{"title":"Livres - TVA 5,5%","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCollection regroupant tous les livres vendus à la galerie, soumis au taux de TVA réduit de 5,5%.\u003c\/p\u003e","products":[{"product_id":"chad-moore_memoria","title":"Chad Moore - Memoria","description":"\u003cp\u003e\u003cb\u003eChad Moore\u003cbr\u003e \u003cem\u003eMemoria\u003c\/em\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Pacific and agnès b., 2019\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003e144 pages\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003eHardcover\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003eLimited Edition of 750 copies.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"fr\"\u003ePacific has partnered with agnès b. galerie boutique Tokyo to produce Memoria, the first hardcover publication by photographer Chad Moore. Memoria includes 100 images of Moore’s choosing, featuring both luminous landscapes and intimate portraits, photos of friends who appear together and alone, euphoric and isolated. A short text by artist and poet Jack Walls caps the book.\u003c\/span\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31740150579252,"sku":"","price":150.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/CHADMOORE_MEMORIA_COUV.jpg?v=1586522831"},{"product_id":"masao-yamamoto-bonsai","title":"Masao Yamamoto - Bonsai","description":"\u003cp\u003e \u003cstrong\u003eMasao Yamamoto\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eBonsai\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by T\u0026amp;M Projects, 2019\u003cbr\u003e Size: 240 × 210 mm\u003cbr\u003e 66 Pages\u003cbr\u003e Softcover (Japanese Binding)\u003cbr\u003e Languages: English, Japanese\u003cbr\u003e ISBN 978-4-909442-10-9\u003c\/p\u003e\n\n \u003cp\u003eBonsai embody several contradictions. They are natural objects constrained by artificial forms. They obey the will of their owner, yet freely decide their growth. They take years to cultivate, yet require daily attention. In \"Bonsai - Microcosms Macrocosms,\" Masao Yamamoto has captured their beauty—these essential Japanese objects—in fascinating sepia-toned images. Using different horizons (such as the famous Mount Fuji) as well as different techniques or styles, Yamamoto treats each of the trees in his photographs with care and respect, emphasizing their dual presence as artificial objects and fragments of nature. The book concludes with an essay by artist Akiyama Minoru (Japanese and English translation).\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31752365998132,"sku":"","price":130.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/MASAO_YAMAMOTO_BONSAI_couv.jpg?v=1585148472"},{"product_id":"hiro-kikai-tokyo-labyrinth","title":"Hiroh Kikai - Tokyo Labyrinth","description":"\u003cp\u003e \u003cstrong\u003eHiroh Kikai\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eTokyo Labyrinth\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Shogakukan, Japan, 1999 \u003cbr\u003eSize: 23.4 x 21 x 1.5cm\u003cbr\u003e 117 Pages\u003cbr\u003e Hardcorver\u003cbr\u003e Good condition\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e Hiroh Kikai's Tokyo Labryinth captures 30 years of the photographer's urban landscape. Taken between 1976 and 1989 in the old suburbs of downtown Tokyo, Kikai's images explore the urban landscape of cities without the presence of their inhabitants.\u003cbr\u003e \u003cbr\u003e\"Kikai's images combine a careful description of place with elegant abstraction; windows, laundry, pipes, and telephone lines are reduced to lines and planes. However rigorous his compositions, Kikai is essentially a humanist interested in people and how they live. He describes his work as asking the question, 'What does it mean to be human?' Kikai's images affectionately describe the details of human existence in one of the most cramped cities on earth, expressing the eloquence of the commonplace, the streets and alleys of modest neighborhoods with formal precision and an eye for the surreal. With an economy of means, Kikai's work projects honesty and a deep respect for the evidence of time and humanity.\"\u003cbr\u003e\u003cbr\u003e Yancy Richardson Gallery New York excerpt from the exhibition press release.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31752389525556,"sku":"","price":190.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/HIROHKIKAI_TOKYOLABYRINTH_COUV2.jpg?v=1585150367"},{"product_id":"leo-berne-for-the-aliens","title":"Léo Berne - For The Aliens","description":"\u003cp\u003e \u003cem\u003e\u003cstrong\u003eLeo Berne\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eFor The Aliens\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Posted by echo 119, 2016\u003cbr\u003e Size: 23 x 18.3 x 1.7 cm\u003cbr\u003e Softcover\u003cbr\u003e ISBN 978-2-9557730\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e“In his photobook For the Aliens, Léo Berne repurposes his personal image archive to create a visual introduction to life on this planet. With reference images ranging from the simple (an airplane, the color green) to the abstract (melancholy, death), For the Aliens is a guide to Earth for those who have never been a part of it.”\u003c\/em\u003e \u003ca href=\"https:\/\/www.format.com\/magazine\/galleries\/photography\/for-the-aliens-leo-berne\"\u003e\u003cspan\u003eformat.com\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003ca href=\"https:\/\/player.vimeo.com\/video\/234867869\" title=\"Leo Berne - For the Aliens\"\u003e\u003cspan\u003eSee the video\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Regular Edition","offer_id":42135393665242,"sku":"","price":65.0,"currency_code":"EUR","in_stock":false},{"title":"Special Edition - Godzilla","offer_id":42135393698010,"sku":"","price":180.0,"currency_code":"EUR","in_stock":false},{"title":"Special Edition - I love you","offer_id":42135393730778,"sku":"","price":180.0,"currency_code":"EUR","in_stock":true},{"title":"Special Edition - red socks","offer_id":42135393763546,"sku":"","price":180.0,"currency_code":"EUR","in_stock":true},{"title":"Special Edition - The Future is Stupid","offer_id":42135393796314,"sku":"","price":180.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/LEOBERNE_FORTHEALIENS_ES_COUV.jpg?v=1607015662"},{"product_id":"nobuyoshi-araki-photographoary","title":"Nobuyoshi Araki - Photographoary: Photo-Mad Old Man A Turning 77 on 5.25.17","description":"\u003cp\u003e\u003cstrong\u003eNobuyoshi Araki\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003ePhotographoary: Photo-Mad Old Man A Turning 77 on 5.25.17\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e\u003cbr\u003ePublished by Taka Ishii Gallery, 2017\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eFirst Edition\u003cbr\u003e Size: 22.3 x 16.6 x 0.6 cm\u003cbr\u003e\u003c\/span\u003e 120 Pages\u003cbr\u003e \u003cspan\u003eSoftcover\u003cbr\u003e Limited Edition of 500 copies.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003e\"Photopoary: Photo-Mad Old Man A Turning 77 on 5.25.17\" commemorates the exhibition of the same name held at Taka Ishii Gallery in 2017. The works center on Araki's fundamental themes of Eros and Thanatos. Araki, who has faced multiple illnesses such as prostate cancer and central retinal artery occlusion, causing him to lose sight in his right eye, enriches his works by positively incorporating his aging process. \"This is the era of old people. People who fight aging by saying, 'I don't want to be considered old,' are excluded. This is precisely the time to be proud and to expose the transformations brought about by age. There are many things you cannot learn without aging. It is natural for old people to be more attractive than young people because we have experience.\"\u003c\/p\u003e\n\n\u003cp\u003e - Nobuyoshi Araki\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31767243554868,"sku":"","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/ARAKI_PHOTOGRAPHOARYTURNING77_COUV.jpg?v=1585845232"},{"product_id":"araki-nobuyoshi-kyonen-last-year","title":"Nobuyoshi Araki - Kyonen (Last Year)","description":"\u003cp\u003e \u003cb\u003eNobuyoshi Araki\u003cbr\u003e \u003ci\u003eKyonen (last year)\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e \u003cspan\u003ePublished by AaT Room, 2002\u003cbr\u003e Size: 14.7 x 21.8 x 2.5 cm\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e290 Pages\u003c\/span\u003e\u003cbr\u003e Hardcover \u003cspan\u003e\u003cbr\u003eGood condition\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003ePublished by Aat Room and Eyesencia in 2002, Kyonen (last year) is an intimate collection of Araki's everyday photographs. The hardcover publication contains a series of snapshots, photoshoots, social gatherings in bars, and a visual record of Araki's female lovers. The images are both playful and candid; portraits of his models with their genitals marked in black pen by Araki and his sexual interactions sit alongside gatherings with the likes of Bjork, creating a highly personal and unconstrained representation of his entirely subjective view of image-making, what he humorously calls \"i-photography.