{"title":"LIVRES - TVA 5,5%","description":"","products":[{"product_id":"chad-moore_memoria","title":"Chad Moore - Memoria","description":"\u003cp\u003e\u003cb\u003eChad Moore\u003cbr\u003e \u003cem\u003eMemoria\u003c\/em\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Pacific and agnès b., 2019\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003e144 pages\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003eHardcover\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003eLimited Edition of 750 copies.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"fr\"\u003ePacific has partnered with agnès b. galerie boutique Tokyo to produce Memoria, the first hardcover publication by photographer Chad Moore. Memoria includes 100 images of Moore’s choosing, featuring both luminous landscapes and intimate portraits, photos of friends who appear together and alone, euphoric and isolated. A short text by artist and poet Jack Walls caps the book.\u003c\/span\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31740150579252,"sku":"","price":150.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/CHADMOORE_MEMORIA_COUV.jpg?v=1586522831"},{"product_id":"masao-yamamoto-bonsai","title":"Masao Yamamoto - Bonsai","description":"\u003cp\u003e \u003cstrong\u003eMasao Yamamoto\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eBonsai\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by T\u0026amp;M Projects, 2019\u003cbr\u003e Size: 240 × 210 mm\u003cbr\u003e 66 Pages\u003cbr\u003e Softcover (Japanese Binding)\u003cbr\u003e Languages: English, Japanese\u003cbr\u003e ISBN 978-4-909442-10-9\u003c\/p\u003e\n\n \u003cp\u003eBonsai embody several contradictions. They are natural objects constrained by artificial forms. They obey the will of their owner, yet freely decide their growth. They take years to cultivate, yet require daily attention. In \"Bonsai - Microcosms Macrocosms,\" Masao Yamamoto has captured their beauty—these essential Japanese objects—in fascinating sepia-toned images. Using different horizons (such as the famous Mount Fuji) as well as different techniques or styles, Yamamoto treats each of the trees in his photographs with care and respect, emphasizing their dual presence as artificial objects and fragments of nature. The book concludes with an essay by artist Akiyama Minoru (Japanese and English translation).\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31752365998132,"sku":"","price":130.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/MASAO_YAMAMOTO_BONSAI_couv.jpg?v=1585148472"},{"product_id":"hiro-kikai-tokyo-labyrinth","title":"Hiroh Kikai - Tokyo Labyrinth","description":"\u003cp\u003e \u003cstrong\u003eHiroh Kikai\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eTokyo Labyrinth\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Shogakukan, Japan, 1999 \u003cbr\u003eSize: 23.4 x 21 x 1.5cm\u003cbr\u003e 117 Pages\u003cbr\u003e Hardcorver\u003cbr\u003e Good condition\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e Hiroh Kikai's Tokyo Labryinth captures 30 years of the photographer's urban landscape. Taken between 1976 and 1989 in the old suburbs of downtown Tokyo, Kikai's images explore the urban landscape of cities without the presence of their inhabitants.\u003cbr\u003e \u003cbr\u003e\"Kikai's images combine a careful description of place with elegant abstraction; windows, laundry, pipes, and telephone lines are reduced to lines and planes. However rigorous his compositions, Kikai is essentially a humanist interested in people and how they live. He describes his work as asking the question, 'What does it mean to be human?' Kikai's images affectionately describe the details of human existence in one of the most cramped cities on earth, expressing the eloquence of the commonplace, the streets and alleys of modest neighborhoods with formal precision and an eye for the surreal. With an economy of means, Kikai's work projects honesty and a deep respect for the evidence of time and humanity.\"\u003cbr\u003e\u003cbr\u003e Yancy Richardson Gallery New York excerpt from the exhibition press release.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31752389525556,"sku":"","price":190.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/HIROHKIKAI_TOKYOLABYRINTH_COUV2.jpg?v=1585150367"},{"product_id":"leo-berne-for-the-aliens","title":"Léo Berne - For The Aliens","description":"\u003cp\u003e \u003cem\u003e\u003cstrong\u003eLeo Berne\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eFor The Aliens\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Posted by echo 119, 2016\u003cbr\u003e Size: 23 x 18.3 x 1.7 cm\u003cbr\u003e Softcover\u003cbr\u003e ISBN 978-2-9557730\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e“In his photobook For the Aliens, Léo Berne repurposes his personal image archive to create a visual introduction to life on this planet. With reference images ranging from the simple (an airplane, the color green) to the abstract (melancholy, death), For the Aliens is a guide to Earth for those who have never been a part of it.”\u003c\/em\u003e \u003ca href=\"https:\/\/www.format.com\/magazine\/galleries\/photography\/for-the-aliens-leo-berne\"\u003e\u003cspan\u003eformat.com\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003ca href=\"https:\/\/player.vimeo.com\/video\/234867869\" title=\"Leo Berne - For the Aliens\"\u003e\u003cspan\u003eSee the video\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Regular Edition","offer_id":42135393665242,"sku":"","price":65.0,"currency_code":"EUR","in_stock":false},{"title":"Special Edition - Godzilla","offer_id":42135393698010,"sku":"","price":180.0,"currency_code":"EUR","in_stock":false},{"title":"Special Edition - I love you","offer_id":42135393730778,"sku":"","price":180.0,"currency_code":"EUR","in_stock":true},{"title":"Special Edition - red socks","offer_id":42135393763546,"sku":"","price":180.0,"currency_code":"EUR","in_stock":true},{"title":"Special Edition - The Future is Stupid","offer_id":42135393796314,"sku":"","price":180.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/LEOBERNE_FORTHEALIENS_ES_COUV.jpg?v=1607015662"},{"product_id":"sakai-tadaaki-mer-du-japon-1999","title":"SAKAI TADAAKI - SEA OF JAPAN (1999)","description":"\u003cp\u003e \u003cstrong\u003eSAKAI TADAAKI\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eSEA OF JAPAN (1999)\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Tohoku shuppan, 1999 \u003cspan class=\"attribute\"\u003e\u003cbr\u003eBook size 28 x 21 cm\u003cbr\u003e\u003c\/span\u003e \u003cspan class=\"attribute\"\u003ePages 82 pages\u003cbr\u003e Softcover\u003c\/span\u003e\u003cspan class=\"attribute\"\u003e\u003cbr\u003e\u003c\/span\u003e \u003cspan class=\"attribute\"\u003eLanguage Japanese\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003eSakai Tadaaki paints a sublime portrait of life by the Sea of ​​Japan. In the life of fishermen and children and holidaymakers mingle portraits of a sometimes stormy sea.\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan class=\"attribute\"\u003e-----------\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e\u003cspan class=\"attribute\"\u003eSakai Tadaaki paints a sublime portrait of life on the shores of the Sea of ​​Japan. The lives of fishermen and of children on holiday are interspersed with portraits of a sometimes rough sea.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie \u0026co119","offers":[{"title":"Default Title","offer_id":31756480938036,"sku":"","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/SAKAITADAAKI_MERDUJAPON_1999__COUV.jpg?v=1585326080"},{"product_id":"masao-gozu-new-york","title":"Masao Gozu - New York","description":"\u003cp\u003e \u003cstrong\u003eMasao Gozu\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003enew York\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Zen Foto gallery, 2018\u003cbr\u003e Book Size 250 x 175 mm\u003cbr\u003e Pages 152 pages\u003cbr\u003e Binding Hardcover\u003cbr\u003e Language Japanese, English\u003cbr\u003e ISBN 978-4-905453-64-2\u003c\/p\u003e\n\n \u003cp\u003eThis is a special edition hardcover photobook featuring the early works of Masao Gozu. \u003cspan\u003eIn “Windows”, the series Gozu began shooting shortly after moving to Brooklyn in 1971, Gozu photographed the people in New York's immigrant neighborhoods as they looked out of their apartment windows at a passing parade. The two other series included in the book are also portrayals of life in downtown 1970's New York: in “264 Bowery Street” Gozu repeatedly shot a doorstep and the people using it as a resting stop over several months and even years while the “Harry's Bar ” series shows glass windows of a bar and the guests sitting behind them.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e-------------\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003ci\u003eThis is a special edition hardcover photo book featuring Masao Gozu’s early work. In “Windows,” the series began shortly after he moved to Brooklyn in 1971, when he photographed people in New York’s immigrant neighborhoods as they peered out of their apartment windows during a parade. The other two series included in the book are also depictions of life in 1970s downtown New York: in “264 Bowery Street,” Gozu systematically photographed the doorway and the people using it as a rest stop for months and even years, while the “Harry’s Bar” series shows the glass windows of a bar and the patrons inside.\u003c\/i\u003e\u003c\/p\u003e","brand":"Galerie \u0026co119","offers":[{"title":"Default Title","offer_id":31762543640628,"sku":"","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/MasaoGozu-NewYork-COUV.jpg?v=1585662696"},{"product_id":"sasaki-yuichiro-hiroshima-since-august-1945","title":"SASAKI YUICHIRO - Hiroshima since August 1945","description":"\u003cp\u003e \u003cstrong\u003eSASAKI Yuichiro\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003eHiroshima since August 1945\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Asahi Shimbun in 1970 \u003cbr\u003eBook size \u003cspan\u003e25.7×18×1.5 cm\u003c\/span\u003e\u003cbr\u003e Pages \u003cspan\u003e282 pages\u003c\/span\u003e\u003cbr\u003e Soft cover\u003cbr\u003e First edition\u003cbr\u003e Good condition\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e Yuichiro Sasaki, as a native photographer, lived in Hiroshima and took photographs of Hiroshima in the post-war period. In over 30 years, he took more than 100,000 photographs. His images record the devastation caused by the A-bombing and the city's remarkable reconstruction history.\u003c\/p\u003e\n\n\u003cp\u003e ---------\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eYuichiro Sasaki, lived in Hiroshima and took photographs of Hiroshima in the post-war period. Over the course of more than 30 years, he took over 100,000 photographs. His images document the devastation caused by the A-bombing and the remarkable story of the city's reconstruction.\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie \u0026co119","offers":[{"title":"Default Title","offer_id":31762549178420,"sku":"","price":130.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/SASAKI-Yuichiro-Hiroshimasincethebombto1970_couv2.jpg?v=1587831323"},{"product_id":"araki-nobuyoshi-sentimentaru-na-tabi-fuyu-no-tabi-1991","title":"ARAKI NOBUYOSHI - Sentimentaru na Tabi: Fuyu no Tabi (1991)","description":"\u003cp\u003e\u003cstrong\u003eARAKI Nobuyoshi\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eSentimental na Tabi: Fuyu no Tabi (A Sentimental Journey: A Winter's Journey)\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e Published by Tokyo: Shincho-sha, 1991.\u003cbr\u003e Book size 19.5 x 27 x 2 cm\u003cbr\u003e Pages 124 pages\u003cbr\u003e Cloth binding, illustrated slipcase, black and white photos.\u003cbr\u003e Foreword and captions in Japanese.\u003cbr\u003e First edition\u003cbr\u003e Good condition\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e One of Nobuyoshi Arakı's most touching books, it traces the life of his wife Yoko until her death in 1990. A splendid eulogy and a terrible record of reality...\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31762693390388,"sku":"","price":90.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/ARAKI-sentimentalnatabifuyunotab-COUV.jpg?v=1585669565"},{"product_id":"nobuyoshi-araki-crazy-old-man-a","title":"ARAKI NOBUYOSHI - CRAZY OLD MAN","description":"\u003cp\u003e \u003cstrong\u003eARAKI NOBUYOSHI\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eCRAZY OLD MAN A\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Thircuit, 2015\u003cbr\u003e Book Size 25.9 x 20.5 x 3 cm\u003cbr\u003e Pages 280 pages\u003cbr\u003e Hard cover\u003cbr\u003e Language Japanese, English, French\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e Nobuyoshi Araki's \u003cem\u003eCrazy Old Man A\u003c\/em\u003e contains a series of polaroid snapshots exhibited at the Impossible Space Beijing in 2014.