, Japanese\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e Second edition\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Masahisa Fukase's timeless masterpiece, \"Yoko\", is finally available again!\u003c\/p\u003e\n\n\u003cp\u003e Originally published in 1978, Masahisa Fukase's \"Yoko\" is a pivotal series in his oeuvre, but it has long been out of print. Now, nearly half a century later, this extraordinary photo book returns, with the full support of Yoko Miyoshi (formerly Fukase), Fukase's model and muse, and under the careful supervision of Tomo Kosuga, director of the Masahisa Fukase Archives. This new reprint faithfully reproduces all the photographs and texts from the original edition.\u003c\/p\u003e\n\n \u003cp\u003eIt also includes contemporary texts referenced at the time of the original publication, an essay by Masako Toda (photography critic and historian), and a heartfelt message from Yoko Miyoshi on the occasion of this reissue. Every aspect of the book's design and layout has been meticulously crafted to reaffirm the significance of this masterpiece and the enduring legacy it has endured.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":52411193721164,"sku":"","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/Masahisa-FUKASE_Yoko.jpg?v=1745502348"},{"product_id":"masahisa-fukase-homo-ludens","title":"Masahisa Fukase - Homo Ludens","description":"\u003cp\u003e \u003cb\u003eMasahisa Fukase\u003cbr\u003e Homo Ludens\u003cbr\u003e\u003c\/b\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003ePublished by Akaaka, 2025\u003cbr\u003e\u003c\/span\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eSize: 28 x 22.5\u003cbr\u003e\u003c\/span\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eHardcover\u003cbr\u003e Languages: English, Japanese\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\n \u003cstrong\u003eBook currently being imported from Japan. A slight delay may apply to any order placed before October 13th.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e “Homo Ludens”, Masahisa Fukase’s first book of photographs, finally resurrected after half a century!\u003c\/p\u003e\n\n \u003cp\u003eThis anthology of photographs, taken over more than ten years and edited by Shoji Yamagishi, editor-in-chief of Camera Mainichi, is a collection that marks the origin of Fukase's work and is filled with images and essence that would shape his later creations. It is structured in six sections, each vividly capturing the interaction between photography and life.\u003c\/p\u003e\n\n \u003cp\u003e“To” (Slaughter) features images of Yoko Wanibe, whom Fukase accompanied to a slaughterhouse, juxtaposing the butchering of cattle with Yoko posing in a black cape. “Kotobuki” (Congratulations) candidly depicts his life with Yoko shortly after their marriage, in the style of a personal novel. “Gi” (Frolic) portrays the Shinjuku underground scene, where Fukase went after leaving the house he shared with Yoko, and the lifestyle of young people living in groups. “Mei” (Memento), one of his early works, revisits the pregnancy of his former partner, Yukiyo Kawakami, with whom he lived for eight years. “Haha” (Mother) and “Fu” (Music) capture scenes of Yoko and her mother.\u003c\/p\u003e\n\n\u003cp\u003e Through these sections, \"Homo Ludens\" conveys the mutual interaction of all living beings and the contradictory but interconnected phenomena of life and death, of encounter and separation. \u003cbr\u003eFukase's lens is turned inward, focusing on himself and those close to him. The images explore the essence of life as a form of play, with raw and unwavering honesty. This first book of photographs is a powerful testament to Fukase's vision.\u003c\/p\u003e\n\n\u003cp\u003e This new reprinted edition includes all the photographs and texts from the original version and has been designed with an emphasis on the relationship between the images and the surrounding negative space. This approach provides a timeless response to Fukase's vision.\u003cbr\u003e \"Homo Ludens\" remains an important work, and this new edition offers a renewed perspective not only on Fukase's work, but also on the act of seeing itself and on our own existence.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":52411258700108,"sku":null,"price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/Masahisa-FUKASE_HomoLudens.jpg?v=1745506118"},{"product_id":"fukase-homo-ludens-first-edition","title":"Masahisa Fukase - Yugi\/Homo Ludens","description":"\u003cp\u003e \u003cstrong\u003eFukase\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003eHomo Ludens (first edition)\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by \u003cspan\u003eChuo Koronsha, 1971\u003cbr\u003e Size: 26.5 x 22 cm\u003cbr\u003e\u003c\/span\u003e 120 pages\u003cbr\u003e The obi is missing from the back cover.