\"\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31767273046068,"sku":"","price":110.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/araki_kyonen.jpg?v=1739442269"},{"product_id":"tokyo-rumando-selfpolaroids","title":"TOKYO RUMANDO - Selfpolaroids","description":"\u003cp\u003e \u003cstrong\u003eTOKYO RUMANDO\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eSelfpolaroids\u003c\/strong\u003e\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublisher: Zen Photo Gallery, 2017\u003cbr\u003e\u003c\/span\u003e Box Size 220 x 220 x 40 mm\u003cbr\u003e Colour photo booklet\u003cbr\u003e Pages 24 pages\u003cbr\u003e Polaroid photo cards 32 cards (color print with UV screen thick varnish) Includingvacuum-sealed personal belongings by the artist\u003cbr\u003e LanguageJapanese, English\u003cbr\u003e Limited edition 700\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e Selfpolaroids is a special box set, bringing together 32 large format postcards of the artist's polaroid selfies (4C), 1 book of Tokyo Rumando's new Peel Apart series (24 pages, 4C), and an original polaroid of the artist.\u003c\/p\u003e\n\n \u003cp\u003e\"I was a highschool student when I first got the polaroid camera. It was a fun gadget to play with friends, as it could quickly capture the moment. This box set includes a selection of my polaroid works from 2005 until now. I used to use the polaroid camera to do testing for my self portraits. Polaroids are like a documentation of reality for me, as I make works that interconnect the present, past, and future. particles like the universe - it gives me an unexplainable sense of exaltation.\" Tokyo Rumando\u003c\/p\u003e\n\n\u003cp\u003e ---\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eSelfpolaroids is a special box set, bringing together 32 large format postcards of the artist's polaroid selfies (4C), 1 book from Tokyo Rumando's new Peel Apart series (24 pages, 4C), and an original polaroid of the artist.\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003e“I was a high school student when I first got a Polaroid camera. It was a fun gadget to play with friends because it could quickly capture the moment. This box set includes a selection of my Polaroid works from 2005 to the present. I used to use the Polaroid camera to do tests for my self-portraits. Polaroids are like a documentation of reality for me because I make works that interconnect the present, past, and future. When I look into their unique colors, I can see many beautiful color particles like the universe - it gives me an inexplicable sense of elation.” Tokyo Rumando\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31770909540404,"sku":"","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/TOKYRUMANDO_SELFPOLAROID_COUV.jpg?v=1650556607"},{"product_id":"tokyo-rumando-s","title":"TOKYO RUMANDO - S","description":"\u003cp\u003e \u003cstrong\u003eTOKYO RUMANDO\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eS\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Zen Foto Gallery, 2018\u003cbr\u003e Book Size 15.5 × 23.0 cm\u003cbr\u003e Pages 136 page\u003cbr\u003e Binding Softcover, slipcase\u003cbr\u003e Language English\u003cbr\u003e Limited Edition 500\u003cbr\u003e ISBN978-4-905453-61-1\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e S is Story\u003cbr\u003e She=S\u003cbr\u003e S=Sexualviolet\u003cbr\u003e S is is\u003cbr\u003e S is Sandglass\u003cbr\u003e Sayonara S\u003c\/p\u003e\n\n \u003cp\u003e―Tokyo Romania\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31770978123828,"sku":"","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/TOKYORUMANDO_S_COUV.jpg?v=1586003965"},{"product_id":"tokyo-rumando-rest-3000-stay-5000","title":"TOKYO RUMANDO - Rest 3000 - Stay 5000","description":"\u003cp\u003e \u003cstrong\u003eTOKYO RUMANDO\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eRest 3000 - Stay 5000\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Zen Foto Gallery, 2012\u003cbr\u003e Book Size 18.2 × 25.7 cm\u003cbr\u003e Pages 88 pages\u003cbr\u003e Binding Softcover\u003cbr\u003e Signed by the artist\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003ePublished by Zen Foto Gallery, Rest 3000~ Stay 5000~ Tokyo based photographer Tokyo Romando explores the world of the Tokyo's love hotels. Visiting more than 20 love hotels in areas such as Shinjuku, Ikebukuro adn Yoshiwara, Tokyo Romando explores the historical and cultural aspects of the hotels through self-portraiture. Exposing the private worlds of intimacy where excitement, fantasy and love are sought out behind the facade of Japan's well ordered and clean society.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e ---------\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003ePublished by Zen Foto Gallery, Rest 3000 ~ Stay 5000 ~ Tokyo Romando, explores the world of Tokyo's love hotels. Visiting over 20 love hotels in the Shinjuku, Ikebukuro and Yoshiwara districts, Tokyo Romando explores the historical and cultural aspects of the hotels through self-portraiture. Exposing the private worlds of intimacy where excitement, fantasy and love are sought behind the facade of Japan's clean and well-ordered society.\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31770982285364,"sku":"","price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/TOKYORUMANDO_REST3000STAY5000_COUV.jpg?v=1586004293"},{"product_id":"herbie-yamaguchi-you-can-click-away-of-whatever-you-want-that-s-punk","title":"Herbie Yamaguchi - You can click away from whatever you want. That's punk","description":"\u003cp\u003e\u003cstrong\u003eHerbie Yamaguchi\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003e“You can click away from whatever you want. 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They carried out this project in the United States, while Eliso was studying photography at the International Center of Photography in New York. Noting the gap between the idea of ​​a fantasized Wild West and the reality of contemporary landscapes, the project also questions the role that photography plays in the construction and then deconstruction of myths. At the origin of this project, there was the desire to go and discover the Great American West, in this Wild West which was for the two artists the source of so many fantasies dating from this time when, as children, they discovered taken from the great encyclopedias the images of these immense wild expanses reported by American photographers of the 19th and 20th centuries. 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It was originally conceived by art critic Koji Taki (1928-2011) and photographer Takuma Nakahira (1938-2015), with poet Takahiko Okada (1939-1997) and photographer Yutaka Takanashi as \u003cem\u003edojin\u003c\/em\u003e members. The subtitle for the magazine was “Provocative Materials for Thought”, and each issue was composed of photographs, essays and poems. After releasing the second and third issue with Daido Moriyama as a subsequent member, the group broke up with their last publication \u003cem\u003eFirst, Abandon the World of Pseudo-Certainty\u003c\/em\u003e - an overview edition of the three issues. \u003cem\u003eProvoke\u003c\/em\u003e ’s grainy, blurry, and out-of-focus photographs were initially ridiculous\u003cem\u003e \u003c\/em\u003eand stirred a great deal of controversy, yet it had created a strong impact inside and outside of the photography world during that time. However, today, \u003cem\u003eProvoke\u003c\/em\u003e has become an extremely rare book and very few people have seen the original.\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eProvoke\u003c\/em\u003e has challenged existing photographic conventions and posed fundamental questions of visual perception, in the midst of the social and political upheaval during the late sixties. Now the world is gradually recognizing and re-examining its significance in a multitude of contexts.\u003c\/p\u003e\n\n\u003cp class=\"title-font-3\"\u003e Published as part of \u003cem\u003eThe Japanese Box: Facsimile Reprint of Six Rare Photographic Publications\u003c\/em\u003e \u003cem\u003eof the Provoke Era\u003c\/em\u003e *, \u003cem\u003eProvoke\u003c\/em\u003e 's facsimile reprint has its photographic images cropped approximately 3 mm from the edges for bookbinding purposes. The reprint also does not include texts by Takahiko Okada due to copyright reasons. \u003cem\u003eProvoke Complete Reprint\u003c\/em\u003e by NITESHA maintains the original size of the images and includes all original texts, along with the ones by Takahiko Okada. In addition, the volumes are accompanied by complete English and Chinese translations of the original Japanese texts as a booklet.