\u003c\/p\u003e\n\n \u003cp\u003eThe polaroid images capture figures and objects which resonate with themes familiar with Araki's works.The female subject returns again within this collection of polaroids, stark and portrayed in a more darker tone, seen through the different layers created in areas where the emulsion has eroded; leaving corners and areas blocked out by black and brown effects. Here the images of Araki's fascination with Kinbaku, and other familiar scenes of flowers modeled with toys signifying both male and female genitalia are coupled with the use of the polaroid medium. The resulting effect is a beautiful yet dark collection of images reflecting important themes within the artist's visual language, the endless cycle of life and death, female eroticism and of his love for his birth place Tokyo, Japan.\u003c\/p\u003e\n\n\u003cp\u003e -----------\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eNobuyoshi Araki's \"Crazy Old Man A\" contains a series of reproductions of Polaroids exhibited at Impossible Space Beijing in 2014.\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003eThe polaroid images capture figures and objects that resonate with themes familiar to Araki’s works. The female subject returns again in this collection of polaroids, stark and depicted in a darker tone, seen through the different layers created in areas where the emulsion has eroded; leaving corners and areas blocked by black and brown effects. Here, images of Araki’s fascination with Kinbaku and other familiar scenes of flowers modeled with toys signifying male and female genitalia are coupled with the use of the polaroid medium. The resulting effect is a beautiful and dark collection of images reflecting important themes in the artist’s visual language, the endless cycle of life and death, female eroticism and her love for her birthplace Tokyo, Japan.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31767172087860,"sku":"","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/ARAKI_THECRAZYOLSMAN_COUV.jpg?v=1586521748"},{"product_id":"jane-evelyn-atwood-rue-des-lombards","title":"JANE EVELYN ATWOOD – RUE DES LOMBARDS","description":"\u003cp\u003e \u003cstrong\u003eJane Evelyn Atwood\u003c\/strong\u003e \u003cbr\u003e\u003cem\u003e\u003cstrong\u003eLombard Street\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Xavier Barral, 2011\u003cbr\u003e Books size: 21.5 × 31.8 cm\u003cbr\u003e Pages 160 pages\u003cbr\u003e Hardcover\u003cbr\u003e B\u0026amp;W photographs\u003cbr\u003e ISBN: 978-2-91517-376-5\u003c\/p\u003e\n\n\u003cp\u003e copyrights Xavier Barral\u003cbr\u003e https:\/\/8co119.co\/shop\/photography\/jane-evelyn-atwood-rue-des-lombards\/\u003c\/p\u003e\n\n\u003cp\u003e At the end of 1975, recently installed in Paris, Jane Evelyn Atwood produced her first photo report, in black and white, in writing simple, efficient and sensitive. From a meeting with a prostitute in the rue des Lombards, she discovers a world where everything fascinates her: extraordinary characters, incredible costumes, looks on men ... The entrance to the building is shabby, the walls filthy, the floor covered in cigarette butts, an overpowering smell of piss, but the desire to get to know these women better will convince Jane Evelyn Atwood to share their lives.\u003cbr\u003e \u003cbr\u003eMore than thirty years later, Xavier Barral editions bring together for the first time all of this little-known work by Jane Evelyn Atwood. A beautiful tribute to these women, to their generosity, and to this Paris at night in the late 1970s.\u003c\/p\u003e\n\n\u003cp\u003e ----------------\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eAt the end of 1975, having recently moved to Paris, Jane Evelyn Atwood produced her first photo report, in black and white, in a style that was simple, effective and sensitive. From an encounter with a prostitute from the rue des Lombards, she discovers a world where everything fascinates her: extraordinary characters, incredible costumes, the way men look at each other... The entrance to the building is shabby, the walls filthy, the floor covered in cigarette butts, an overwhelming smell of piss , but the desire to know these women better will convince Jane Evelyn Atwood to share their lives.\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eMore than thirty years later, Xavier Barral editions bring together for the first time all of this little-known work by Jane Evelyn Atwood. A beautiful tribute to these women, to their generosity, and to this Paris at night in the late 1970s.\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31767191781428,"sku":"","price":45.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/JaneEvelynAtwood_RuedesLombards_couv.jpg?v=1585844049"},{"product_id":"nobuyoshi-araki-photographoary","title":"Nobuyoshi Araki - Photographoary: Photo-Mad Old Man A Turning 77 on 5.25.17","description":"\u003cp\u003e\u003cstrong\u003eNobuyoshi Araki\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003ePhotographoary: Photo-Mad Old Man A Turning 77 on 5.25.17\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e\u003cbr\u003ePublished by Taka Ishii Gallery, 2017\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eFirst Edition\u003cbr\u003e Size: 22.3 x 16.6 x 0.6 cm\u003cbr\u003e\u003c\/span\u003e 120 Pages\u003cbr\u003e \u003cspan\u003eSoftcover\u003cbr\u003e Limited Edition of 500 copies.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003e\"Photopoary: Photo-Mad Old Man A Turning 77 on 5.25.17\" commemorates the exhibition of the same name held at Taka Ishii Gallery in 2017. The works center on Araki's fundamental themes of Eros and Thanatos. Araki, who has faced multiple illnesses such as prostate cancer and central retinal artery occlusion, causing him to lose sight in his right eye, enriches his works by positively incorporating his aging process. \"This is the era of old people. People who fight aging by saying, 'I don't want to be considered old,' are excluded. This is precisely the time to be proud and to expose the transformations brought about by age. There are many things you cannot learn without aging. It is natural for old people to be more attractive than young people because we have experience.\"\u003c\/p\u003e\n\n\u003cp\u003e - Nobuyoshi Araki\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31767243554868,"sku":"","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/ARAKI_PHOTOGRAPHOARYTURNING77_COUV.jpg?v=1585845232"},{"product_id":"araki-nobuyoshi-kyonen-last-year","title":"Nobuyoshi Araki - Kyonen (Last Year)","description":"\u003cp\u003e \u003cb\u003eNobuyoshi Araki\u003cbr\u003e \u003ci\u003eKyonen (last year)\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e \u003cspan\u003ePublished by AaT Room, 2002\u003cbr\u003e Size: 14.7 x 21.8 x 2.5 cm\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e290 Pages\u003c\/span\u003e\u003cbr\u003e Hardcover \u003cspan\u003e\u003cbr\u003eGood condition\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003ePublished by Aat Room and Eyesencia in 2002, Kyonen (last year) is an intimate collection of Araki's everyday photographs. The hardcover publication contains a series of snapshots, photoshoots, social gatherings in bars, and a visual record of Araki's female lovers. The images are both playful and candid; portraits of his models with their genitals marked in black pen by Araki and his sexual interactions sit alongside gatherings with the likes of Bjork, creating a highly personal and unconstrained representation of his entirely subjective view of image-making, what he humorously calls \"i-photography.\"\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31767273046068,"sku":"","price":110.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/araki_kyonen.jpg?v=1739442269"},{"product_id":"araki-nobuyoshi-blue-meteorite","title":"ARAKI NOBUYOSHI - BLUE METEORITE","description":"\u003cp\u003e\u003cstrong\u003eNobuyoshi Araki\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003ci\u003eBlue Meteorite\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003e\u003cbr\u003ePublished by Kyuryudo, 1989\u003cbr\u003e Book size 23.5 x 31 x 2cm\u003cbr\u003e Hardcover\u003cbr\u003e Pages 125 pages\u003cbr\u003e Languages Japanese and English;\u003cbr\u003e First edition\u003cbr\u003e Good condition\u003cbr\u003e\u003cbr\u003e \"Blue Meteorite II Blue Meteorite\" is a book about Japanese dancer Saburo Teshigawara photographed by Araki Nubuyoshi. After studying classical ballet, Saburo Teshigawara began his own creative pursuits in 1981. Teshigahara formed KARAS in 1985, which pursues new artistic expressions. This book begins with original texts and illustrations by Teshigahara and then continues with Araki's many photographs taken during his many performances. At the end of the book, art critic Shunji Ito described photographer Araki Nobuyoshi as follows: \"Single, disappearing quickly, relentless, more sensitive than anyone to crazy beings, reacting sensually like a single love. This is the reason why the photos have a unique light.\"\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31768883691572,"sku":"","price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/Araki_BlueMeteorite_1A.jpg?v=1585924112"},{"product_id":"tokyo-rumando-selfpolaroids","title":"TOKYO RUMANDO - Selfpolaroids","description":"\u003cp\u003e \u003cstrong\u003eTOKYO RUMANDO\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eSelfpolaroids\u003c\/strong\u003e\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublisher: Zen Photo Gallery, 2017\u003cbr\u003e\u003c\/span\u003e Box Size 220 x 220 x 40 mm\u003cbr\u003e Colour photo booklet\u003cbr\u003e Pages 24 pages\u003cbr\u003e Polaroid photo cards 32 cards (color print with UV screen thick varnish) Includingvacuum-sealed personal belongings by the artist\u003cbr\u003e LanguageJapanese, English\u003cbr\u003e Limited edition 700\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e Selfpolaroids is a special box set, bringing together 32 large format postcards of the artist's polaroid selfies (4C), 1 book of Tokyo Rumando's new Peel Apart series (24 pages, 4C), and an original polaroid of the artist.\u003c\/p\u003e\n\n \u003cp\u003e\"I was a highschool student when I first got the polaroid camera. It was a fun gadget to play with friends, as it could quickly capture the moment. This box set includes a selection of my polaroid works from 2005 until now. I used to use the polaroid camera to do testing for my self portraits. Polaroids are like a documentation of reality for me, as I make works that interconnect the present, past, and future. particles like the universe - it gives me an unexplainable sense of exaltation.\" Tokyo Rumando\u003c\/p\u003e\n\n\u003cp\u003e ---\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eSelfpolaroids is a special box set, bringing together 32 large format postcards of the artist's polaroid selfies (4C), 1 book from Tokyo Rumando's new Peel Apart series (24 pages, 4C), and an original polaroid of the artist.