\u003cbr\u003e Good overall condition\u003c\/p\u003e\n\n \u003cp\u003eThis monograph is part of the Eizo No Gendai series (No. 4 of 10 issues).\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e This anthology of photographs, taken over more than ten years and edited by Shoji Yamagishi, editor-in-chief of Camera Mainichi, is a collection that marks the origin of Fukase's work and is filled with images and essence that would shape Fukase's later creations. It is structured into six sections, each vividly capturing the interaction between photography and life.\u003c\/p\u003e\n\n \u003cp\u003e“To” (Slaughter) features footage of Yoko Wanibe, whom Fukase accompanied to a slaughterhouse, juxtaposing the dismemberment of cattle with Yoko posing in a black cape. “Kotobuki” (Congratulations) straightforwardly depicts his life with Yoko shortly after their marriage, like a private-story novel. “Gi” (Frolic) depicts the Shinjuku underground scene Fukase went to after leaving the house he shared with Yoko, as well as the lifestyle of young people living in groups. “Mei” (Memento), one of his earliest works, revisits the pregnancy of his former partner, Yukiyo Kawakami, with whom he lived for eight years. “Haha” (Mother) and “Fu” (Music) capture scenes of Yoko and her mother.\u003c\/p\u003e\n\n\u003cp\u003e Through these sections, \"Homo Ludens\" conveys the mutual interaction of all living beings and the contradictory but interconnected phenomena of life and death, encounter and separation. \u003cbr\u003eFukase's lens is focused on himself and those close to him. The images explore the essence of life as a form of play, with raw and unwavering honesty. This debut photobook is a powerful testament to Fukase's vision.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":52613713461580,"sku":"","price":2400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/MASAHISA-FUKASE_HOMOLUDENS_1stedition-cover.png?v=1748008086"},{"product_id":"fusako-kodama","title":"Fusako Kodama - 1960\/80","description":"\u003cp\u003e \u003cstrong\u003eFusako Kodama\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003e1960\/80\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan\u003ePublished by Chose Commune, April 2025\u003cbr\u003e Size: 22 x 26 cm\u003cbr\u003e 168 pages\u003cbr\u003e Hardcover\u003cbr\u003e Language: French \/ English \/ Japanese\u003cbr\u003e ISBN: 979-10-96383-43-6\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eMovement, always; disorder, sometimes; gestures, carefree and instinctive: Fusako Kodama captures forward momentum. 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This work is a continuation of Chose Commune's approach, which contributes to highlighting contemporary Japanese photographers beyond their country of origin.\u003c\/span\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":52872059093324,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/Fusako-KODAMA_1960_80.png?v=1751708589"},{"product_id":"maude-arsenault-resurfacing","title":"Maude Arsenault - Resurfacing","description":"\u003cp\u003e \u003cstrong\u003eMaude Arsenault\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003eResurfacing\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Deadbeat Club, 2020\u003cbr\u003e Size: 31 x 24 cm\u003cbr\u003e 96 pages\u003cbr\u003e Softcover\u003c\/p\u003e\n\n\u003cp\u003e Following his first monograph\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEntangled\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Deadbeat Club, 2020)\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eResurfacing\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eMaude Arsenault's visual poetry deepens with a continuous and honest exploration of the female experience. Time passes; family life fractures and cracks with it. Surfaces fissure beneath a varnish of calm and soft tones, while the folds and crevices mirror a newly reclaimed inner body.\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eResurfacing\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an essential extension of her work, translating the delicate and discreet power of her images into a tactile and textured design, giving breadth and rhythm to Arsenault's feminist visual language.