\u003c\/p\u003e\n\n\u003cp class=\"title-font-3\"\u003e -----------\u003c\/p\u003e\n\n\u003cp class=\"title-font-3\"\u003e \u003cem\u003e2018 marked the 50th anniversary of the publication of Provoke.\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003eProvoke was first published in November 1968 as a dojin-shi, or self-published magazine. It was originally conceived by art critic Koji Taki (1928–2011) and photographer Takuma Nakahira (1938–2015), with poet Takahiko Okada (1939–1997) and photographer Yutaka Takanashi as dojin members. The journal's subtitle was \"Provocative Materials for Thought,\" and each issue consisted of photographs, essays, and poems. After publishing the second and third issues with Daido Moriyama as a guest member, the group broke up with their final publication First, Abandon the World of Pseudo-Certainty — a general edition of all three issues. Provoke's grainy, blurry, and out-of-focus photographs were initially ridiculed and caused much controversy, but they created a strong impact within and outside the photography world during that time. However, today, Provoke has become an extremely rare book and very few people have seen the original.\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003eProvoke challenged existing photographic conventions and posed fundamental questions of visual perception, amidst the social and political upheavals of the late sixties. Today, the world is gradually recognizing and reexamining its importance in a multitude of contexts.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003cem\u003ePublished as part of The Japanese Box: Facsimile Reprints of Six Rare Photographic Publications from the Provoke Era*, the Provoke facsimile reprint has its photographic images cropped approximately 3 mm from the edges for binding purposes. The reprint also does not include Takahiko Okada's texts for copyright reasons. Provoke Complete Reprint by NITESHA retains the original size of the images and includes all of the original texts, as well as those by Takahiko Okada. Additionally, the volumes are accompanied by complete English and Chinese translations of the original Japanese texts in pamphlet form.\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31775662669876,"sku":"","price":105.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/PROVOKE_4COUV.jpg?v=1586277474"},{"product_id":"leo-berne-edition-speciale-gozilla","title":"Léo Berne - For the Aliens - Gozilla","description":"\u003cp\u003e \u003cem\u003e\u003cstrong\u003eLeo Berne\u003cbr\u003e Special Edition\u003c\/strong\u003e\u003c\/em\u003e \u003cbr\u003e\" \u003cem\u003e\u003cstrong\u003eFor The Aliens\" + print\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e\u003cstrong\u003eThe draw\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e Untitled (Taipei - 2017)\u003cbr\u003e Printed in 2019\u003cbr\u003e Unframed\u003cbr\u003e Signed and Numbered\u003cbr\u003e Size: A5\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cem\u003eThe book\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e Published by\u003cmeta charset=\"utf-8\"\u003e echo 119\u003cbr\u003e First edition, 2016\u003cbr\u003e Softcover\u003cbr\u003e Size: 23cm x 18.3 x 1.7\u003c\/p\u003e\n\n\u003cp\u003e On the occasion of the Leo Berne exhibition, which we are presenting in two parts – From Dawn to Dusk and From Dusk to Dawn, we are launching a limited edition, consisting of the book “For the Aliens” published in 2016 and a numbered and signed photographic print of 30 copies.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31779612295220,"sku":"","price":180.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/LEOBERNE_FORTHEALIENS_ES_COUV_1_8ecdfd08-33ea-44c9-ae3b-859824d24971.jpg?v=1607014166"},{"product_id":"copie-de-leo-berne-special-edition-je-taime","title":"Léo Berne - 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The series consisted of a series of amusing self-portraits in the bathtub, taken with an underwater camera. A rare collector's book.\u003cbr\u003e \u003cbr\u003eFrom Koko Yamagishi's essay: \"Bukubuku is remembered among us as Masahisa Fukase's unpublished work, a series that had been sealed, so to speak. At the time [February 1992], there was, behind the scenes, a growing atmosphere where people had begun to have misgivings about Fukase's confused and failing behaviors. Friends had begun to worry about his living alone, and when the accident occurred, the whole event itself, too, was taken as an incident that characterizes Fukase as a photographer. What strikes me now, looking through Fukase's latest series, is the way in which they were supported by careful examination in order to produce specific images. They were taken carefully as he calmly and precisely settled himself into the tiny, unsteadily floating stainless steel tub. Fukase's act of photography, where the telltale digital numbers showed the date, continued for exactly one month.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31786111402036,"sku":"","price":350.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/FUKASE_bukubuku_COUV.jpg?v=1586506614"},{"product_id":"mahiro-toka-frozen-light","title":"Mahiro Toka - Frozen Light","description":"\u003cp\u003e \u003cstrong\u003eMahiro Toka\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eFrozen Light\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eportraits of the cold winter in Aomori\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Toka Publishing House, 2018\u003cbr\u003e Size: H30cm x W30cm x D3cm\u003cbr\u003e 180 Pages\u003cbr\u003e Softcover\u003c\/p\u003e\n\n\u003cp\u003e Mahiro Toka's Frozen Light is set in Aomori. With over 650 cm of snowfall per year, Aomori is said to be the snow capital of the world. 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Kabukicho reveals human desire. I adore it. I slept on cardboard on the street, under neon, and it felt good. I was out of the machine and I saw myself differently. The cardboard bed is perfect for when I get into trouble.\" Seung-woo Yang\u003c\/p\u003e\n\n \u003cp\u003eShinjuku Lost Child are photographs taken by Tokyo-based Korean photographer Seung-woo Yang during the years 1998 to 2006, depicting the vivid character and vibrant energy of the people and the district of Kabukicho in Shinjuku. Bringing awareness of both the self and a presence beyond Yang's viewfinder, and of time just before and after, these photographs will excite the imagination of the viewer. The Governor of Tokyo announced the 'Clean up Kabukicho Campaign' in 2004, aiming to transform the district into a “safe” town for all to enjoy. What will definitely remain unchanged of this place?\u003c\/p\u003e\n\n\u003cp\u003e -----------\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e\"Walking from the East Exit of Shinjuku Station to Kabukicho, my heart starts beating. Kabukicho reveals human desire. I love it. I slept on cardboard on the street, under the neon lights, and it felt good. I was out of time and saw myself differently. The cardboard bed is perfect when I'm in trouble.\" Seung-woo Yang\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003eShinjuku Lost Child are photographs taken by Tokyo-based Korean photographer Seung-woo Yang during the years 1998 to 2006, depicting the liveliness and vibrant energy of the people and neighborhood of Kabukicho in Shinjuku. Bringing a sense of self-awareness and presence beyond Yang’s viewfinder, and the time just before and after, these photographs will excite the viewer’s imagination. The governor of Tokyo announced the “Kabukicho Cleanup Campaign” in 2004, aiming to transform the neighborhood into a “safe” city for all to enjoy. What will remain forever unchanged of this place?\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31786533093428,"sku":"","price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/SEUNG-WOOYANG_Shinjukulostchild_couv.jpg?v=1586518087"},{"product_id":"daido-moriyama-tsugaru","title":"Daido Moriyama - Tsugaru","description":"\u003cp\u003e \u003cstrong\u003eDaido Moriyama\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eTsugaru\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by Taka Ishii Gallery, 2010\u003cbr\u003e Size: 33 x 24.5 cm\u003cbr\u003e Hardcover\u003c\/p\u003e\n\n\u003cp\u003e This catalogue was published for the solo exhibition “Tsugaru,” held at Taka Ishii Gallery in 2010. The photographs were taken in northern Japan in 1976, while the final photo was taken during a more recent visit to the region. It is one of Moriyama’s most representative works from the 1970s, a time when he set out for Hokkaido and Tohoku while searching for new modes of expression after publishing “Farewell Photography” in 1972.