\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003e“I was a high school student when I first got a Polaroid camera. It was a fun gadget to play with friends because it could quickly capture the moment. This box set includes a selection of my Polaroid works from 2005 to the present. I used to use the Polaroid camera to do tests for my self-portraits. Polaroids are like a documentation of reality for me because I make works that interconnect the present, past, and future. When I look into their unique colors, I can see many beautiful color particles like the universe - it gives me an inexplicable sense of elation.” Tokyo Rumando\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31770909540404,"sku":"","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/TOKYRUMANDO_SELFPOLAROID_COUV.jpg?v=1650556607"},{"product_id":"tokyo-rumando-s","title":"TOKYO RUMANDO - S","description":"\u003cp\u003e \u003cstrong\u003eTOKYO RUMANDO\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eS\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Zen Foto Gallery, 2018\u003cbr\u003e Book Size 15.5 × 23.0 cm\u003cbr\u003e Pages 136 page\u003cbr\u003e Binding Softcover, slipcase\u003cbr\u003e Language English\u003cbr\u003e Limited Edition 500\u003cbr\u003e ISBN978-4-905453-61-1\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e S is Story\u003cbr\u003e She=S\u003cbr\u003e S=Sexualviolet\u003cbr\u003e S is is\u003cbr\u003e S is Sandglass\u003cbr\u003e Sayonara S\u003c\/p\u003e\n\n \u003cp\u003e―Tokyo Romania\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31770978123828,"sku":"","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/TOKYORUMANDO_S_COUV.jpg?v=1586003965"},{"product_id":"tokyo-rumando-rest-3000-stay-5000","title":"TOKYO RUMANDO - Rest 3000 - Stay 5000","description":"\u003cp\u003e \u003cstrong\u003eTOKYO RUMANDO\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eRest 3000 - Stay 5000\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Zen Foto Gallery, 2012\u003cbr\u003e Book Size 18.2 × 25.7 cm\u003cbr\u003e Pages 88 pages\u003cbr\u003e Binding Softcover\u003cbr\u003e Signed by the artist\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003ePublished by Zen Foto Gallery, Rest 3000~ Stay 5000~ Tokyo based photographer Tokyo Romando explores the world of the Tokyo's love hotels. Visiting more than 20 love hotels in areas such as Shinjuku, Ikebukuro adn Yoshiwara, Tokyo Romando explores the historical and cultural aspects of the hotels through self-portraiture. Exposing the private worlds of intimacy where excitement, fantasy and love are sought out behind the facade of Japan's well ordered and clean society.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e ---------\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003ePublished by Zen Foto Gallery, Rest 3000 ~ Stay 5000 ~ Tokyo Romando, explores the world of Tokyo's love hotels. Visiting over 20 love hotels in the Shinjuku, Ikebukuro and Yoshiwara districts, Tokyo Romando explores the historical and cultural aspects of the hotels through self-portraiture. Exposing the private worlds of intimacy where excitement, fantasy and love are sought behind the facade of Japan's clean and well-ordered society.\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31770982285364,"sku":"","price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/TOKYORUMANDO_REST3000STAY5000_COUV.jpg?v=1586004293"},{"product_id":"herbie-yamaguchi-you-can-click-away-of-whatever-you-want-that-s-punk","title":"Herbie Yamaguchi - You can click away from whatever you want. That's punk","description":"\u003cp\u003e\u003cstrong\u003eHerbie Yamaguchi\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003e“You can click away from whatever you want. That's punk\" (Signed)\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e Published by Super Labo \u0026amp; Galerie \u0026amp;co 119, 2017\u003cbr\u003e Size 23 x 22 x 0.6 cm\u003cbr\u003e Softcover\u003cbr\u003e First edition\u003cbr\u003e ISBN 978-4-908512-05-6\u003cbr\u003e Special edition available with a signed print (\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e 12.5 x 17.8 cm).\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003ePublished\u003c\/em\u003e on the occasion of the exhibition \"You can click away of whatever you want. That's punk\" at the écho119 gallery, from May 16 to July 8, 2017.\u003c\/p\u003e\n\u003cp\u003e Herbie Yamaguchi was living in London when the Punk movement emerged. He recounts feeling a new wind blowing, especially in music and fashion. Young people with mohawks and leather jackets quickly became favorite subjects for Herbie, a young, aspiring photographer searching for inspiration. Then, in their wake, came the New Wave and New Romantic movements, which allowed Herbie to further develop his photographic approach...\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"REGULAR EDITION","offer_id":42159851438298,"sku":"","price":37.0,"currency_code":"EUR","in_stock":true},{"title":"SPECIAL EDITION A","offer_id":42159851471066,"sku":"","price":120.0,"currency_code":"EUR","in_stock":true},{"title":"SPECIAL EDITION B","offer_id":42159851503834,"sku":"","price":120.0,"currency_code":"EUR","in_stock":true},{"title":"SPECIAL EDITION C","offer_id":42159851536602,"sku":"","price":120.0,"currency_code":"EUR","in_stock":true},{"title":"SPECIAL EDITION D","offer_id":42159851569370,"sku":"","price":120.0,"currency_code":"EUR","in_stock":true},{"title":"SPECIAL EDITION E","offer_id":42159851602138,"sku":"","price":120.0,"currency_code":"EUR","in_stock":true},{"title":"SPECIAL EDITION F","offer_id":42159851634906,"sku":"","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/that_spunk.jpg?v=1587735127"},{"product_id":"toni-amengual-pain","title":"TONI AMENGUAL - PAIN","description":"\u003cp\u003e\u003cstrong\u003eTONI AMENGUAL\u003cbr\u003e\u003cem\u003ePain\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited edition of 500 copies\u003cbr\u003e Numbered 30\/500 and signed by the author.\u003c\/strong\u003e\u003cbr\u003e Book size 21 x 15 cm\u003cbr\u003e Pages 240 pages. 120 photographs.\u003cbr\u003e Designed by Astrid Stavro and Pablo Martín (Atlas).\u003cbr\u003e Printed in 2014 by Gràfiques Orient, Barcelona. \u003cbr\u003eISBN: 978 - 84-616-835-2\u003cbr\u003e Good condition\u003c\/p\u003e\n\u003cp\u003ePAIN is Toni Amengual's first book. Edited by himself, PAIN is a portrait of the current situation of crisis and social cutbacks in Spain.\u003c\/p\u003e\n\u003cp\u003eAll the pictures in the book were taken with a mobile device camera between 2010 and 2012. The final book format is presented two years later, 2014, when politicians and mass media are devoted to convey an optimistic message of recovery. In spite of these messages, the images of the suffering population in the streets presented in the book are still as current as when they were taken. The book is composed by 120 photographs bound in 240 pages and folded in the Japanese way, thus to get to them the pages have to be tore up.\u003c\/p\u003e\n\u003cp\u003e-----------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePAIN is Toni Amengual's first book. Edited by the artist, PAIN is a portrait of the current situation of crisis and social cuts in Spain.\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003ci\u003eAll the photographs in the book were taken with a mobile camera between 2010 and 2012. The final format of the book was presented two years later, in 2014, when politicians and the media were dedicated to conveying an optimistic message of recovery. Despite these messages, the images of the suffering population on the streets presented in the book are still as current as when they were taken a few years earlier. The book is composed of 120 photographs bound in 240 pages and folded in the Japanese style, so to access them the pages must be torn. The author thus subjects the reader to action...\u003c\/i\u003e\u003c\/p\u003e","brand":"Galerie \u0026co119","offers":[{"title":"Default Title","offer_id":31775612502068,"sku":"","price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/toni_amengual_pain_couv.jpg?v=1586187336"},{"product_id":"eliso-tsintsabadze-et-pavel-filkov-little-commentary","title":"Eliso Tsintsabadze \u0026amp; Pavel Filkov - Little Commentary","description":"\u003cp\u003e \u003cstrong\u003eEliso Tsintsabadze \u0026amp; Pavel Filkov\u003cbr\u003e\u003c\/strong\u003e \u003cem\u003e\u003cstrong\u003eLittle Commentary (Signed)\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Gallery\u0026amp;co 119, 2018\u003cbr\u003e Limited Edition of 30 copies.\u003cbr\u003e Portfolio:\u003cbr\u003e 5 Stereographs with glasses\u003cbr\u003e 8 polaroids\u003c\/p\u003e\n\n \u003cp\u003eLittle Commentary is the first major collaboration between artists Eliso Tsintsabadze and Pavel Filkov. They carried out this project in the United States, while Eliso was studying photography at the International Center of Photography in New York. Noting the gap between the idea of ​​a fantasized Wild West and the reality of contemporary landscapes, the project also questions the role that photography plays in the construction and then deconstruction of myths. At the origin of this project, there was the desire to go and discover the Great American West, in this Wild West which was for the two artists the source of so many fantasies dating from this time when, as children, they discovered taken from the great encyclopedias the images of these immense wild expanses reported by American photographers of the 19th and 20th centuries. With their bags and cameras on their backs, Eliso and Pavel set off on a journey, thirsty for wide open spaces and freedom, with the idea of ​​finally encountering this “monumental” nature.\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31775625969716,"sku":"","price":180.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/Eliso_littlecommentary_1.jpg?v=1586188138"},{"product_id":"provoke-provocative-materials-for-thought","title":"PROVOKE: Provocative Materials for Thought","description":"\u003cp\u003e \u003cb\u003e\u003ci\u003eKoji Taki, Takuma Nakahira, Yutaka Takanashi, Takahiko Okada, Daido Moriyama, Gozo Yoshimasu\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cb\u003e\u003ci\u003ePROVOKE: Provocative Materials for Thought\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Nitesha, 2018\u003cbr\u003e 3 PROVOKE magazines\u003cbr\u003e Pages 68 \/ 109 \/ 110 pages\u003cbr\u003e Binding Softcover\u003cbr\u003e Dimensions H210×W210mm, H242×W180mm, H240×185mm\u003cbr\u003e Japanese\/English\/Chinese\u003c\/p\u003e\n\n\u003cp class=\"title-font-4\"\u003e 2018 marked the 50th year since \u003cem\u003eProvoke\u003c\/em\u003e had first been published.\u003c\/p\u003e\n\n \u003cp class=\"title-font-3\"\u003e\u003cem\u003eProvoke\u003c\/em\u003e was first published in November 1968 as a \u003cem\u003edojin-shi\u003c\/em\u003e , or self-published magazine. It was originally conceived by art critic Koji Taki (1928-2011) and photographer Takuma Nakahira (1938-2015), with poet Takahiko Okada (1939-1997) and photographer Yutaka Takanashi as \u003cem\u003edojin\u003c\/em\u003e members. The subtitle for the magazine was “Provocative Materials for Thought”, and each issue was composed of photographs, essays and poems. After releasing the second and third issue with Daido Moriyama as a subsequent member, the group broke up with their last publication \u003cem\u003eFirst, Abandon the World of Pseudo-Certainty\u003c\/em\u003e - an overview edition of the three issues. \u003cem\u003eProvoke\u003c\/em\u003e ’s grainy, blurry, and out-of-focus photographs were initially ridiculous\u003cem\u003e \u003c\/em\u003eand stirred a great deal of controversy, yet it had created a strong impact inside and outside of the photography world during that time. However, today, \u003cem\u003eProvoke\u003c\/em\u003e has become an extremely rare book and very few people have seen the original.\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eProvoke\u003c\/em\u003e has challenged existing photographic conventions and posed fundamental questions of visual perception, in the midst of the social and political upheaval during the late sixties. Now the world is gradually recognizing and re-examining its significance in a multitude of contexts.\u003c\/p\u003e\n\n\u003cp class=\"title-font-3\"\u003e Published as part of \u003cem\u003eThe Japanese Box: Facsimile Reprint of Six Rare Photographic Publications\u003c\/em\u003e \u003cem\u003eof the Provoke Era\u003c\/em\u003e *, \u003cem\u003eProvoke\u003c\/em\u003e 's facsimile reprint has its photographic images cropped approximately 3 mm from the edges for bookbinding purposes. The reprint also does not include texts by Takahiko Okada due to copyright reasons. \u003cem\u003eProvoke Complete Reprint\u003c\/em\u003e by NITESHA maintains the original size of the images and includes all original texts, along with the ones by Takahiko Okada. In addition, the volumes are accompanied by complete English and Chinese translations of the original Japanese texts as a booklet.\u003c\/p\u003e\n\n\u003cp class=\"title-font-3\"\u003e -----------\u003c\/p\u003e\n\n\u003cp class=\"title-font-3\"\u003e \u003cem\u003e2018 marked the 50th anniversary of the publication of Provoke.\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003eProvoke was first published in November 1968 as a dojin-shi, or self-published magazine. It was originally conceived by art critic Koji Taki (1928–2011) and photographer Takuma Nakahira (1938–2015), with poet Takahiko Okada (1939–1997) and photographer Yutaka Takanashi as dojin members. The journal's subtitle was \"Provocative Materials for Thought,\" and each issue consisted of photographs, essays, and poems. After publishing the second and third issues with Daido Moriyama as a guest member, the group broke up with their final publication First, Abandon the World of Pseudo-Certainty — a general edition of all three issues. Provoke's grainy, blurry, and out-of-focus photographs were initially ridiculed and caused much controversy, but they created a strong impact within and outside the photography world during that time. However, today, Provoke has become an extremely rare book and very few people have seen the original.