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":53388113346892,"sku":null,"price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/Maude-ARSENAULT_Resurfacing.jpg?v=1758204982"},{"product_id":"junjing-lee-thing","title":"Jungjin Lee - Thing (signé)","description":"\u003cp\u003e \u003cstrong\u003eJungjin Lee\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003eThing\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Datz Press, 2025\u003cbr\u003e Size: 34.5 x 27.5\u003cbr\u003e 66 pages\u003cbr\u003e Hardcover\u003cbr\u003e \u003cstrong\u003eThis product is being imported from South Korea; there may be a delay in order processing.\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003e“For me, photographs are not an outcome, but a tool. Rather than reproducing reality or reconstructing visual beauty, they serve as the basis for fundamental reflection: thoughts that cannot be expressed in words, ideas that cannot be stated or emphasized in a single way, moments that are neither fluid nor still, an interruption in an infinitely open space, silent yet intense, surreal fragments of everyday life, and metaphorical means of expression. This is how the images were chosen. The Thing series, unlike my previous work, stems from something closer to me, something familiar. This familiarity comes from the act of waiting and a secret communication between myself and objects. This familiarity, in turn, becomes unknown through the void of thought. The void, like the white space in a photograph, makes objects dream.” – Jungjin Lee, 2025\u003c\/p\u003e\n\n \u003cp\u003eJungjin Lee's \"Thing\" series comprises works capturing everyday objects in intimate close-ups, which are then printed in black and white on handmade Korean paper. Through a meditative shooting process, the artist distills the essence of the subject, removing all superfluous elements. Backgrounds and shadows are eliminated, forms are simplified, while the empty spaces are filled with the artist's internalized emotions and thoughts. The white spaces surrounding each dark object reflect, in particular, the Eastern concept of \"emptiness\" present in painting and calligraphy. Through this blank space, the objects acquire new meaning. Lee raises questions about the artistic role of exploring and expressing the essence of existence through observation.\u003c\/p\u003e\n\n \u003cp\u003eThis series occupies a unique and distinctive place in the artist's oeuvre, which generally consists of landscapes. The vitality of the \"Thing\" series, unchanged for 20 years, is now transformed into an elegant object through the use of hanji (handmade Korean paper) and traditional hand-binding techniques. We are proud to present \"Thing,\" an artist's book of striking presence, created in collaboration between Jungjin Lee and Datz Press, which embodies Korean materials and characteristics.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":53411060973900,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/Junjing-LEE_Thing.png?v=1758382219"},{"product_id":"sayuri-ichida-absentee-portfolio","title":"FIREWORD - BIRDS","description":"\u003cp\u003e\u003cstrong\u003eMasao Yamamoto \u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eBIRDS\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by Benrido, 2020\u003cbr\u003eSize 20,5 x 25,5 cm\u003cbr\u003ePortfolio of 6 collotypes, black and white\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs part of Benrido’s mini-portfolio series, Yamamoto Masao mini-portfolio brings together a selection of well-known works focusing on his imagery of birds. Within a selection of six previously published images have been selected by the artist and printed in colour by the collotype printers at Benrido studio.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- publisher statement\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eAs part of Benrido's mini-portfolio series, Yamamoto Masao's mini-portfolio brings together a selection of well-known works focusing on his bird imagery. From a selection of six previously published images have been selected by the artist and printed in colour by the collotype printers at Benrido Studio.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e- editor's writings \u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":53642801119564,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/Sayuri-ICHIDA_Absentee_benrido.jpg?v=1760872259"},{"product_id":"sayuri-ichida-ctrl-shift-j","title":"Sayuri Ichida - Ctrl Shift + J","description":"\u003cp\u003e \u003cstrong\u003eSayuri Ichida\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eCtrl Shift + J\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003ePublished by The(M) éditions and Ibasho, October 2025\u003cbr\u003e Size: 21 x 17 cm\u003cbr\u003e 50-page leporello\u003cbr\u003e \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLimited edition of 500 copies\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e “I constantly wonder where I belong. This series explores the psychological impact of migration and uprooting that have marked my life. The title is inspired by the keyboard shortcut I use to write in Japanese, an indirect reference to my origins.