\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31817418342452,"sku":"","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/DAIDOMORIYAMA_TSUGARU_COUV.jpg?v=1587388266"},{"product_id":"christian-bragg-i-wish-to-see-where-the-winds-meet","title":"Christian Bragg - I wish to see where the winds meet","description":"\u003cp\u003e \u003cstrong\u003eChristian Bragg\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eI wish to see where the winds meet (Signed)\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by Tumuult, 2016\u003cbr\u003e Size 17 x 25 cm\u003cbr\u003e 25 pages\u003cbr\u003e Harcover\u003cbr\u003e First Edition, Limited to 280 copies.\u003cbr\u003e Signed and Numbered\u003cbr\u003e\u003cbr\u003e The book is a rare collector's item. Personal journey driven by a fragile quest for revelation and the search for self. Its black and white analog photography reveals contrasts beyond those of darkness and light, combining transformation and tranquility, irony and sincerity, sound and silence. With Winds, the photographer tells a personal story of memories, composing a “novel written with images,” while the viewer imagines his own.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31830961651764,"sku":"","price":37.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/CHRISTIANBRAGG_IWISHTOSEEWHERETHEWINDSMEET_COUV.jpg?v=1587652541"},{"product_id":"keizo-kitajima-camp-1979","title":"Keizo Kitajima - CAMP 1979","description":"\u003cp\u003e \u003cstrong\u003eKeizo Kitajima\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eCAMP 1979\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by Super labo, 2015\u003cbr\u003e Size: 21.6 x 28.0 cm\u003cbr\u003e 32 Pages - 22 images\u003cbr\u003e Softcover\u003cbr\u003e Limited Edition of 300 copies. 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It was there, from January to December 1979, that Kitajima exhibited his photographs of Tokyo in a radically new way.”\u003c\/p\u003e\n\n\u003cp\u003e - Editor's text\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31832009736244,"sku":"","price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/KEIKOKITAJIMA_CAMP1979_COUV.jpg?v=1587660375"},{"product_id":"daido-moriyama-ango","title":"Daido Moriyama - Ango","description":"\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\n\n\u003ca href=\"https:\/\/www.galerieecho119.com\/collections\/daido-moriyama-collection\" title=\"Daido Moriyama\"\u003eDaido Moriyama\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eAngo\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by Bookshop M, 2017\u003cbr\u003e Size 24 x 16.5 cm\u003cbr\u003e 188 pages, 57 images\u003cbr\u003e Hardcover\u003cbr\u003e Language: English\u003cbr\u003e ISBN 978-4-908647-09-3\u003cbr\u003e\u003cbr\u003e \u003cem\u003e“In the old days, before the capital moved from Kyoto to Tokyo, cherry trees were considered a frightening sight. 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Goldberg, the youngest son of a wholesale candy distributor, traces his dreams alongside those of his father as he journeys through the past through a photographic and written montage. The conceptual inspiration comes from his recent reworking of Rich and Poor (Steidl, 2014), in which he further examined the influence of his early years on his work.\u003cbr\u003e The Last Son traces Goldberg's growth as an artist alongside his father's acceptance of his own unfulfilled dreams. The narrative also reads more broadly as a story about American perseverance, family dynamics, and the struggle to exceed the expectations of those closest to us; in this case, Goldberg struggles to overcome his role as head of the family. Blending photographs, collages, handwritten text, and stills from family films, Goldberg mines his archives to construct a narrative of memories, beginning with his earliest photographs. The book is a sculptural collection of overflowing pages, offering a palpable interaction with his storytelling process. The Last Son allows a tactile glimpse into Goldberg's empathetic process of making sense of his story.\u003cbr\u003e The Last Son follows Goldberg's 134 Ways to Forget (Super Labo, 2011), a double-sided interactive poster\/zine that juxtaposes Goldberg's photographs with his writing as he sorts through 134 ways to forget a relationship. 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His images are like fragments of life forever indecipherable, flashes of grace comparable to haikus. His prints, small formats that he made himself before skating and using them, have been the subject of numerous exhibitions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eSmall Things in Silence\u003c\/em\u003e offers a perspective on twenty years in the career of one of Japan’s most important photographers. The publication includes images from each of Yamamoto’s major projects - Box of Ku, Nakazora, Kawa and Shizuka. 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The publication includes images from each of Yamamoto's major projects - Box of Ku, Nakazora, Kawa and Shizuka. 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Although he only left his native Tottori Prefecture on a few occasions, Ueda discovered the photographic innovations of the Western avant-garde through specialist publications that he received from time to time, and he felt drawn toward technical and aesthetic experimentation Following a barren period during the Second World War, Ueda returned to his work and produced. some of his most representative [imagery], in which the dunes of Tottori became a stage on which he arranged human figures in his own particular way. 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Although he left his native Tottori Prefecture only a few times, Ueda was introduced to the photographic innovations of the Western avant-garde through specialist publications he received from time to time, and he felt drawn to technical and aesthetic experimentation. After a barren period during World War II, Ueda returned to his work and produced some of his most representative images, in which the Tottori dunes became a stage on which he arranged human figures in his own way. The charm and ingenuity of these curious images have no parallel in the history of photography. His conception of this art form was closely linked to his sense of humor, a very particular aesthetic approach, and his great curiosity about the little things of everyday life.\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31881948397620,"sku":"","price":290.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/SHOJIUEDA_HYSTERIC_COUV.jpg?v=1588687850"},{"product_id":"julie-cockburn-stickybeak","title":"Julie Cockburn - Stickybeak","description":"\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eJulie Cockburn\u003cbr\u003e Stickybeak\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by Chose Commune, 2019\u003cbr\u003e Size: 21 x 30 cm\u003cbr\u003e 88 Pages\u003cbr\u003e Hardcover\u003cbr\u003e Languages: French, English\u003cbr\u003e ISBN: 979-10-96383-14-6\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e “Stickybeak” is Julie Cockburn’s first in-depth monograph.\u003cbr\u003e The publication coincides with the solo exhibition “Telling it slant” at Flowers Gallery in London, UK (12 September-2 November 2019)\u003c\/p\u003e\n\n \u003cp\u003e\"We're all curious to some degree. Most of my fictional heroes and heroines spend their time investigating, or at least meddling in, other people's business: Miss Marple, Lieutenant Columbo, Margo Leadbetter. There are even stories of espionage in my recent family history. Someone registered on social media always does some research—prying is human nature.\u003c\/p\u003e\n\n \u003cp\u003eThe works in this book were created over a period of twelve years; some are unique experiments, others are part of ongoing series that I complete over time. Each creation began with the quest for the perfect image, for which I imposed vaguely demanding parameters on myself. I selected written postcards, old photographs, damaged bookplates, and some of my own childhood drawings. Each of these finds has a different story to tell, unknown or forgotten. Through my actions, these once silent, superfluous, and orphaned objects find a living heart.\u003c\/p\u003e\n\n \u003cp\u003eI see this book as a continuation of that approach. The editors drew on the hundreds of images in my archive in the same way I pored over the pages of online sales sites or browsed the chaotic stalls of flea markets. Here, it sheds light on my assiduous work of hand embroidery and intricate collages, the succession of images evoking a story of humor and tenderness. We will all read it differently, pausing on the elements that speak to us most, in the language that suits us best. But overall, this reduced selection, a sort of chosen exquisite corpse, explores how we see ourselves, how we see others, and the multi-layered ambiguity that is life.