\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003eProvoke challenged existing photographic conventions and posed fundamental questions of visual perception, amidst the social and political upheavals of the late sixties. Today, the world is gradually recognizing and reexamining its importance in a multitude of contexts.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003cem\u003ePublished as part of The Japanese Box: Facsimile Reprints of Six Rare Photographic Publications from the Provoke Era*, the Provoke facsimile reprint has its photographic images cropped approximately 3 mm from the edges for binding purposes. The reprint also does not include Takahiko Okada's texts for copyright reasons. Provoke Complete Reprint by NITESHA retains the original size of the images and includes all of the original texts, as well as those by Takahiko Okada. Additionally, the volumes are accompanied by complete English and Chinese translations of the original Japanese texts in pamphlet form.\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31775662669876,"sku":"","price":105.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/PROVOKE_4COUV.jpg?v=1586277474"},{"product_id":"seiji-kurata-toshi-no-zokei","title":"SEIJI KURATA - Toshi no Zokei","description":"\u003cp\u003e \u003cstrong\u003eSEIJI KURATA\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eToshi no Zokei\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Super Labo, 2015\u003cbr\u003e Book Size 21.6 x 28 cm \u003cspan\u003e(includes sindle gatefold)\u003c\/span\u003e\u003cbr\u003e Pages 32 Pages, 22 images \u003cspan\u003e(b\/w)\u003c\/span\u003e\u003cbr\u003e Binding Softcover \u003cspan\u003e(hand-sewn)\u003c\/span\u003e\u003cbr\u003e Limited Edition 750\u003cbr\u003e \u003cspan\u003e(3 different front cover only one available at the bookshop, each books has been limited of 250 copies)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eISBN 978-4-905052-86-9\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003e“These photographs were taken during the years between 1998 and 2008 using six cameras made by four different manufacturers and films in four different formats. “Zokei” (created landscape), the title of this book, is derived from “paysagement”, a notion presented by a French geographer in his examination of the cityscapes of Tokyo and other megalopolises developing around the world since modern times. The current situation in which there is no model for what “landscape” should aim at seems suitable to our time at a turning point of entire civilization, not to mention technology.\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e-------------\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003e\"These photographs were taken between 1998 and 2008 using six cameras made by four different manufacturers and film in four different formats. \"Zokei\" [created landscape], the title of this book, is derived from \"paysagement\" a notion introduced by a French geographer in his examination of the urban landscapes of Tokyo and other developing megacities around the world. The current situation in which there is no model for what \"country management\" should aim for seems appropriate to our time at a turning point in the entire civilization, not to mention technology.\"\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003ci\u003eEditor's text\u003c\/i\u003e\u003c\/p\u003e","brand":"Galerie \u0026co119","offers":[{"title":"Default Title","offer_id":31779508748340,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/SeijiKURATA_TOSHINOZOKEI_COUV.jpg?v=1586275399"},{"product_id":"leo-berne-edition-speciale-gozilla","title":"Léo Berne - For the Aliens - Gozilla","description":"\u003cp\u003e \u003cem\u003e\u003cstrong\u003eLeo Berne\u003cbr\u003e Special Edition\u003c\/strong\u003e\u003c\/em\u003e \u003cbr\u003e\" \u003cem\u003e\u003cstrong\u003eFor The Aliens\" + print\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e\u003cstrong\u003eThe draw\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e Untitled (Taipei - 2017)\u003cbr\u003e Printed in 2019\u003cbr\u003e Unframed\u003cbr\u003e Signed and Numbered\u003cbr\u003e Size: A5\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cem\u003eThe book\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e Published by\u003cmeta charset=\"utf-8\"\u003e echo 119\u003cbr\u003e First edition, 2016\u003cbr\u003e Softcover\u003cbr\u003e Size: 23cm x 18.3 x 1.7\u003c\/p\u003e\n\n\u003cp\u003e On the occasion of the Leo Berne exhibition, which we are presenting in two parts – From Dawn to Dusk and From Dusk to Dawn, we are launching a limited edition, consisting of the book “For the Aliens” published in 2016 and a numbered and signed photographic print of 30 copies.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31779612295220,"sku":"","price":180.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/LEOBERNE_FORTHEALIENS_ES_COUV_1_8ecdfd08-33ea-44c9-ae3b-859824d24971.jpg?v=1607014166"},{"product_id":"copie-de-leo-berne-special-edition-je-taime","title":"Léo Berne - For the Aliens - I love you","description":"\u003cp\u003e \u003cem\u003e\u003cstrong\u003eLeo Berne\u003cbr\u003e Special Edition\u003cbr\u003e \"\u003c\/strong\u003e\u003c\/em\u003e \u003cem\u003e\u003cstrong\u003eFor The Aliens\" + print\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e\u003cstrong\u003eThe Draw\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e Untitled (Taipei - 2017)\u003cbr\u003e Printed in 2019\u003cbr\u003e Unframed\u003cbr\u003e Signed and Numbered\u003cbr\u003e Size: A5\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cem\u003eThe book\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e Published by\u003cmeta charset=\"utf-8\"\u003e echo 119\u003cbr\u003e First edition, 2016\u003cbr\u003e Softcover\u003cbr\u003e Size: 23cm x 18.3 x 1.7\u003c\/p\u003e\n\n \u003cp\u003eOn the occasion of the Leo Berne exhibition, which we are presenting in two parts – From Dawn to Dusk and From Dusk to Dawn, we are launching a limited edition, consisting of the book “For the Aliens” published in 2016 and a numbered and signed photographic print of 30 copies.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31779621142580,"sku":"","price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/LEOBERNE_FORTHEALIENS_ES_COUV_4.jpg?v=1607015281"},{"product_id":"leo-berne-special-edition-red-socks","title":"Léo Berne - red socks","description":"\u003cp\u003e \u003cem\u003e\u003cstrong\u003eLeo Berne\u003cbr\u003e Special Edition\u003cbr\u003e \"\u003c\/strong\u003e\u003c\/em\u003e \u003cem\u003e\u003cstrong\u003eFor The Aliens\"+ photographic print\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e\u003cstrong\u003eThe photographic print\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e Untitled (Taipei - 2017)\u003cbr\u003e Printed in 2019\u003cbr\u003e Unframed\u003cbr\u003e Signed and numbered by the artist\u003cbr\u003e Pigment print \u003cbr\u003eDimensions: A5\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cem\u003eThe book\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e Publisher: Galerie \u0026amp;co 119\u003cbr\u003e First edition, 2016\u003cbr\u003e Cover: Softcover\u003cbr\u003e Dimensions: 23cm x 18.3 x 1.7\u003c\/p\u003e\n\n\u003cp\u003e On the occasion of Leo Berne's exhibition presenting as a two-part exhibition – \u003cem\u003eFrom Dawn to Dusk\u003c\/em\u003e and \u003cem\u003eFrom Dusk to Dawn\u003c\/em\u003e , we launch a special edition of his book \u003cem\u003eFor the Aliens\u003c\/em\u003e , published in 2016 and a photographic print numbered and signed in 30 copies.\u003c\/p\u003e\n\n\u003cp\u003e ------\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eOn the occasion of the Leo Berne exhibition that we are presenting in two parts – From Dawn to Dusk and From Dusk to Dawn, we are launching a limited edition, consisting of the book “For the Aliens” published in 2016 and a numbered and signed photographic print of 30 copies.\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31779635003444,"sku":"","price":180.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/LEOBERNE_FORTHEALIENS_ES_COUV_3.jpg?v=1607015064"},{"product_id":"leo-berne-special-edition-the-futur-is-stupid","title":"Léo Berne - For the Aliens - The Future is Stupid","description":"\u003cp\u003e \u003cem\u003e\u003cstrong\u003eLeo Berne\u003cbr\u003e Special Edition\u003cbr\u003e \"\u003c\/strong\u003e\u003c\/em\u003e \u003cem\u003e\u003cstrong\u003eFor The Aliens\" + print\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e\u003cstrong\u003eThe draw\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e Untitled (Taipei - 2017)\u003cbr\u003e Printed in 2019\u003cbr\u003e Unframed\u003cbr\u003e Signed and Numbered\u003cbr\u003e Size: A5\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cem\u003eThe book\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e Published by\u003cmeta charset=\"utf-8\"\u003e echo 119\u003cbr\u003e First edition, 2016\u003cbr\u003e Softcover\u003cbr\u003e Size: 23cm x 18.3 x 1.7\u003c\/p\u003e\n\n\u003cp\u003e On the occasion of the Leo Berne exhibition, which we are presenting in two parts – From Dawn to Dusk and From Dusk to Dawn, we are launching a limited edition, consisting of the book “For the Aliens” published in 2016 and a numbered and signed photographic print of 30 copies.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31779641327668,"sku":"","price":180.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/LEOBERNE_FORTHEALIENS_ES_COUV_2.jpg?v=1607014878"},{"product_id":"petra-collins-omg-im-being-killed","title":"PETRA COLLINS – OMG! IM BEING KILLED","description":"\u003cdiv dir=\"ltr\"\u003e\n\n\u003cp\u003e \u003cstrong\u003ePetra Collins\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eOMG I'M BEING KILLED\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Super Labo, 2019\u003cbr\u003e Book size 17.5 x 25 cm\u003cbr\u003e Pages 72 Pages\u003cbr\u003e Binding Softcover\u003cbr\u003e Full color offset\u003cbr\u003e First edition \u003cbr\u003eISBN 978-4-908512-84-1\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv dir=\"ltr\"\u003e In a world where filters give us solace, OMG IM BEING KILLED, is the baby that was born in response to 2019. This book is Petra's ultimate fashion magazine - one that she feels is a good representation of the truth about the age we live in. Filled with unpublished editorials and new works this book offers horrendously satisfying images.\u003c\/div\u003e\n\n\u003cdiv dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\u003cdiv dir=\"ltr\"\u003e ----------\u003c\/div\u003e\n\n\u003cdiv dir=\"ltr\"\u003e\u003c\/div\u003e\n\n\u003cdiv dir=\"ltr\"\u003e\u003c\/div\u003e\n\n\u003cdiv dir=\"ltr\"\u003e \u003cem\u003eIn a world where filters comfort us, OMG IM BEING KILLED, is the baby that was born in response to 2019. This book is Petra's ultimate fashion magazine - one she believes is a true representation of the age we live in. Filled with never-before-seen editorials and new artwork, this book offers some terribly satisfying imagery.\u003c\/em\u003e\n\u003c\/div\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31786060775476,"sku":"","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/PetraCollins_OMG_COUV.jpg?v=1586521383"},{"product_id":"rinko-kawauchi-light-and-shadow","title":"RINKO KAWAUCHI - Light and Shadow","description":"\u003cp\u003e \u003cstrong\u003eRinko Kawauchi\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eLight and Shadow\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Super Labo, 2014\u003cbr\u003e Book size 14.8 x 21 cm\u003cbr\u003e Pages 74 Pages \/ 47 Images (color)\u003cbr\u003e Binding Hardcover\u003cbr\u003e Full color offset \u003cbr\u003eJapanese and English text\u003cbr\u003e Limited edition of 1000\u003cbr\u003e ISBN 978-4-905052-67-8\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e\"April 2011. Ishimaki. Onagawa. Kesennuma. Rikuzentakata. All these places were just so quiet. I realized for the first time how quietness connotes fear. There were no sounds. Instead, there were only fragments of what used to be part of peoples' lives, strewn about in piles on the ground. Against this leveled ground of rubble, the sky looked broader and more expansive than ever. Standing there for a while, I considered the smallness of my existence; so small that even a taste of wind could have blown me away.