\u003c\/p\u003e\n\n \u003cp data-rte-preserve-empty=\"true\" class=\"whitespace-normal\"\u003eThe series draws on my personal history, that of a family relocated when I started elementary school. Transferred to Niigata Prefecture, over 1,000 km from our hometown, my father took us far from the big city to a rural village. Our strong Kyushu accent, from the southern region, marked us as outsiders. The adjustment was difficult for each of us. These successive moves during my childhood instilled in me an inability to put down roots anywhere, a persistent dissonance with any territory. This fracture and the resulting quest for belonging became the core of my identity.\u003c\/p\u003e\n\n\u003cp data-rte-preserve-empty=\"true\" class=\"whitespace-normal\"\u003e A few years ago, a DNA test revealed an unexpected British ancestry. This discovery led me, as if by chance, to the homeland of my enigmatic great-great-grandfather. In this unforeseen connection, I find an echo of his experience as a stranger in an unfamiliar land, a reflection of my own self-imposed exile in the United Kingdom.\u003c\/p\u003e\n\n \u003cp data-rte-preserve-empty=\"true\" class=\"whitespace-normal\"\u003eThis series brings together a multitude of subjects: fragments of architecture, an old passport photo of my grandfather, faces of unknown relatives in the family album... Incoherent geometric shapes emerge in the images to amplify this feeling of not belonging, disturbing the gaze with their strangeness.\u003c\/p\u003e\n\n\u003cp data-rte-preserve-empty=\"true\" class=\"whitespace-normal\"\u003e With Ctrl Shift + J, I invite the viewer to introspect, to confront their own experiences of displacement and the search for a place to be themselves.”\u003c\/p\u003e\n\n\u003cp data-rte-preserve-empty=\"true\" class=\"whitespace-normal\"\u003e Sayuri Ichida\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":53642823762252,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/Sayuri-ICHIDA_CtrlShift.jpg?v=1760872708"},{"product_id":"so-it-goes-so-it-goes-so-it-goes-so-it-goes","title":"Miho Kajioka - So it goes, so it goes, so it goes, so it goes","description":"\u003cp\u003e\u003cstrong\u003eMiho Kajioka\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eso it goes, so it goes, so it goes, so it goes\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePublié par The (M) editions \u0026amp; IBASHO, octobre 2025\u003cbr\u003eTaille : 21 x 16 cm\u003cbr\u003eCouverture souple\u003cbr\u003e160 pages\u003cbr\u003eLangues : Anglais\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eCe nouveau livre est une édition revue et augmentée du livre \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eso it goes, so it goes, so it goes, \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003elui même édition revue et augmentée du livre \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eso it goes\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e primé par le Prix Nadar en 2019. Cette édition est dotée d'une nouvelle couverture et d'une série d'images presque intégralement renouvelée.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDans ce livre, Miho Kajioka présente un travail relatif aux concepts de temps, de mémoire et de lieu. Comme dans ses œuvres précédentes, la série révèle des images intuitives de fragments de son quotidien, à différentes époques. C’est en lisant le roman de Kurt Vonnegut, Slaughterhouse-five, que Miho Kajioka s’est véritablement intéressée à ce sujet.\u003cbr\u003eMiho Kajioka est fascinée par la chronologie et le sens des événements. Selon elle, la photographie capture des moments et les fige ; afficher des impressions, c'est comme jouer avec le sens du temps et se perdre dans cette chronologie.\u003c\/span\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":55954196431180,"sku":null,"price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/Miho-KAJIOKA_Soitgoes.jpg?v=1763732156"},{"product_id":"rinko-kawauchi-masatake-shinohara-inhabiting-light","title":"Rinko Kawauchi \u0026 Masatake Shinohara - Inhabiting Light","description":"\u003cp\u003e\u003cstrong\u003eRinko Kawauchi \u0026amp; Masatake Shinohara\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eInhabiting Light - Dialogue on the Edge of the Everyday World\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003ePublié par Torch Press, 2025\u003cbr\u003eTaille : 25,2 x 18 cm\u003cbr\u003e136 pages\u003cbr\u003eLangues : Japonais, Anglais\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan dir=\"auto\"\u003eCette publication se présente comme un dialogue entre textes et photographies. Rinko Kawauchi répond par des photographies au texte du philosophe Masatake Shinohara, qui lui répond à son tour par des mots. Au moment d'écrire, Shinohara confie s'être souvent souvenu des propos de Kawauchi : « Ce qui importe dans une photo, c'est la manière de la prendre, plus que ce qu'on y photographie. »\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan dir=\"auto\"\u003e«\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan dir=\"auto\"\u003eEn réalité, nous faisons l’expérience de quelque chose. Lorsque nous faisons cette expérience, il est important de se demander comment elle a pu apparaître dans ce monde. (…) Au fil de mes échanges avec Kawauchi, j’ai compris que l’enjeu des réactions aux photographies résidait dans l’orientation de la pensée vers la dimension où les choses se produisent : le lieu d’où émerge la réalité. Cette dimension se cache derrière la surface du monde quotidien dans lequel nous vivons.\u003c\/span\u003e\u003c\/em\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003e» – Extrait de la postface. Vous y découvrirez les différentes sensations et émotions qui se dégagent des photographies, et le fil conducteur de la pensée qui se déploie à travers ces manifestations prend vie sous forme de mots. Texte et photographie s’entremêlent pour explorer les profondeurs de la « lumière » en tant que sujet.\u003c\/span\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":56271436251468,"sku":null,"price":42.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/Rinko-KAWAUCHI_InhabitingLight.jpg?v=1766075987"},{"product_id":"christine-furuya-gossler-photographs-1978-1985","title":"Christine Furuya-Gössler - Photographs (1978-1985)","description":"\u003cp\u003e\u003cstrong\u003eChristine Furuya-Gössler \u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003ePhotographs (1978-1985)\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePublié par Chose Commune, juin 2025\u003cbr\u003eTaille : 24 x 17 cm\u003cbr\u003e208 pages\u003cbr\u003eCouverture souple\u003cbr\u003eLangue anglais, japonais, français\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAvant tout connue à travers les yeux de son mari Seiichi Furuya dont elle fut la muse, Christine Furuya-Gössler commence à photographier en 1978, lorsqu’ils se rencontrent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePhotographe du réel, elle offre à voir à travers une vision singulière son intimité et son rapport au monde. Christine Furuya-Gössler photographie sa famille, les moments de partage, de fête et ses voyages, tout en mettant à distance celui qui tente de saisir son personnage. La mélancolie palpable qui flotte dans les images laisse entrevoir son monde intérieur sans pour autant permettre de la saisir et la comprendre tout à fait. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComposé de plus de 120 photographies, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003ePhotographs (1978-1985) \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eest un livre inédit, puisqu’il montre pour la première fois le travail de Christine Furuya-Gössler, qui n’a jamais été exposé, ni montré. 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À travers une superposition complexe de plans, Agake recrée les souvenirs et l’émerveillement de son enfance et immortalise la croissance de son propre fils, tout en puisant dans les traditions et les techniques de l’histoire de la photographie japonaise. Mais loin de se contenter d’offrir une simple dose de nostalgie, « Roganfudoki » ouvre des portes entre le présent et le passé, entre les souvenirs et les rêves encore inassouvis.\u003c\/p\u003e\n\u003cp\u003e« L’une des motivations fondamentales de la photographie est peut-être l’anticipation de la perte. En retraçant les techniques d’il y a un siècle, Agake se projette dans un avenir où ce qui existe aujourd’hui disparaîtra. 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De l’hiver au printemps, puis à l’été, à l’automne et de nouveau à l’hiver, Kawashima suit Mirai dans ses aventures quotidiennes au cœur des paysages ruraux et traditionnels de l’île. Ce qui distingue « Mirai-chan » des autres séries consacrées aux jeunes enfants, c’est la grande variété des situations, la finesse de l’approche de Kawashima, l’extraordinaire expressivité de Mirai, ainsi que le ton à la fois léger et respectueux des photographies. Bien que ses clichés soient empreints d’un regard attendri, Kawashima prend Mirai et ses expériences très au sérieux.