\"\u003c\/p\u003e\n\n\u003cp\u003e - Julie Cockburn\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31882871767092,"sku":"","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/JulieCockburn-STICKYBEAK-COUV.jpg?v=1588693480"},{"product_id":"clementine-schneidermann-i-called-her-lisa-marie","title":"Clémentine Schneidermann - I Called Her Lisa Marie","description":"\u003cp\u003e\u003c\/p\u003e\n\n\u003cdiv class=\"first column\"\u003e\n\n \u003cstrong\u003eClementine Schneidermann\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eI Called Her Lisa Marie (Signed)\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by Chose Commune, 2018\u003c\/div\u003e\n\n\u003cdiv class=\"last  column\"\u003e\n\n\u003cmeta charset=\"utf-8\"\u003e Size: 25 x 25 cm\u003cbr\u003e 80 pages + 16 pages in leaflet\u003cbr\u003e Soft cover\u003c\/div\u003e\n\n\u003cdiv class=\"last  column\"\u003e\n\n \u003cbr\u003eLiz named her daughter Lisa Marie, after Elvis Presley's daughter. Clémentine Schneidermann, a French photographer living in Cardiff, Wales, met her in Newport, not far from Porthcawl, a seaside resort that hosts one of the biggest festivals each year that pays tribute to the \"King\". Liz is one of tens of thousands of fans who are lulled by nostalgia for their idol.\u003c\/div\u003e\n\n\u003cp\u003e Between 2013 and 2017, Clémentine Schneidermann took portraits of Steve, Samantha, Ian, among others, these whimsical worshipers whose often melancholic faces transform when the music is in full swing. Among them, the photographer became friends with Alison and her son Johnny Be Goode, the stage name of an endearing young fan. Clémentine Schneidermann accompanied them from Wales to Memphis in the United States, where it all began...\u003c\/p\u003e\n\n \u003cp\u003eThis book, which presents the series I Called Her Lisa Marie as well as Johnny B. Goode – travel diary of their pilgrimage across the Atlantic, is the first monograph by Clémentine Schneidermann. - written by the publisher\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":31883134992436,"sku":"","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/ClementineSchneidermann_ICALLEDHERLISA-MARIE_COUV.jpg?v=1588696863"},{"product_id":"kishin-shinoyama-shoyu","title":"KISHIN SHINOYAMA - SHOKU (SIGNED)","description":"\u003cp\u003e\u003cstrong\u003eKishin Shinoyama\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eShoku\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by Ushio Shupannsha, 2014\u003cbr\u003eBook size 24 x 32 x 3 cm\u003cbr\u003e358 pages \u003cbr\u003eSoftcover, coming in a book box.\u003cbr\u003eRare book\u003cbr\u003eGood condition\u003c\/p\u003e\n\u003cp\u003eThis book is -without doubt- one of the most beautiful Japanese books on food. 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The photographer, through his raw and methodical way of revealing the food and dishes, reveals himself to be a bit cruel and plays with the erotic nature of food. He seems to challenge as much as play with the reader. We are finally faced with a perfect illustration of the concept of food porn. 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This book can be interpreted as a set of sensations\", says Michiko Kon.\u003cbr\u003e\u003cbr\u003e The photographer builds her universe by combining food with everyday objects: The bra with kohada (spotted shad), tights filled with cabbage, the toothbrush garnished with salmon eggs, a vase with oysters, the fish surrounded by wool, the hanging shrimp sweater etc. This surreal world shows us the strength of the art of still life.\u003cbr\u003e \u003cbr\u003eThe contrasts between dark and light values ​​make the eyes of the fish, which seem almost animated, shine. This bit of humor and provocation is supposed to stimulate our emotions. And on the cover again, it says \"Do not show this book to children\". 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If it is common, in France as in Japan, to warn children not to play with their food, the book is thus addressed to the big children that adults are and calls for the transgression of a taboo that is now authorized.\u003c\/em\u003e\u003c\/p\u003e","brand":"Galerie \u0026co119","offers":[{"title":"Default Title","offer_id":31903560335412,"sku":"","price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/eat.jpg?v=1588942076"},{"product_id":"naoki-ishikawa-svalbard","title":"Naoki Ishikawa - Svalbard","description":"\u003cp\u003e \u003cstrong\u003eNaoki Ishikawa\u003c\/strong\u003e \u003cbr\u003e\u003cem\u003e\u003cstrong\u003eSvalbard\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSuper Lab, 2017\u003c\/span\u003e\u003cbr\u003e Book size \u003cspan data-mce-fragment=\"1\"\u003e22.3cm x 29cm\u003c\/span\u003e\u003cbr\u003e Hardcover,\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003epartly clothbound\u003c\/span\u003e\u003cbr\u003e 120 pages - 97 images (b\/w)\u003cbr\u003e ISBN:\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e978-4-908512-07-0\u003c\/span\u003e\u003cbr\u003e First Edition\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e “Northeast of Greenland, far north of the Scandinavian Peninsula, there is a group of islands called Svalbard. A part of Norway located in the northernmost part of the Arctic, this area is the northernmost point where human beings live today. Needless to say, summer nights are filled with the light of the midnight sun, and very dark polar nights are experienced during winter. The environment is so severe that the daily lowest temperature in winter is as low as -30℃.\u003cbr data-mce-fragment=\"1\"\u003e I have visited Svalbard twice so far. The first time was in April 2007 when the winter was not yet over, and the second time was from June until July of 2017, in mid-summer. Over a decade of time had passed between my two trips. \u003cbr data-mce-fragment=\"1\"\u003eSummer in the Arctic confuses my sense of time. Time over thousands of years, my life span shorter than a hundred years, and the cycle of 24 hours in a day.\u003cbr data-mce-fragment=\"1\"\u003e A polar bear is biting on a seal somewhere I do not know. And at the same time, someone is calling my cell phone, someone probably busy working day and night. Being on the Arctic island, I am reminded of the world we live in as such. “\u003cbr\u003e\u003cbr\u003e -----------------\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e“Northeast of Greenland, at the northernmost point of the Scandinavian Peninsula, lies a group of islands called Svalbard. Part of Norway located in the northernmost part of the Arctic, this region is the northernmost point where human beings live today. Needless to say, summer nights are filled with the light of the midnight sun and very dark polar nights are experienced in winter. The environment is so harsh that the lowest daily temperature in winter is as low as -30 ℃.\u003c\/em\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI have visited Svalbard twice so far. The first time was in April 2007, when winter was still in its infancy, and the second time was from June to July 2017, in mid-summer. More than a decade had passed between my two trips.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cem\u003eSummer in the Arctic confuses my sense of time. Time spanning thousands of years, my lifespan of less than 100 years, and the 24-hour-a-day cycle.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cem\u003eA polar bear bites a seal somewhere I don't know. And at the same time, someone calls my cell phone, someone probably busy working day and night. Being on the Arctic island, I remember the world we live in as such.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36740329013404,"sku":"","price":80.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/NaokiIshikawa_Svalbard_COUV.jpg?v=1604496972"},{"product_id":"lost-home","title":"Lost Home","description":"\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong\u003eLost Home\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003cem\u003ePhotographs by Daido Moriyama, Christian Patterson, JH Engstrom, Takashi Homma, Roe Ethridge, Ron Jude, Slavica Perkovic, Bertien van Manen, Terri Weifenbach \u0026amp; Harvey Benge.