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eIn that quiet space, I saw a pair of pigeons—one black and one white.\"\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003eRinko Kawauchi\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e----------\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eApril 2011, Rinko Kawauchi discovers the silence of the cities destroyed by the earthquake. She captures this fragile balance between before and after, between light and shadow, symbolized by one of these first photos taken after the disaster of two birds: one white the other black.\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31786092462132,"sku":"","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/2_b592211f-0fed-4819-933b-fc66f035797a.jpg?v=1586511005"},{"product_id":"masahisa-fukase-bukubuku","title":"Masahisa Fukase - Bukubuku","description":"\u003cp\u003e \u003cstrong\u003eMasahisa Fukase\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eBukubuku\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003ePublished by Hysteric Glamor \/ Nobuhiko Kitamura, 2004\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eSize: 26 x 23 x 1 cm\u003cbr\u003e Hardcover\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e This is Fukase's last series before he fell down the stairs in 1992, leaving him in a coma for ten years and until his death. The series consisted of a series of amusing self-portraits in the bathtub, taken with an underwater camera. A rare collector's book.\u003cbr\u003e \u003cbr\u003eFrom Koko Yamagishi's essay: \"Bukubuku is remembered among us as Masahisa Fukase's unpublished work, a series that had been sealed, so to speak. At the time [February 1992], there was, behind the scenes, a growing atmosphere where people had begun to have misgivings about Fukase's confused and failing behaviors. Friends had begun to worry about his living alone, and when the accident occurred, the whole event itself, too, was taken as an incident that characterizes Fukase as a photographer. What strikes me now, looking through Fukase's latest series, is the way in which they were supported by careful examination in order to produce specific images. They were taken carefully as he calmly and precisely settled himself into the tiny, unsteadily floating stainless steel tub. Fukase's act of photography, where the telltale digital numbers showed the date, continued for exactly one month.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31786111402036,"sku":"","price":350.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/FUKASE_bukubuku_COUV.jpg?v=1586506614"},{"product_id":"mahiro-toka-frozen-light","title":"Mahiro Toka - Frozen Light","description":"\u003cp\u003e \u003cstrong\u003eMahiro Toka\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eFrozen Light\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eportraits of the cold winter in Aomori\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Toka Publishing House, 2018\u003cbr\u003e Size: H30cm x W30cm x D3cm\u003cbr\u003e 180 Pages\u003cbr\u003e Softcover\u003c\/p\u003e\n\n\u003cp\u003e Mahiro Toka's Frozen Light is set in Aomori. With over 650 cm of snowfall per year, Aomori is said to be the snow capital of the world. Mahiro Toka captures the lives of the people of Aomori, particularly the high school students who live in this harsh yet beautiful landscape.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31786209476660,"sku":"","price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/MAHIROTOKA_frozenlight_couv.jpg?v=1586510424"},{"product_id":"estrom-anders-hanezawa-garden","title":"EDSTROM ANDERS - Hanezawa Garden","description":"\u003cp\u003e \u003cstrong\u003eANDERS EDSTROM\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eHANEZAWA GARDEN\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by MACK, 2015\u003cbr\u003e Book size 25.7 x 18.2 cm\u003cbr\u003e Pages 232 pages, 224 images\u003cbr\u003e Binding Hardcover\u003cbr\u003e Language English, Japanese\u003c\/p\u003e\n\n\u003cp\u003e Hanezawa Garden is an illicit trail through a walled garden in Tokyo, between thick foliage, slender bamboo and semi-inhabited outhouses, their plastic roofs heavy with leaves, as if reclaimed by the jealous trees. The protagonist, like a detective, catalogs the garden obsessively, registering strange and peripheral details: a sealed cardboard box, lingering on a sill, or the receiving body of a workman.\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003eTime is loose, and the seasons slip by. The sightlines through Hanezawa are multiple and mutable, and the assembled images grow in weight through repetition and proximity. The minor characters of this elusive narrative are ordinary objects: a shell, half buried in the soil, whose brief significance is acute and unreadable, before it slips back into entropy. The surfaces, too, are iridescent, ungovernable – garden huts with smeared panes that reflect sky or reveal the bulge of something, vegetating, behind. The windows, like the images themselves, always promise something – a revelation – just out of reach.\u003c\/p\u003e\n\n\u003cp\u003e Hanezawa Garden was demolished by the real estate developer Mitsubishi Estate in 2012, despite countless attempts by local residence to preserve the house and gardens.\u003c\/p\u003e\n\n\u003cp\u003e Anders Edström is a Swedish photographer and filmmaker who lives and works in Stockholm. Previous monographs include Waiting some birds a bus a woman and spidernets places a crew (SteidlMACK, 2004) and Safari (Nieves, 2010).\u003c\/p\u003e\n\n \u003cp\u003e-- statement from the publisher\u003c\/p\u003e\n\n\u003cp\u003e -----------\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eHanezawa Garden is a hidden path through a walled garden in Tokyo, between thick foliage, slender bamboo and semi-inhabited outbuildings, their plastic roofs laden with leaves, as if taken over by the jealous trees. The protagonist, like a detective, obsessively catalogues the garden, recording strange and peripheral details: a sealed cardboard box lingering on a threshold, or the retreating body of a worker.\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eTime is loose and the seasons flow. The sightlines through Hanezawa are multiple and mutable, and the assembled images gain weight through repetition and proximity. The minor characters in this elusive narrative are ordinary objects: a shell half-buried in the ground, its brief meaning acute and illegible, before collapsing back into entropy. The surfaces are also iridescent and ungovernable—garden sheds with coated glass that reflect the sky or reveal the bulge of something, vegetative, beyond. The windows, like the images themselves, always promise something—a revelation—just out of reach.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eHanezawa Garden was demolished by property developer Mitsubishi Estate in 2012, despite countless attempts by local authorities to preserve the house and gardens.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31786214621236,"sku":"","price":70.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/Hanezawa_Garden_Anders_Edstrom_couv3.jpg?v=1586510713"},{"product_id":"seung-woo-shinjuku-lost-child","title":"Yang Seung Woo - Shinjuku lost child (signed)","description":"\u003cp\u003e \u003cstrong\u003eSEUUNG-WOO YANG\u003c\/strong\u003e \u003cbr\u003e\u003cstrong\u003e\u003ci\u003eShinjuku Lost Child\u003c\/i\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e Published by Zen Foto Gallery, 2020\u003cbr\u003e Book size 29.7 x 21 cm\u003cbr\u003e Pages 147 pages\u003cbr\u003e Softcover binding\u003cbr\u003e ISBN: 9784905453413\u003cbr\u003e First Edition in 2016\u003cbr\u003e Good condition\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \"Walking from the East exit of Shinjuku station towards Kabukicho, my heart begins to pound. Kabukicho reveals human desire. I adore it. I slept on cardboard on the street, under neon, and it felt good. I was out of the machine and I saw myself differently. The cardboard bed is perfect for when I get into trouble.\" Seung-woo Yang\u003c\/p\u003e\n\n \u003cp\u003eShinjuku Lost Child are photographs taken by Tokyo-based Korean photographer Seung-woo Yang during the years 1998 to 2006, depicting the vivid character and vibrant energy of the people and the district of Kabukicho in Shinjuku. Bringing awareness of both the self and a presence beyond Yang's viewfinder, and of time just before and after, these photographs will excite the imagination of the viewer. The Governor of Tokyo announced the 'Clean up Kabukicho Campaign' in 2004, aiming to transform the district into a “safe” town for all to enjoy. What will definitely remain unchanged of this place?\u003c\/p\u003e\n\n\u003cp\u003e -----------\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e\"Walking from the East Exit of Shinjuku Station to Kabukicho, my heart starts beating. Kabukicho reveals human desire. I love it. I slept on cardboard on the street, under the neon lights, and it felt good. I was out of time and saw myself differently. The cardboard bed is perfect when I'm in trouble.\" Seung-woo Yang\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003eShinjuku Lost Child are photographs taken by Tokyo-based Korean photographer Seung-woo Yang during the years 1998 to 2006, depicting the liveliness and vibrant energy of the people and neighborhood of Kabukicho in Shinjuku. Bringing a sense of self-awareness and presence beyond Yang’s viewfinder, and the time just before and after, these photographs will excite the viewer’s imagination. The governor of Tokyo announced the “Kabukicho Cleanup Campaign” in 2004, aiming to transform the neighborhood into a “safe” city for all to enjoy. What will remain forever unchanged of this place?\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31786533093428,"sku":"","price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/SEUNG-WOOYANG_Shinjukulostchild_couv.jpg?v=1586518087"},{"product_id":"martin-parr-death-by-selfie","title":"MARTIN PARR - Death by selfie","description":"\u003cp\u003e \u003cstrong\u003eMARTIN PARR\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eDeath by Selfie\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Super Labo, 2019\u003cbr\u003e Pages 62 pages\u003cbr\u003e Hardcover binding\u003cbr\u003e Book size 17.4 x 8.7 cm\u003cbr\u003e First edition\u003c\/p\u003e\n\n\u003cp\u003e Continuing his exploration of tourism on a global scale, Martin Parr dedicates a new photobook to the selfie.\u003c\/p\u003e\n\n \u003cp\u003e\"Here is an unproven statistic: India is the world leader for selfie taking. The only potential competitor would be China, with a similarly large population, but if you refer to the 'Death by Selfie' statistics, India is so far ahead, there is no real competition. It is probably wise to assume that if more people are killed by a phenomenon, then more of this activity must be taking place. 2017, 68 were killed by selfies. Many of the deaths occur when other people step in to try and rescue the selfie taker washed away by freak waves. cliff edge. However to India's great credit this figure dropped substantially in 2018, down to a mother 2 deaths. The authorities in India are aware of this hazard, and for example in Ooty at, the popular boating lake, all selfies are. banned whilst boating, this despite the mandatory instruction to wear a life belt. But on the beach of Goa, it is impossible to look around without seeing a selfie being taken. The selfie stick purveyors are also circling round and these are offered constantly along with a massage, pineapple and all of the other items and services that are available to the beach-goer. The other observation I would make is that very rarely do selfies come singing; a typical sequence would have many dozens of options perused, and sometimes these extended sessions can take a good ten minutes. I am not sure how the editing takes place, or indeed if these selfies get saved and downloaded. Another novelty for me is that people often request to have a selfie with me because I am a Westerner and of course I agree. So there must hundreds of images of Martin Parr floating in Indian cyberspace, untraceable self-portraits that will never be recognized. On my quest to photograph the huge business of tourism, the introduction of the smart phone and subsequently the selfie stick have changed the ritual of a tourist visit in a dramatic fashion. I could not ignore this phenomenon and is celebrated in this small collection of images, where most are taken in India, and few other locations thrown in for good measure.