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Kotori Kawashima","offers":[{"title":"Default Title","offer_id":57297726865740,"sku":"ECHO-KAWK-002","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/82491b41-f14e-4c9f-8e81-f73a83d9e305-l.jpg?v=1776869280"},{"product_id":"while-leaves-are-falling-signed","title":"Kaneyama Takahiro - While leaves are falling… (SIGNED)","description":"\u003cp\u003e\u003cstrong\u003eKaneyama Takahiro\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eWhile leaves are falling…\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHardcover \u003cbr\u003e310 × 220mm \u003cbr\u003eISBN 978-4-86541-057-0 \u003cbr\u003eJanuary 2017\u003c\/p\u003e\n\u003cp\u003eWhile Leaves Are Falling s'articule autour de la mère de Takahiro Kaneyama et des deux tantes qui l'ont élevé. La mère de Kaneyama est schizophrène. Elle a été diagnostiquée il y a de nombreuses années et doit régulièrement être hospitalisée. Selon ses propres mots dans la déclaration de l'artiste, Kaneyama a initialement commencé à prendre des photos pour prouver à sa mère qui elle est réellement. Au fil du temps, alors que le fossé émotionnel se creusait et que la maladie faisait des ravages dans la famille, les photos sont plutôt devenues un moyen « d'accepter les changements qui ont eu lieu et ceux qui sont encore à venir ».\u003c\/p\u003e\n\u003cp\u003eLe livre de photos qui en résulte, While Leaves Are Falling, est un portrait de famille unique en son genre. Kaneyama ne cherche pas à cacher les effets horribles de la maladie sur sa mère (sur certaines photos, elle regarde l'appareil photo de Kaneyama avec ce qui semble être du mépris) et a inclus des photos de sa mère lorsqu'elle était jeune et pleine d'énergie. La force de ce livre réside dans la grâce et l'humour avec lesquels Kaneyama a choisi d'affronter la situation de sa famille.\u003c\/p\u003e\n\u003cp\u003e« Je pensais que les souvenirs s'estomperaient progressivement avec le temps, mais même 25 ans après l'hospitalisation de ma mère, je me surprends souvent à comparer ma mère d'aujourd'hui à celle de mes souvenirs. Avec le recul, l'une des principales raisons pour lesquelles j'ai déménagé à New York était que je ne pouvais pas accepter le fait que ma mère soit devenue schizophrène. Cependant, j'ai rapidement compris que la distance physique n'était pas synonyme de distance émotionnelle [...] ».\u003c\/p\u003e","brand":"Kaneyama Takahiro","offers":[{"title":"Default Title","offer_id":57298026922316,"sku":"KT-000001","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/7cf75ca7-d62d-4b34-9c67-f7917226dc70-l.jpg?v=1776252538"},{"product_id":"selected-works-1","title":"Toshiya Watanabe - Selected Works","description":"\u003cp\u003e\u003cstrong\u003eToshiya Watanabe\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eSelected Works\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePublié par Benrido, 2011\u003cbr\u003eTaille : 25.4 x 20.3 cm \u003cbr\u003eCouverture Rigide \u003cbr\u003esigné \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv data-test-render-count=\"1\"\u003e\n\u003cdiv class=\"group\" style=\"height: auto; opacity: 1; transform: none;\"\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003cdiv data-is-streaming=\"false\" class=\"group relative relative pb-[var(--msg-assistant-pb,0.75rem)]\" style=\"opacity: 1; transform: none;\"\u003e\n\u003cdiv class=\"font-claude-response relative leading-[1.65rem] [\u0026amp;_pre\u0026gt;div]:bg-bg-000\/50 [\u0026amp;_pre\u0026gt;div]:border-0.5 [\u0026amp;_pre\u0026gt;div]:border-border-400 [\u0026amp;_.ignore-pre-bg\u0026gt;div]:bg-transparent [\u0026amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [\u0026amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3 standard-markdown\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003e6 tirages en collotypie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eUn portfolio en collotype composé de six pièces sélectionnées dans la série \u003cem\u003e« Somewhere not Here »\u003c\/em\u003e de Toshiya Watanabe. À l'aide d'un filtre infrarouge, les images transforment le feuillage en blanc et le ciel en noir, capturant des paysages réels — fleurs, oiseaux, ponts — tout en dégageant une qualité onirique. Il en résulte des images fantastiques qui semblent guider le spectateur vers les profondeurs de la conscience imaginaire de l'artiste.