\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003ePublished by \u003cspan data-mce-fragment=\"1\"\u003eSuper Labo, 2013\u003c\/span\u003e\u003cbr\u003e Size :\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e18.2 x 25.6 cm\u003c\/span\u003e\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003e24 Pages\u003cmeta charset=\"utf-8\"\u003e x 10 Photobooks\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e 32 Pages x Prose Poem Work\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSoftcover: comes in a slipcase\u003cbr\u003e\u003c\/span\u003e Languages: Japanese, English\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eLimited Edition of 1000 copies.\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eISBN\u003cmeta charset=\"utf-8\"\u003e 978-4-905052-57-9\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Photographs by Daido Moriyama, Christian Patterson, JH Engstrom, Takashi Homma, Roe Ethridge, Ron Jude, Slavica Perkovic, Bertien van Manen, Terri Weifenbach \u0026amp; Harvey Benge.\u003c\/p\u003e\n\n\u003cp\u003e LOST HOME is a collaborative book project involving ten internationally renowned photographers.\u003c\/p\u003e\n\n \u003cp\u003eEach responded to a specially commissioned prose poem by Japanese screenwriter Nobuyuki Ishiki, a two-time winner of the Japan Academy Award for Best Screenplay. The photographers were each given complete freedom of content and design, within a shared book format, to individually express their own understanding of the idea of ​​LOST HOME.\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e11 books (10 photo books and the prose poem LOST HOME) with slipcase.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36740758634652,"sku":"","price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/losthomecover1.jpg?v=1604498689"},{"product_id":"masatoshi-naito-tokyo-vision-of-its-other-sides","title":"Masatoshi Naito - Tokyo: Vision of It's Other Sides","description":"\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong\u003eMasatoshi Naito\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eTokyo: Vision of It's Other Sides\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Published by \u003cspan data-mce-fragment=\"1\"\u003eSuper Labo, 2016\u003c\/span\u003e\u003cbr\u003e Size :\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e21.6 x 28 cm\u003c\/span\u003e\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003e44 Pages - 25 Images\u003c\/span\u003e\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eSoftcover\u003c\/span\u003e \u003cbr\u003eLanguages: Japanese, English\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eLimited Edition 1000 copies.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e ISBN\u003cmeta charset=\"utf-8\"\u003e 978-4-905052-95-1\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e “I photographed Tokyo intensively from 1970 to 1985. Japan was changing radically as rapid economic growth took place. Old houses and buildings were being demolished and replaced with new ones, including modern skyscrapers. Even today, Tokyo is still expanding.\u003c\/p\u003e\n\n \u003cp\u003eI thought it would be very interesting if I photographed Tokyo using the time-lapse photography technique. I attached a fully automatic camera to the top of Tokyo Tower, turned it in different directions such as Shinjuku and Ginza, and released the shutter once an hour every day for ten years. At the time, film cameras could shoot 24 frames per second. There are 24 hours in a day, so I could shoot a one-second short film with 24 frames per day. Therefore, the film would add up to 30 seconds in a month and about an hour in ten years. This would depict Tokyo's rapid development at an ultra-slow speed, revealing the true essence of Tokyo as an immense life form always moving like a protozoan. ––– I expected this.\u003c\/p\u003e\n\n \u003cp\u003eThe image of Tokyo as an \"immense life form\" was not born of literary imagination. It was based on what I physically felt while walking around Tokyo at the time.\u003c\/p\u003e\n\n\u003cp\u003e In Tokyo, there are layers of sediment from various eras. Tokyo today. Tokyo during the post-war black market era. Tokyo during the Edo period. A day for people in Tokyo typically begins with getting up in the morning and going to work. Once the workday is over, they return home after stopping at shopping streets or bars.\u003c\/p\u003e\n\n \u003cp\u003eThese days, I see crowds of people flooding the city of Tokyo from morning to night. The crowds are always there, from the first train to the last train on the Yamanote Line, the Chuo Line, the subways, and various private railways. However, when the last trains have departed, along with businessmen and women, students, and restaurant and bar workers, Tokyo is deserted, and \"the other side of Tokyo\" emerges.\u003c\/p\u003e\n\n\u003cp\u003e Someone is collecting food thrown away by bars and restaurants. Another is collecting cardboard boxes and cans that can be sold. There are people sleeping on the streets. Some of them are drinking alcohol. The homeless are beginning to act dynamically. Exactly, Tokyo as an \"immense form of life\" is revealed.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36740824957084,"sku":"","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/MasatoshiNaito_COUV.jpg?v=1604499429"},{"product_id":"koji-onaka-my-favorite-21","title":"Koji Onaka - My favorite 21","description":"\u003cp\u003e \u003cb\u003eKoji Onaka\u003c\/b\u003e\u003cbr\u003e \u003cb\u003e\u003ci\u003eMy Favorite 21\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003ePublished by Zen Foto \u003cspan data-mce-fragment=\"1\"\u003e, 2013\u003cbr\u003e\u003c\/span\u003e Size: 22.5 x 17 cm\u003cbr\u003e 56 Pages - 21 Images\u003cbr\u003e Hardcover\u003cbr\u003e Languages: English, Japanese\u003cbr\u003e Limited Edition of 1000 copies.\u003cbr\u003e ISBN 978-4-905453-25-3\u003c\/p\u003e\n\n\u003cp\u003e With the last 100 sheets of Onaka's favorite Kodak photo paper, he decided to print a collection of his favorite photographs. This book includes his 21 favorite photos out of the 100.\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36741867864220,"sku":"","price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/KOJIONAKA_Myfavorite21_COUV_1.jpg?v=1604504469"},{"product_id":"daido-moriyama-okinawa-s49","title":"Daido Moriyama - Okinawa S49","description":"\u003cp\u003e \u003cstrong\u003eDaido Moriyama\u003c\/strong\u003e\u003cbr\u003e \u003cb\u003e\u003ci\u003eOkinawa S49 (Signed)\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e Published by  \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSuper Lab, 2020\u003c\/span\u003e\u003cbr\u003e Size :\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e24.2 x 36.3 cm\u003c\/span\u003e\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003e36 pages - 17 Images (b\/w)\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSoftcover\u003cbr\u003e\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eLimited Edition of 700 copies.\u003c\/span\u003e\u003cbr\u003e ISBN\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e978-4-908512-47-6\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e“1974 was the first year I went to Okinawa and it was exactly a one-week stay. Most of the photos in this book are those I took during that trip. However, the purpose of the trip to Okinawa was not to take photos, but for Shomei Tomatsu, Eikou Hosoe, Masahisa Fukase, Nobuyoshi Araki, and myself who were all living in Tokyo and then to conduct a photo workshop with “Taking Photos” as the main theme for more than 10 photographers and photo enthusiasts living in Okinawa. Whenever I found time between the 5 days of the Okinawa workshop, I would take the only camera, a half-size, that I brought with me and photograph about 2000 sections. I didn't set any themes to work with, but jumped from place to place like a pecking bird, allowing the cities I encountered for the first time to guide me.\" artist's text.