\" \u003cbr\u003eMartin Parr May 2019\u003c\/p\u003e\n\n\u003cp\u003e ---------------\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eContinuing his exploration of global tourism, Martin Parr has dedicated a new photo book to the theme of the selfie.\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003e\"Here's an unproven statistic: India is the world leader in selfie taking. The only potential competitor would be China, with a similar population, but if you go by the \"Selfie Death\" statistics, India is so far ahead, there's no real competition. It's probably wise to assume that if more people are being killed by a phenomenon, then more of that activity must be happening.\u003c\/em\u003e \u003cem\u003eIn 2015, 27 people died while taking selfies. In 2016 and 2017, 68 were killed by selfies. Many of the deaths occur when others intervene to try to save the selfie-taker who has been swept away by freak waves. People also die by getting too close to a raging fire or often by backing off the edge of a cliff. However, to India's credit, that number dropped significantly in 2018, to just 2 deaths.\u003c\/em\u003e \u003cem\u003eIndian authorities are aware of this danger and, for example, in Ooty, the popular boating lake, all selfies are banned while boating, despite the mandatory instruction to wear a lifebelt.\u003c\/em\u003e \u003cem\u003eBut on the beach in Goa, it is impossible to look around without seeing a selfie being taken. Selfie stick vendors also circle around and these are constantly offered along with massage, pineapple and all the other items and services available to beachgoers.\u003c\/em\u003e \u003cem\u003eThe other observation I would make is that very rarely do selfies come alone; a typical sequence would have several dozen options cycled through, and sometimes these extended sessions can take a good ten minutes. I do not know how the editing is done, or even if these selfies are recorded and uploaded.\u003c\/em\u003e \u003cem\u003eAnother novelty for me is that people often ask to have a selfie with me because I am a Westerner and of course I agree. So there must be hundreds of images of Martin Parr floating around in Indian cyberspace, undiscovered self-portraits that will never be acknowledged.\u003c\/em\u003e \u003cem\u003eIn my quest to photograph the huge business of tourism, the introduction of the smartphone and subsequently the selfie stick changed the ritual of a sightseeing trip in a dramatic way. I could not ignore this phenomenon and it is celebrated in this small collection of images, where most are taken in India, and few other places are thrown in for good measure.\u003c\/em\u003e \u003cbr\u003e\u003cem\u003eMartin Parr May 2019\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31786606198836,"sku":"","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/MARTINPAAR_DEATHBYSELFIE_COUV.jpg?v=1586521057"},{"product_id":"daido-moriyama-tsugaru","title":"Daido Moriyama - Tsugaru","description":"\u003cp\u003e \u003cstrong\u003eDaido Moriyama\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eTsugaru\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by Taka Ishii Gallery, 2010\u003cbr\u003e Size: 33 x 24.5 cm\u003cbr\u003e Hardcover\u003c\/p\u003e\n\n\u003cp\u003e This catalogue was published for the solo exhibition “Tsugaru,” held at Taka Ishii Gallery in 2010. The photographs were taken in northern Japan in 1976, while the final photo was taken during a more recent visit to the region. It is one of Moriyama’s most representative works from the 1970s, a time when he set out for Hokkaido and Tohoku while searching for new modes of expression after publishing “Farewell Photography” in 1972.\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31817418342452,"sku":"","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/DAIDOMORIYAMA_TSUGARU_COUV.jpg?v=1587388266"},{"product_id":"daido-moriyama-marrakech","title":"DAIDO MORIYAMA - Marrakech","description":"\u003cp\u003e \u003cstrong\u003eDAIDO MORIYAMA\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eMarrakech\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Super Labo, 2013\u003cbr\u003e Book size 30 x 14 cm\u003cbr\u003e Pages 88 pages\u003cbr\u003e Binding Hardcover comes in a slipcase\u003cbr\u003e Languages ​​Japanese and English \u003cbr\u003eSecond edition of 500\u003cbr\u003e ISBN 978-4905052-75-3\u003c\/p\u003e\n\n\u003cp\u003e A very original book mounted with two booklets inside, dedicated to a less well-known series taken in Marrakech in 2013. At the time, Daido Moriyama decided to temporarily leave a cloudy Paris for the brighter city of Marrakech. Daido Moriyama took black and white pictures in the street, playing once more with the shadows and lights, trying to captivate the beautiful atmosphere of the city.\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e----------\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eA very original book mounted with two booklets inside, dedicated to a lesser-known series taken in Marrakech in 2013. At that time, Daido Moriyama decided to temporarily leave a cloudy Paris for the brighter city of Marrakech. Daido Moriyama took black and white photos on the street, playing once again with shadows and lights, trying to capture the beautiful atmosphere of the city.\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31817436921908,"sku":"","price":72.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/DAIDOMORIYAMA_MARRAKECH_COUV.jpg?v=1587388959"},{"product_id":"chieko-shimakage","title":"CHIEKO SHIRAISHI - Shimakage (SIGNED)","description":"\u003cp\u003e \u003cstrong\u003eChieko Shiraichi\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eShimakage\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp\u003ePublished by Sokyu sha, 2015\u003cbr\u003e Book Size 23.4 x 23.5 cm\u003cbr\u003e Pages 72 pages + 43 images\u003cbr\u003e Binding Hard Cover\u003cbr\u003e First edition - 2nd printing 2019\u003cbr\u003e Signed by the artist\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eChieko Shiraishi was born in Yokosuka, Kanagawa Prefecture. She studied photography and darkroom technique at a workshop given in Funabashi-shi, Chiba Prefecture, by Katsuhito Nakazato and Kazuo Kitai. Since 1998, she has presented some twenty solo exhibitions, in Japan, in Italy and in France ( \u003ci\u003eShimakage,\u003c\/i\u003e Mind's Eye, 2016). She also participated in the Tbilisi Photo Festival in 2016. Her work is held in the permanent collections of the Kiyosato Museum of Photographic Arts and the Ashikaga Museum of Art.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eChieko Shiraishi has published two books of photographs, \u003ci\u003eSaboten to Shippo\u003c\/i\u003e (Cactus and Tail) in 2008, and \u003ci\u003eShimakage\u003c\/i\u003e (Island Shadow) in 2015, and co-authored \u003ci\u003eUmi ni Shizunda Machi\u003c\/i\u003e (Towns that Sank into the Sea), published in 2011. She lives and works in Tokyo\u003c\/span\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31822221639732,"sku":"","price":80.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/CHIEKO_SHIMAKAGE_COUV.jpg?v=1587493893"},{"product_id":"christian-bragg-i-wish-to-see-where-the-winds-meet","title":"Christian Bragg - I wish to see where the winds meet","description":"\u003cp\u003e \u003cstrong\u003eChristian Bragg\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eI wish to see where the winds meet (Signed)\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by Tumuult, 2016\u003cbr\u003e Size 17 x 25 cm\u003cbr\u003e 25 pages\u003cbr\u003e Harcover\u003cbr\u003e First Edition, Limited to 280 copies.\u003cbr\u003e Signed and Numbered\u003cbr\u003e\u003cbr\u003e The book is a rare collector's item. Personal journey driven by a fragile quest for revelation and the search for self. Its black and white analog photography reveals contrasts beyond those of darkness and light, combining transformation and tranquility, irony and sincerity, sound and silence. With Winds, the photographer tells a personal story of memories, composing a “novel written with images,” while the viewer imagines his own.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31830961651764,"sku":"","price":37.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/CHRISTIANBRAGG_IWISHTOSEEWHERETHEWINDSMEET_COUV.jpg?v=1587652541"},{"product_id":"seiichi-motohashi-baobab","title":"SEIICHI MOTOHASHI - The words of the baobab","description":"\u003cp\u003e \u003cstrong\u003eSEIICHI MOTOHASHI\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003eThe words of the baobab\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e Published by Fugen-sha, 2017 \u003cbr\u003eBook Size 27.2 x 20 cm\u003cbr\u003e Pages 64 pages\u003cbr\u003e Binding Hardcover\u003cbr\u003e Language English, Japanese\u003cbr\u003e ISBN978-4-908955-03-7\u003cbr\u003e First edition\u003cbr\u003e Signed by the artist\u003cbr\u003e\u003cbr\u003e “The words of Baobabs” is poetic book about the disappearance of one of the oldest tree species on the planet and condensed photos taken during three documentaries Motohashi made: “Nadja no Mura” (“Nadja's Village”), in 1998 and continuing with “Alexei to Izumi” (“Alexei's Spring,” 2002) and his new film “Baobab no Kioku” (“A Thousand Year Song of Baobab”).\u003c\/p\u003e\n\n\u003cp\u003e --------\u003cbr\u003e\u003cbr\u003e \u003cem\u003e\"Words of the Baobabs\" is a poetic book about the disappearance of one of the oldest tree species on the planet and condensed photos taken during three documentaries directed by Motohashi: \"Nadja no Mura\" (\"Nadja's Village\"), in 1998 and continuing with \"Alexei to Izumi\" (\"Alexei's Spring\", 2002) and his new film \"Baobab no Kioku\" (\"A Thousand Year Song of Baobab\").\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie \u0026co119","offers":[{"title":"Default Title","offer_id":31831012507700,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/MOTOHASHI_BAOBAB.jpg?v=1588266072"},{"product_id":"keiichi-tahara-photosynthesis-with-min-tanaka","title":"KEIICHI TAHARA - Photosynthesis with Min Tanaka","description":"\u003cp\u003e\u003cstrong\u003eKEIICHI TAHARA\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003ePhotosynthesis with Min Tanaka\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Hara museum of Contemporary Art and Super Labo, 2017\u003cbr\u003e Book Size 24 x 22 cm\u003cbr\u003e Pages 62 pages\u003cbr\u003e Binding Softcover\u003cbr\u003e Language English, Japanese\u003cbr\u003e ISBN: 978-4-908512-07-0\u003cbr\u003e First edition\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eCatalog of the exhibition of Keiichi Tahara at the Hara museum of Contemporary art in 2017.\u003cbr\u003e \"These photos come from multiple photo sessions I conducted between 1978-1980 with the dancer Min Tanaka, exploring the relationship between physical light and human body.\" -Keiichi Tahara\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e------\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eCatalogue of Keiichi Tahara's exhibition at the Hara Museum of Contemporary Art in 2017.\u003cbr\u003e\u003c\/em\u003e \u003cem\u003e\"These photographs come from multiple photo shoots I conducted between 1978-1980 with dancer Min Tanaka, exploring the relationship between physical light and the human body.\" - Keiichi Tahara\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31831136501812,"sku":"","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/KEIICHITAHARA_PhotosynthesiswithMinTanaka_COUV.jpg?v=1587653807"},{"product_id":"keizo-kitajima-camp-1979","title":"Keizo Kitajima - CAMP 1979","description":"\u003cp\u003e \u003cstrong\u003eKeizo Kitajima\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eCAMP 1979\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by Super labo, 2015\u003cbr\u003e Size: 21.6 x 28.0 cm\u003cbr\u003e 32 Pages - 22 images\u003cbr\u003e Softcover\u003cbr\u003e Limited Edition of 300 copies. (Cover B)\u003c\/p\u003e\n\n \u003cp\u003e“CAMP is an independent gallery opened by Daido Moriyama, Keizo Kitajima, Seiji Kurata, and other photographers in 1976 at 2 Chome Street in Tokyo's Shinjuku district. It was there, from January to December 1979, that Kitajima exhibited his photographs of Tokyo in a radically new way.”