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"ml-1 mt-6 flex items-center transition-transform duration-300 ease-out\"\u003e\n\u003cdiv class=\"p-1 -translate-x-px\"\u003e\n\u003cdiv aria-hidden=\"true\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Toshiya Watanabe","offers":[{"title":"Default Title","offer_id":57621434204492,"sku":"ECHO-WATT-001","price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/209975bd-df6e-48dd-a10f-5faa685b3fc5-l_e7a826a6-900b-4408-8705-f0766f428b87.png?v=1780455080"},{"product_id":"skinship-signed","title":"Takako Kido - Skinship (signed)","description":"\u003cp\u003eTakako Kido\n\u003cbr\u003eSkinship\u003c\/p\u003e\n\n\u003cp\u003ePublié par Ibasho, 2026\n\u003cbr\u003eTaille : 28 x 23 cm\n\u003cbr\u003eCouverture souple\n\u003cbr\u003e124 pages\n\u003cbr\u003ePremière édition limitée à 250 exemplaires, signés par l'artiste. \u003c\/p\u003e\n\n\u003cp\u003e Le terme « skinship » est couramment utilisé au Japon pour décrire le lien intime, tant physique que émotionnel, qui unit une mère à son enfant, ainsi que les autres membres de la famille. Kido a été arrêtée aux États-Unis, où elle vivait et travaillait, pour avoir réalisé des photographies jugées controversées, mais elle reste déterminée à montrer, à travers son œuvre, la force des liens familiaux.\u003c\/p\u003e\n\n\u003cp\u003eLe « skinship » est considéré comme une condition préalable importante au développement sain des relations familiales en général, et en particulier entre parents et enfants. De l'allaitement maternel aux câlins, en passant par les jeux turbulents et même les bains pris ensemble, ces interactions physiques expriment un attachement profond. En se sentant aimé par le toucher, un enfant apprend également à transmettre ce sentiment aux autres plus tard dans sa vie. Cela est également considéré comme essentiel à un développement sain. Avec l'essor des styles d'éducation occidentaux, ces rituels japonais d'éducation des enfants sont progressivement tombés en désuétude.\u003c\/p\u003e","brand":"Takako Kido","offers":[{"title":"Default Title","offer_id":57662574723404,"sku":"ECHO-KIDT-001","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/9da54873-f806-4d81-b630-39907e982298-l.png?v=1780022734"},{"product_id":"kotori-kawashima-vocalise","title":"Kotori Kawashima - Vocalise","description":"\u003cp\u003e\u003cstrong\u003eKotori Kawashima\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eVocalise\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePublié par Little More, 2011\u003cbr\u003eTaille : 15 x 11 cm\u003cbr\u003eCouverture Rigide \u003cbr\u003eExemplaire signé \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUne observation intime et suspendue de l’enfance entre Tokyo et Paris. Kawashima capte des gestes infimes—manger, errer, regarder—où rien ne semble se passer, mais où tout se ressent. Publié en 2011, l’ouvrage s’impose comme une référence du photobook japonais contemporain, proche de la sensibilité de Rinko Kawauchi. Son format compact et délicat renforce cette impression de mémoire fugace, presque tactile.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":57782890660172,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/Kotori.jpg?v=1781357496"},{"product_id":"mika-ninagawa-eternity-in-a-moment-vol-1","title":"Mika Ninagawa – Eternity in a Moment Vol 1","description":"\u003cp\u003e\u003cstrong\u003eMika Ninagawa\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eEternity in a Moment Vol 1\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePublié par \u003cspan class=\"h5\"\u003eAkio Nagasawa\u003c\/span\u003e, Case Publishing, 2024\u003cbr\u003eTaille : 21 x 28 cm\u003cbr\u003e\u003cspan class=\"h5\"\u003e96\u003c\/span\u003e pages\u003cbr\u003eCouverture Souple\u003c\/p\u003e\n\u003cp\u003eMika Ninagawa est connue pour ses photographies éclatantes et ses clichés magiques de la vie quotidienne. Dans « Eternity in a Moment », Ninagawa mêle avec brio des images de la vie urbaine quotidienne à des scènes variées de la faune et de la flore. Ses photos capturent le caractère éphémère de la vie et le potentiel de beauté de chaque instant ; chaque image ne se contente pas de raconter une histoire, mais incarne un univers à part entière. La couleur, pierre angulaire de l’œuvre de Ninagawa, joue un rôle crucial, chaque photographie hyper-vibrante, presque tridimensionnelle, jaillissant de la page – comme si Ninagawa voulait extraire de notre monde toutes les nuances de couleur imaginables. 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Ses photographies, vivantes et variées, capturent le caractère éphémère de la vie et le potentiel de beauté de chaque instant ; chaque image ne se contente pas de raconter une histoire, mais incarne un univers à part entière. La couleur, pierre angulaire de l’œuvre de Ninagawa, joue une fois de plus un rôle central, chaque photographie apparaissant hyper-vibrante et presque tridimensionnelle sur la page, comme si Ninagawa voulait extraire de notre monde toutes les nuances de couleur imaginables.