\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36742594166940,"sku":"","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/DaidoMoriyama_OkinawaS49_COUV2.jpg?v=1604509049"},{"product_id":"antoine-dagata-fukushima","title":"ANTOINE D'AGATA - FUKUSHIMA","description":"\u003cp\u003e\u003cstrong\u003eAntoine d'Agata\u003c\/strong\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eFukushima\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSuper Labo, 2015\u003c\/span\u003e\u003cbr\u003eBook Size \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e18.3 x 12.3 cm\u003c\/span\u003e\u003cbr\u003ePages \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e608 pages\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e600 images(b\/w)\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eHardcover : comes in a slipcase\u003cbr\u003eLanguage Japanese and English\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eLimited edition of 500 with numbered and signed certificate\u003c\/span\u003e\u003cbr\u003eISBN \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e978-4-905052-77-7\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e“The void surrounds me and eats my belly. Through the clear glass of the car window, everything is grey: slow descent into a warm and acrid cell nucleus, memory wearing off through scattered images whose logic is as atomized as the territories I go through. The method, because it takes the form of a diary whose structure is premeditated in order to challenge its own rules, ends up depending on resurgences that alter the physical space of the exclusion zone. I am being led by my own moves from fear into stillness, knowing every gesture traces an impossible path to be followed. Abandoned houses face the sea and the wind in the desert contaminated landscape. Being there, breathing cold air, memories of an outside world slowly dissolved into the crisp reality of boredom. Ghosts are like vanished gods of an extinct world. No company but fear, no hierarchy in horror, but the invisible process of alteration. Facts fulfil threatening promises, articulate a physical and mental journey that integrates the inconsistencies and aberrations of hazard: a step into the slow agony of consciousness, dark territory where verb and matter mingle into recurrent shapes. Each structure is like a dark omen, a sign of disasters to come, an unsolved enigma without a past or a future. Life fades out and leaves no space for will. Senses fall apart and break into mental ruin. The last possible form of language, obsessive sequence, manic inventory, distorted record of vain itineraries, erosion of all pretence of reason. Under the Moon, dust devours forgotten hopes, life resumes to statistics, stiff little figures face the void, armed only with ignorance. Shades of death swallowed by dawn, mould everywhere, a mouth sketches a soft embrace, in a frantic search for a past already lost. A pure sense of chaos, an obscene blend of physics and ecstasy, a vision of unleashed forces that crush civilisation into a mass of rubble and deadly lies. Silence does not make sense, instinct breathes life into the stillness of a surviving town, humanity insists on existing. The underlying principle of that frail movement is the broken desire of those who flee as far as strength allows. While the dead know in their flesh how far hell extends.” artist statement \u003cbr\u003e\u003cbr\u003e------\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e“Le vide m’entoure et me ronge le ventre. Through the transparent glass of the car window, everything is gray: slow descent into a hot and acrid cellular core, memory fades through scattered images whose logic is as atomized as the territories I cross. The method, because it takes the form of a diary whose structure is premeditated to challenge its own rules, ends up depending on resurgences that alter the physical space of the exclusion zone. I am driven by my own movements from fear to stillness, knowing that each gesture traces an impossible path to follow. Abandoned houses face the sea and the wind in a contaminated desert landscape. Being there, breathing the cold air, memories of an outside world slowly dissolve into the crisp reality of boredom. Ghosts are like the vanished gods of an extinct world. No company but fear, no hierarchy in horror, but the invisible process of alteration. Facts fulfill menacing promises, articulate a physical and mental journey that integrates the inconsistencies and aberrations of chance: a step into the slow agony of consciousness, a dark territory where word and matter mingle in recurring forms. Each structure is like a dark omen, a sign of disasters to come, an unresolved enigma without past or future. Life fades and leaves no room for will. The senses collapse and transform into mental ruin. Last possible form of language, obsessive sequence, manic inventory, distorted account of vain itineraries, erosion of any pretense of reason. Under the Moon, dust devours forgotten hopes, life returns to statistics, small stiff figures face the void, armed only with ignorance. Shades of death swallowed by dawn, mold everywhere, a mouth sketches a sweet embrace, in a frantic search for a past already lost. A pure sense of chaos, an obscene mixture of physicality and ecstasy, a vision of unleashed forces crushing civilization into a mass of rubble and deadly lies. Silence has no meaning, instinct breathes life into the stillness of a surviving city, humanity insists on existing. The underlying principle of this fragile movement is the broken desire of those who flee as far as strength allows. While the dead know in their flesh how far hell extends.” artist text\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36742802014364,"sku":"","price":150.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/antoinedagata_fukushima_couv.jpg?v=1604510502"},{"product_id":"katsumi-watanabe-gangs-of-kabukicho","title":"KATSUMI WATANABE - GANGS OF KABUKICHO","description":"\u003cp\u003e \u003cb\u003eKATSUMI WATANABE\u003c\/b\u003e\u003cbr\u003e \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGANGS OF KABUKICHO\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003ePPP editions, 2006\u003c\/span\u003e\u003cbr\u003e Book size\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e29.5 x 20.5 cm\u003c\/span\u003e\u003cbr\u003e Pages\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e160 Pages\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e155 duotone b\u0026amp;w images\u003c\/span\u003e\u003cbr\u003e Softcover\u003cbr\u003e Language English \u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eISBN\u003cmeta charset=\"utf-8\"\u003e 9780971548039\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThe subjects of itinerant Tokyo portrait photographer Watanabe Katsumi's 1960s and 70s photographs are the prostitutes, street people, drag queens, entertainers and gangsters (Yakuza) that populated night-time Kabukicho, the red light district of Shinjuku. Watanabe made his living by selling these photographs to his subjects, offering three prints for 200 yen. Captivating as they are intriguing, the duotone images that fill this edition demonstrate the keen sensitivity of a photographer who managed to capture his fascinating collection of subjects in natural and uninhibited postures.\u003c\/span\u003e\u003c\/p\u003e\n\n --------\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA collection of photographs taken in Tokyo in the 1960s and 1970s by Watanabe Katsumi. The subjects are the prostitutes, street people, drag queens, artists, and gangsters (Yakuza) who populated the nightlife of Kabukicho, Shinjuku's red-light district. Watanabe made his living selling these photographs to his subjects, offering three prints for 200 yen. Captivating and intriguing, the two-tone images that fill this edition demonstrate the keen sensibility of a photographer who managed to capture his fascinating collection of subjects in natural, uninhibited postures.\u003c\/em\u003e \u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36752899309724,"sku":"","price":300.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/WatanabeKatsumi_COUV2.jpg?v=1604590415"},{"product_id":"antoine-dagata-self-portrait-1987-2017-signed","title":"ANTOINE D'AGATA - SELF PORTRAIT 1987-2017 (SIGNED)","description":"\u003cp\u003e \u003cstrong\u003eAntoine d'Agata\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eSelf Portrait 1987-2017 (signed)\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Published by\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSuper Lab, 2017\u003c\/span\u003e\u003cbr\u003e Book Size\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e18.9 x 25.2cm\u003c\/span\u003e\u003cbr\u003e Pages\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e244 pages\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e 235 images (color)\u003c\/span\u003e\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eHardcover\u003cbr\u003e Language Japanese and English\u003cbr\u003e\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eLimited edition of 1000\u003c\/span\u003e\u003cbr\u003e ISBN\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e978-4-908512-10-0\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003eThe book Self-Portraits: 1987-2017 by Antoine d'Agata reveals a journey of the man\/photographer from the origins of his practice to the present day, and presents to us the monumental iconography of a body of work that has been developing slowly from a visual diary begun in Mexico in the 80s to the moving image and the writings of a few premeditated life scripts.