\u003c\/p\u003e\n\n\u003cp\u003e - Editor's text\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31832009736244,"sku":"","price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/KEIKOKITAJIMA_CAMP1979_COUV.jpg?v=1587660375"},{"product_id":"daido-moriyama-ango","title":"Daido Moriyama - Ango","description":"\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\n\n\u003ca href=\"https:\/\/www.galerieecho119.com\/collections\/daido-moriyama-collection\" title=\"Daido Moriyama\"\u003eDaido Moriyama\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eAngo\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by Bookshop M, 2017\u003cbr\u003e Size 24 x 16.5 cm\u003cbr\u003e 188 pages, 57 images\u003cbr\u003e Hardcover\u003cbr\u003e Language: English\u003cbr\u003e ISBN 978-4-908647-09-3\u003cbr\u003e\u003cbr\u003e \u003cem\u003e“In the old days, before the capital moved from Kyoto to Tokyo, cherry trees were considered a frightening sight. No one considered them a sign of beauty. […] Without a trace of human life underneath, a cherry in full bloom becomes a frightening sight.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003cem\u003eThe fifth installment in Match \u0026amp; Company's \"Japanese Photography x Contemporary Literature\" series.\u003c\/em\u003e \u003cem\u003eIn \"Daido Moriyama: Ango,\" Daido Moriyama's eerie cherry blossom photographs are set against Ango Sakaguchi's famous short story \"In the Forest, Under the Cherry Blossoms in Full Bloom.\u003c\/em\u003e \u003cem\u003e\" Moriyama and Sakaguchi's \"demonic beauty of cherry blossoms\" is transformed into a pitch-black photobook of bottomless loneliness, emptiness, and dangerous seduction.\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31838695063604,"sku":"","price":98.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/DAIDOMORIYAMA_ANGO_COUV2.jpg?v=1627991721"},{"product_id":"jim-goldberg-the-last-son","title":"JIM GOLDBERG - The Last Son","description":"\u003cp\u003e\u003cstrong\u003eJIM GOLDBERG\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eThe Last Son\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by Super Labo, 2016\u003cbr\u003e Book size 18.4 x 26 cm\u003cbr\u003e Pages 134 Pages \/ 85 Images\u003cbr\u003e Binding Hardcover with dust jacket\u003cbr\u003e full color offset\u003cbr\u003e First edition\u003cbr\u003e ISBN 978-4-905052-92-0\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The Last Son is Goldberg's second book in a three-part personal Super Labo series, weaving together an assemblage of visual memories that trace his own diary. Goldberg, the youngest son of a wholesale candy distributor, traces his dreams alongside those of his father as he journeys through the past through a photographic and written montage. The conceptual inspiration comes from his recent reworking of Rich and Poor (Steidl, 2014), in which he further examined the influence of his early years on his work.\u003cbr\u003e The Last Son traces Goldberg's growth as an artist alongside his father's acceptance of his own unfulfilled dreams. The narrative also reads more broadly as a story about American perseverance, family dynamics, and the struggle to exceed the expectations of those closest to us; in this case, Goldberg struggles to overcome his role as head of the family. Blending photographs, collages, handwritten text, and stills from family films, Goldberg mines his archives to construct a narrative of memories, beginning with his earliest photographs. The book is a sculptural collection of overflowing pages, offering a palpable interaction with his storytelling process. The Last Son allows a tactile glimpse into Goldberg's empathetic process of making sense of his story.\u003cbr\u003e The Last Son follows Goldberg's 134 Ways to Forget (Super Labo, 2011), a double-sided interactive poster\/zine that juxtaposes Goldberg's photographs with his writing as he sorts through 134 ways to forget a relationship. The third installment in this Super Labo series will continue to follow Goldberg's personal trajectory—and will include the previously unpublished work he created during his travels in Asia in the 1970s.\u003c\/p\u003e","brand":"Galerie \u0026co119","offers":[{"title":"Default Title","offer_id":31838833213492,"sku":"","price":69.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/JIMGOLDBERG_THELASTSON_COUV.jpg?v=1587735914"},{"product_id":"viviane-sassen","title":"VIVIANE SASSEN - UMBRA","description":"\u003cp\u003e \u003cstrong\u003eViviane Sassen with Poems by Maria Barnas\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eUmbra\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e Published by Oodee, 2015\u003cbr\u003e Pages 28 pages, 11 photographs\u003cbr\u003e Book size 15 x 21 cm\u003cbr\u003e Binding Slipcase (foil block cover), Containing a booklet and 11 single prints\u003cbr\u003e ISBN 978-0-9570389-67\u003cbr\u003e Edition of 600\u003cbr\u003e Second Edition\u003cbr\u003e\u003cbr\u003e \"UMBRA delves into the world of shadows. A darkness that is seductive and deceptive. A darkness that lies in every human soul, as a still black lake with a flat surface as a mirror that cannot be but shattered.\u003cbr\u003e \u003cbr\u003eUMBRA is, naturally, also the story of light, from its blinding qualities to its brittle brightness. The ever conflicting pull of light and darkness kicked off the quest for imagery of what cannot be contained: a world continuously in motion, the mind unable to decide which direction to take. Shadow, eventually, as a force of life, and not only the negation of light. Viviane Sassen and Maria Barnas shared their interests in the darker sides of life, in this publication that shines with lucidity.\" - publisher statement\u003c\/p\u003e\n\n\u003cp\u003e ---------\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e\"UMBRA delves into the world of shadows. A seductive and deceptive darkness. A darkness that lies within every human soul, like a still-black lake with a flat surface like a mirror that can only be shattered.\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003eUMBRA is also, of course, the story of light, from its blinding qualities to its dazzling brilliance. The ever-conflicting attraction of light and darkness has launched the quest to image that which cannot be contained: a world in constant motion, the mind unable to decide which direction to take. Shadow, ultimately, as a force of life, and not just the negation of light. Viviane Sassen and Maria Barnas have shared their interests in the darkest sides of life, in this publication that shines with lucidity.\" - editor's notes\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31838915887156,"sku":"","price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/MARIABARNAS_UMBRAS_COUV.jpg?v=1587737638"},{"product_id":"naoki-ishikawa-sakhalin","title":"NAOKI ISHIKAWA - SAKHALIN","description":"\u003cstrong\u003eIshikawa Naoki\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eSakhalin\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by Amana inc., 2015\u003cbr\u003e Book size 25.7 × 21 × 1 cm\u003cbr\u003e Hardcover\u003cbr\u003e Pages 132 pages\u003cbr\u003e Languages ​​Japanese\u003cbr\u003e ISBN: 9784865870985\u003cbr\u003e First Edition\u003cbr\u003e Good condition\u003cbr\u003e \u003cbr\u003eFor his series SAKHALIN, photographer Naoki Ishikawa visited Sakhalin, a Russian island in the North Pacific Ocean, which was called “Karafuto” under Japanese sovereignty.\u003cbr\u003e\u003cbr\u003e In winter 2009 and summer 2014, Ishikawa visited Sakhalin (which looks very different in the two seasons) and came into contact with the indigenous Uilta and Nivkh peoples and witnessed their activities and culture. His interactions with them allowed him to experience the history of the island. The current series offers a new perspective on the world through the eyes of Ishikawa, who has developed a unique vision through his work on various projects, and the current state of Sakhalin.\u003cbr\u003e\u003cbr\u003e -----------------\u003cbr\u003e\u003cbr\u003e \u003cem\u003eFor his series SAKHALIN, photographer Naoki Ishikawa visited Sakhalin, a Russian island in the North Pacific Ocean, called \"Karafuto\" under Japanese sovereignty.\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003eIshikawa visited Sakhalin twice: in the winter of 2009 and in the summer of 2014. He came into contact with the indigenous Uilta and Nivkh peoples and witnessed their activities and culture. His interactions with them allowed him to discover the history of the island. The series offers a new perspective on the world through the eyes of Ishikawa, who has developed a unique vision through his work on various projects, and the current state of Sakhalin.\u003c\/em\u003e","brand":"Galerie \u0026co119","offers":[{"title":"Default Title","offer_id":31838958321716,"sku":"","price":52.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/NaokiISHIKAWA_SAKHALIN_COUV1.jpg?v=1587738650"},{"product_id":"tsukiji-hitoshi-shashin-photograph","title":"Tsukiji Hitoshi - Shashin (写真 \/ Photograph)","description":"\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eTsukiji Hitoshi\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eShashin (Photograph)\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by Twelve book, 2015\u003cbr\u003e Pages 108 pages\u003cbr\u003e Book size 21 x 29.7 cm\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003eHardcover\u003cbr\u003e black and white\u003cbr\u003e\u003c\/span\u003e \u003cbr\u003ePhotography can do so much. It can awe and inspire by capturing and then immediately deconstructing the reality of cities. By chance, a photographer could produce an outstanding image, with the right measure of passion and intuition, understanding and criticism, destruction and construction, subjectivity and objectivity, and so on. However, it is almost impossible to encounter and capture something better than the first one. My goal is to capture the image that comes next. I try to live a photographic life to be ready to take deliberate and decisive action when the next moment comes. Photographs, whether they are simple or complicated, can heighten the awareness of the viewers through the representation of light and shadow. This power of photography is what stimulates an aesthetic or photographic response, inspires imagination and promotes the free association of ideas that are complementary, triggered by internal or external stimuli. This being said, I would say my photographs are architypes of images. -Hitoshi Tsukiji\u003cbr\u003e \u003cbr\u003eTsukiji's images have a hard-edged sharpness, betraying a predilection toward clearly defined forms and shapes. His style of photography tends toward the naive, but at the same time his work is highly evocative of the 1970s...quite in keeping with the work commonly seen at this time. This style also evokes Tsukiji's ideas of what photography meant to him. The photography has a snapshot feel, suggesting that anything can be a subject of photography. ─ Ivan Vartanian and Ryuichi Kaneko（from Japanese Photobooks of the 1960s and 1970s, Aperture, 2009）\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e--------\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003e\"Photography can do so much. It can impress and inspire by capturing and then immediately deconstructing the reality of cities. By chance, a photographer could produce an exceptional image, with the right measure of passion and intuition, understanding and criticism, destruction and construction, subjectivity and objectivity, etc. However, it is almost impossible to encounter and capture something better than the first. My goal is to capture the image that comes next. I try to live a photographic life so that I am ready to take deliberate and decisive action when the time comes. Whether simple or complicated, photographs can sensitize the viewer through the representation of light and shadow. This power of photography is what stimulates an aesthetic or photographic response, inspires the imagination, and promotes the free association of complementary ideas, triggered by internal or external stimuli. That being said, I would say that my photographs are architypes of images.