\u003c\/p\u003e\n\u003cp\u003eIl s’agit du volume 2 sur 3.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":57783017767244,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/VOL2.jpg?v=1781358068"},{"product_id":"mika-ninagawa-eternity-in-a-moment-vol-3","title":"Mika Ninagawa - Eternity in a Moment Vol 3","description":"\u003cp\u003e\u003cstrong\u003eMika Ninagawa\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eEternity in a Moment Vol 3\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePublié par \u003cspan class=\"h5\"\u003eAkio Nagasawa\u003c\/span\u003e, Case Publishing, 2024\u003cbr\u003eTaille : 21 x 28 cm\u003cbr\u003e\u003cspan class=\"h5\"\u003e96\u003c\/span\u003e pages\u003cbr\u003eCouverture Souple\u003c\/p\u003e\n\u003cp\u003eÀ travers les trois volumes de « Eternity in a Moment », Mika Ninagawa mêle avec fluidité des images de la vie urbaine quotidienne à des scènes variées de la nature : fleurs, champs, arbres, poissons, insectes et autres animaux. 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La couleur, pierre angulaire de l’œuvre de Ninagawa, joue une fois de plus un rôle central, chaque photographie apparaissant hyper-vibrante et presque tridimensionnelle sur la page, comme si Ninagawa voulait extraire de notre monde toutes les nuances de couleur imaginables.\u003c\/p\u003e\n\u003cp\u003eIl s’agit du volume 3 sur 3.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":57783021044044,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/VOL3.jpg?v=1781358065"},{"product_id":"alexandra-catiere-tout-en-ce-lieu-me-survivra","title":"Alexandra Catiere - Tout en ce lieu me survivra","description":"\u003cp\u003e\u003cstrong\u003eAlexandra Catiere \u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eTout en ce lieu me survivra\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePublié par The(M) éditions, 2026 \u003cbr\u003eTaille : 17×22,7cm \u003cbr\u003eTexte (français \/ anglais) : Bertrand Schefer \u003cbr\u003eDesign : Tomasz Laczny \u003cbr\u003e128 pages \u003cbr\u003eISBN : 978-2-488757-03-4 \u003cbr\u003eÉdition limitée à 500 exemplaires numérotés (accompagnés d’un petit tirage original unique (3×5cm) collé en fin d’ouvrage)\u003c\/p\u003e\n\u003cp\u003eL’artiste explore la mémoire du paysage en superposant images et traces du temps. À travers une pratique expérimentale du tirage argentique, différentes temporalités se rencontrent et dialoguent au sein d’une même image. Le paysage s’y révèle en mouvement, traversé par ce qui persiste, s’efface ou réapparaît.\u003c\/p\u003e\n\u003cp\u003e“Je suis à nouveau dans le jardin, j’essaie d’entendre la voix des choses, de comprendre où elles nous mènent. Fleurs coupées, palmier, assiette. Et puis quelques bouquets. Plus loin une eau vaseuse, sans horizon, et en tournant la tête ce même arbre, pourtant différent à chaque regard, devant un ciel offusqué par des matières changeantes. Je me laisse porter un instant par cette ronde étrange, je suis de moins en moins sûr de pouvoir saisir la direction des choses, quand tout à coup le souvenir de notre conversation me revient et je m’aperçois que je cherchais un récit là où il y avait une histoire plus vaste, évidente, dépliée sous mes yeux depuis le début. Soudain je peux en nommer chaque élément, en ordonner chaque chapitre : c’est une nature peinte, un livre de peinture. Une photo qui fait et refait de la peinture – qui la reparcourt en totalité. Je reviens sur mes pas et j’ai devant moi toute l’histoire des images. La chronologie même y est, depuis les origines. Frise de bovidés paléolithiques, leur procession suivant une courbe creusée par l’eau dans le relief du paysage. Corbeille de fruits échappée d’une fresque pompéienne, feuillage insondable de la Villa Livia. Prédelles du Saint François de Giotto, avec son arbre solitaire dressé sur le fond d’or craquelé comme une terre desséchée. Main extraite d’une étude anatomique d’un maître de la Renaissance. Vanités. Natures mortes hollandaises. Chardin. Gainsborough. Nymphéas. Bouquets d’Odilon Redon. Mais aussi premiers daguerréotypes. Tirages négatifs et solarisations surréalistes. Ce long mouvement de peinture qui tend la main à la photographie a quelque chose de poignant. A vrai dire je ne sais pas dans quelle direction va ce mouvement : s’il régresse vers les commencements ou si plutôt il en part et nous apporte dans un grand ressac des images qui nous font revivre sur une ligne de crête l’histoire de la peinture jusqu’à l’apparition du nouveau médium photographique – et jusqu’aux épreuves que voici, qu’on dirait prises dans la fragilité des commencements, pas encore détachées de leur antiquité. 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