\" - Hitoshi Tsukiji\u003cbr\u003e\u003c\/em\u003e \u003cbr\u003eTsukiji's images are very sharp, betraying a predilection for clearly defined forms. His style of photography tends toward naivety, but at the same time his work is very evocative of the 1970s...very much in keeping with the work commonly seen at that time. This style also evokes Tsukiji's ideas about what photography meant to him. The photograph has an instantaneous feel, suggesting that anything can be a photographic subject. - Ivan Vartanian and Ryuichi Kaneko (from Japanese Photobooks of the 60s and 70s, Aperture, 2009)\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003ecopyrights: twelve books\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie \u0026co119","offers":[{"title":"Default Title","offer_id":31839013732404,"sku":"","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/TSUKIJIHITOSHIPHOTOGRAPH_COUV.jpg?v=1587822784"},{"product_id":"issei-suda-sein","title":"ISSEI SUDA - BREAST","description":"\u003cp\u003e \u003cstrong\u003eSuda Issei\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eBreast\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by Super Labo, 2017\u003cbr\u003e Book Size 13 x 18.7 cm\u003cbr\u003e Pages 96 pages, 87 images\u003cbr\u003e Hardcover\u003cbr\u003e Limited Edition 600\u003cbr\u003e ISBN978-4-908512-03-2\u003cbr\u003e \u003cbr\u003e“To take photographs of whatever I like in moments I choose - this has been the basis of my photography for decades now, and it also applies to this photobook. It is posters and signboards, the patina of an old shop, dolls and mannequins that catch my eye, immobile things that gather and hide near large buildings and sink deep into the memories of those who pass them by. They are photographic subjects that I simply do not grow tired of even after years. Everyday life is, perhaps, given its shape by these things, framed by them. I imagine that “being” (“Sein” in German) might be a word that points out this shape.”\u003cbr\u003e — Suda Issei's statement\u003cbr\u003e\u003cbr\u003e ------------\u003cbr\u003e \u003cbr\u003e\u003cem\u003e“Taking pictures of everything I love in the moments I choose – this has been the basis of my photography for decades now, and it also applies to this photo book. These are posters and signs, the patina of an old shop, dolls and mannequins that catch my eye, still things that gather and hide near large buildings and sink deep into the memories of those who pass them. These are photographic subjects that I simply never tire of, even after years. Everyday life is, perhaps, given its shape by these things, framed by them. I guess “being” (“Sein” in German) could be a word that underlines this shape.” - Issei Suda\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31839147098164,"sku":"","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/ISSEISUDA_SEIN_COUV.jpg?v=1587742563"},{"product_id":"tomohiko-hayashi-japanese-barbers-on-the-route-1","title":"TOMOHIKO HAYASHI - Japanese barbers on the route 1","description":"\u003cp\u003e \u003cstrong\u003eTOMOHIKO HAYASHI\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eJapanese barbers on the route 1\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by inuuniq, 2015\u003cbr\u003e Book size 21 x 15 cm\u003cbr\u003e Pages 92 pages\u003cbr\u003e Softcover\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003e\"This is a collection of photos taken on a journey to 86 old-style barbershops on a 500-kilometer walk between May 2012 and December 2014 along Route 1 – the Tokaido route that links the Japanese cities of Tokyo and Kyoto. All possess a unique style and character, each steeped in its owner's personality - more like mini-kingdoms than places of business. Not long after completing this collection, I learned that four of the barbershops had closed and been. torn down – a sign of the changing times. I hope that these photos serve as more than a mere record of my journey along Route 1.\" artist statement\u003c\/p\u003e\n\n\u003cp\u003e ----\u003c\/p\u003e\n\n \u003cp\u003e\"This is a collection of photographs taken during a trip to 86 old-fashioned barbershops on a 500-kilometer drive between May 2012 and December 2014 along Route 1—the Tokaido Highway that connects the Japanese cities of Tokyo and Kyoto. All possess a unique style and character, each imbued with the personality of its owner—more like mini-kingdoms than places of business. Shortly after completing this collection, I learned that four of the barbershops had closed and been demolished—a sign of the changing times. I hope these photographs serve as more than just a record of my journey along Route 1.\" Artist Introduction\u003c\/p\u003e","brand":"Galerie \u0026co119","offers":[{"title":"Default Title","offer_id":31839184453684,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/TOMOHIKOHAYASHI_JAPANESEBARBERSONTHEROUTE1_COUV.jpg?v=1587743014"},{"product_id":"seiichi-motohashi-circus","title":"SEIICHI MOTOHASHI - Circus no Jikan","description":"\u003cp\u003e \u003cstrong\u003eSEIICHI MOTOHASHI\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eCircus no Jikan\u003c\/em\u003e\u003c\/strong\u003e (Circus Time)\u003c\/p\u003e\n\n\u003cp\u003e Published by Chikuma Shobo, 1980\u003cbr\u003e Book Size 29.5 x 21 cm\u003cbr\u003e Pages 120 pages\u003cbr\u003e Binding Softcover\u003cbr\u003e Language Japanese\u003cbr\u003e First edition\u003cbr\u003e rare book\u003c\/p\u003e\n\n \u003cp\u003eFirst edition of Motohashi Seiichi's Circus. The second edition is printed in 2013.\u003c\/p\u003e","brand":"Galerie \u0026co119","offers":[{"title":"Default Title","offer_id":31842294562868,"sku":"","price":200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/MOTOHASHI_CIRCUSNOKIJAN_COUV.jpg?v=1587805275"},{"product_id":"copie-de-seiichi-motohashi-circus-no-jikan","title":"SEIICHI MOTOHASHI - Ueno Eki no Makuai","description":"\u003cp\u003e \u003cstrong\u003eSEIICHI MOTOHASHI\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eUeno Eki no Makuai\u003c\/strong\u003e (Ueno Station)\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Gendai Shokan, 1983\u003cbr\u003e Book Size 26 x 18.5 cm\u003cbr\u003e Pages 175 pages\u003cbr\u003e Softcover\u003cbr\u003e Language Japanese\u003cbr\u003e First edition\u003cbr\u003e Rare book\u003c\/p\u003e","brand":"Galerie \u0026co119","offers":[{"title":"Default Title","offer_id":31842391097396,"sku":"","price":200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/MOTOHASHI_UENO_COUV.jpg?v=1587811372"},{"product_id":"copie-de-seiichi-motohashi-yama","title":"SEIICHI MOTOHASHI - Toba","description":"\u003cp\u003e \u003cstrong\u003eSEIICHI MOTOHASHI\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eToba\u003c\/em\u003e\u003c\/strong\u003e (Slaughterhouse)\u003c\/p\u003e\n\n\u003cp\u003e Published by Heibonsha, 2011\u003cbr\u003e Book Size 26.5 x 19.5 cm\u003cbr\u003e Pages 128 pages\u003cbr\u003e Hardcover\u003cbr\u003e Language Japanese\u003cbr\u003e First edition, third print\u003cbr\u003e Signed by the artist\u003c\/p\u003e\n\n\u003cp\u003e Toba (or Slaughterhouse) is the first photographic book on slaughterhouses in Japan.\u003cbr\u003e\u003cbr\u003e Motohashi spent 30 years photographing the slaughterhouse in Matsubara, Osaka Department. During this period, the old slaughterhouse was modernized, passing under municipal administration.\u003cbr\u003e \u003cbr\u003eThe workers who work there are \"burakumin\", a caste considered to be inferior to Japan, which from feudal times was ostracized from society and condemned to remain by the effect of social segregation and geographical. Their work is considered \"cruel\" and \"dirty\"; it's a burakumin job. In this book, all stages of slaughter are presented. Three men face a cow. First they puncture the forehead of the animal with a pistol, in order to slip a wire into its brain. They crush her spinal cord so that the beast does not struggle. Then they knocked over to hang it up by his legs and cut his throat so that the blood would flow all at once. Once the animal is skinned, they cut the limbs, the head, the tongue, the chest... Finally, they are the event to bring down the intestines. All in thirty minutes, and in one knife. Then the women wash and cut the organs so that they are ready to be cooked. Only the head is thrown away. Their faces are those of professionals, display their demands at work and their know-how. They appear almost proud... It is they who finally fill the plates of the Japanese.\u003cbr\u003e \u003cbr\u003eThe effect of monochrome makes us imagine the color, the smell, the noise and the lively atmosphere of the Matsubara slaughterhouse.\u003cbr\u003e\u003cbr\u003e It will have taken ten years for this book to be published, in particular because the workers did not want to appear with their faces uncovered, and encourage discrimination a little more than they suffered.\u003cbr\u003e\u003cbr\u003e Through his work and his book, Motohashi makes us think about the importance of where our food comes from. Slaughtering is not a special job, it is a necessary job, since the food that comes from it makes us live.\u003c\/p\u003e\n\n\u003cp\u003e ---------- \u003c\/p\u003e\n\n\u003cdiv class=\"page\" title=\"Page 10\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e \u003cem\u003eToba (or Slaughterhouse) is the first photographic book about slaughterhouses in Japan.\u003c\/em\u003e \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"page\" title=\"Page 10\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e \u003cem\u003eMotohashi spent 30 years photographing the Matsubara (Osaka Prefecture) slaughterhouse. During this period, the old slaughterhouse was modernized by coming under municipal administration.\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eThe workers who work there are \"burakumin\", a caste considered inferior in Japan, which since the feudal era, has been excluded from society and condemned to remain so by the effect of social and geographical segregation. Their work is considered \"cruel\" and \"dirty\"; it is burakumin work. In this book, all the stages of slaughter are presented. Three men face a cow. First they pierce the animal's forehead with a pistol, in order to slide a wire into its brain. They crush its spinal cord so that the animal does not struggle. Then they turn it over to hang it by its legs and slit its throat so that the blood flows in one go. Once the animal is skinned, they cut off the limbs, the head, the tongue, the chest... Finally, they disembowel it to remove the intestines. All in thirty minutes, and with a single knife. Then the women wash and cut up the organs so that they are ready to be cooked. Only the head is thrown away. Their faces are those of professionals, showing their work ethic and know-how. They seem almost proud... They are the ones who ultimately fill the plates of the Japanese.\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eThe monochrome effect makes us imagine the color, the smell, the noise and the lively atmosphere of the Matsubara slaughterhouse.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eIt took ten years for the book to be published, partly because the workers did not want to appear with their faces uncovered and further encourage the discrimination they suffered.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eThrough his work and his book, Motohashi makes us think about the importance of where our food comes from. Slaughtering is not a special job, it is a necessary job, since the food that comes from it keeps us alive.\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31842977775668,"sku":"","price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/MOTOHASHI_ABATTOIR_COUV.jpg?v=1587817171"},{"product_id":"jane-evelyn-atwood-sentinelles-de-lombre","title":"Jane Evelyn Atwood - Sentinels of the Shadows","description":"\u003cp\u003e \u003cstrong\u003eJane Evelyn Atwood\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eShadow Sentinels\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003ePublished by Seuil with Handicap International, 2004\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eSize: 24 x 17 cm\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e204 Pages\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e ISBN 9782020654333\u003cbr\u003e First Edition\u003c\/p\u003e\n\n \u003cp\u003e\"Sentinels of the Shadows\" is a beautiful publication, an account of Jane Evelyn Atwood's travels over many years through Cambodia, Mozambique, Kosovo, Angola, and Afghanistan, where she traveled and photographed people maimed by landmines. A very beautiful book, a committed subject treated with great delicacy and poetry.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31843058909236,"sku":"","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/JANEEVELYNATWOOD_Sentinellesdel_ombre.jpg?v=1587819240"}],"url":"https:\/\/www.galerieecho119.com\/en-en\/collections\/livres-tva-5-5.oembed?page=11","provider":"Galerie Écho","version":"1.0","type":"link"}