\u003cbr\u003e\u003cbr\u003e ------\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe book Self-Portraits: 1987-2017 by Antoine d'Agata reveals a journey of the man \/ photographer from the origins of his practice to the present day, and presents us with the monumental iconography of a work that slowly develops from from a visual diary started in Mexico in the 80s, to the moving image and writings of some premeditated life scenarios.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36753050370204,"sku":"","price":85.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/DAGATHA_SELFPORTRAIT_COUV.jpg?v=1604591535"},{"product_id":"kishin-shinoyama-the-poeple-by-kishin","title":"KISHIN SHINOYAMA - THE PEOPLE BY KISHIN","description":"\u003cp\u003e \u003cstrong\u003eKishin Shinoyama\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eTHE PEOPLE by KISHIN\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003ePie books, 2012\u003c\/span\u003e\u003cbr\u003e Book size\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e30 x 23 cm\u003c\/span\u003e \u003cbr\u003ePages 208 pages\u003cbr\u003e Softcover\u003cbr\u003e Language English and Japanese\u003cbr\u003e Rare book\u003cbr\u003e Good condition\u003cbr\u003e ISBN\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e978-4-7562-4290-7 C0072\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e The People by Kishin brings together several series of portraits divided into five main chapters: GOD, STAR, SPECTACLE, BODY, ACCIDENTS.\u003cbr data-mce-fragment=\"1\"\u003e Master of photography Kishin Shinoyama has photographed many captivating portraits like Yukio Mishima, John Lennon and Yoko Ono, Momoe Yamaguchi, of people affected by the great earthquake in eastern Japan on March 11, 2011, Kabuki characters. A beautiful synthesis of the art of portraiture.\u003c\/p\u003e\n\n\u003cp\u003e ------\u003cbr\u003e \u003cem\u003eThe People by Kishin brings together several series of portraits divided into five main chapters: GOD, STAR, SPECTACLE, BODY, ACCIDENTS.\u003c\/em\u003e \u003cbr\u003e\u003cem\u003eMaster photographer Kishin Shinoyama has photographed many captivating portraits such as those of Yukio Mishima, John Lennon and Yoko Ono, Momoe Yamaguchi, people affected by the Great East Japan Earthquake on March 11, 2011, Kabuki characters. A beautiful and delicate synthesis of the art of portraiture.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36753117118620,"sku":"","price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/KISHINSHINOYAMA_POEPLE.jpg?v=1605793589"},{"product_id":"nobuyoshi-araki-sentimental-journey-2","title":"Araki Nobuyoshi - SENTIMENTAL JOURNEY 2","description":"\u003cp\u003e\u003cstrong\u003eAraki Nobuyoshi \u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eSentimental Journey 2\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by \u003cmeta charset=\"utf-8\"\u003eSuper Labo, 2015\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBook size \u003cmeta charset=\"utf-8\"\u003e21,6 x 28 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePages 32 pages + 62 images (b\/w)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage Japanese\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eLimited Edition of 1000\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFirst edition\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eISBN 978-4-905052-93-7\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"txtEssay\"\u003e” Sentimental Journey 2 was first conceived when Araki handed me Sentimental Journey Continued in a bar in Shinjuku and proposed, “How about making a new book out of the images in this book?”\u003cbr\u003eThis was his answer to our proposition to participate in the series “SUPER LABO 32.”\u003c\/p\u003e\n\u003cp class=\"txtEssay\"\u003eWhile we usually make photography books from photographs, this project involved making a book from another book- a genuine duplication. Araki himself entitled the book, “Sentimental Journey 2.”\u003cbr\u003eWe were extremely thrilled that he appointed us to work with him on this endeavor and we knew the significance of the project we were entrusted with.”\u003cbr\u003e– YASUNORI HOKI, Publisher\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSentimental Journey 2 was first conceived when Araki handed me Sentimental Journey Continued in a bar in Shinjuku and suggested, \"Why don't we create a new book from the images in this book?\"\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis was his response to our proposal to participate in the “SUPER LABO 32” series.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile we typically make photography books from photographs, this project involved making a book from another book—a true duplication. Araki himself titled the book, “Sentimental Journey 2.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWe were extremely pleased that he appointed us to work with him on this venture and we knew the importance of the project we had been entrusted with.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e- YASUNORI HOKI, editor\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"book-review\"\u003e\n\u003cdiv itemtype=\"http:\/\/schema.org\/Review\" itemscope=\"\" itemprop=\"review\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36753250812060,"sku":"","price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/ARAKI_SJ2_COUV.jpg?v=1604594317"},{"product_id":"araki-nobuyoshi-shiki-in","title":"ARAKI NOBUYOSHI - SHIKI IN","description":"\u003cp\u003e\u003cstrong\u003eARAKI NOBUYOSHI\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eSHIKI IN\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003ePublished by Aat Room and\u003cmeta charset=\"utf-8\"\u003e eyesebcia \u003cspan itemprop=\"publisher\"\u003e, 2005\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eBook size\u003cmeta charset=\"utf-8\"\u003e 36.4 x 22.5 cm\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003ePages 128 pages\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eHardcover\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003eLimited edition of 1000\u003c\/span\u003e \u003cspan\u003e\u003cbr\u003eGood condition\u003cbr\u003e Rare book\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003eThe year 2005 marked the beginning of publications by Araki which featured his painted photo works. Although this marks the published introduction of his use of vibrant color on top of his black and white photographs, Araki has continuously explored (and perhaps unintentionally) confronted issues of censorship within Japanese society. Faced with prosecution due to the graphic nature of his imagery, Araki, although always having confronted the comfort zones of his viewers, began to blot out and scrape over the genitals in the image substituting the exposed area with hand-scribbled lines of black, using more and more frequently bright and vibrant colors. This application of colors within Shikiin (published in 2005) brilliantly captures this now established part of his repertoire. Included within the pages are 128 images; portraits of his models bound in Kinbaku, vibrantly transformed with the painted brush strokes of Araki's hand. This self censorship of his works added a transformative element to his photographs, presenting them as a visual response on both the laws of censorship, as well as referencing the sexual imagery based on Japanese traditions alongside Araki's own visual motifs of color, used to portray all that is living and the use of monochrome to connote notions of death.\u003c\/p\u003e\n\n \u003cp\u003e------------\u003c\/p\u003e\n\n\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe year 2005 marked the beginning of Araki's publications that featured his painted photographic works. While this marked the published introduction of his use of bright colors in addition to his black and white photographs, Araki continually (and perhaps unintentionally) explored the issues of censorship within Japanese society. Facing prosecution due to the graphic nature of his images, Araki, while always challenging his viewers' comfort zones, began erasing and scratching out the genitals of the image, replacing the exposed area with hand-scrawled black lines, increasingly using bright, vibrant colors. This application of color within Shikiin (published in 2005) brilliantly captures this now established part of his repertoire. Included within the pages are 128 images; portraits of his Kinbaku-related sitters, vibrantly transformed with the painted brushstrokes of Araki's hand. This self-censorship of his works added a transformative element to his photographs, presenting them as a visual response to both censorship laws, as well as referencing sexual imagery based on Japanese traditions alongside Araki's own visual motifs of colour, used to represent everything that is alive and the use of monochrome to connote notions of death.\u003c\/em\u003e \u003c\/p\u003e\n\n\u003cdiv class=\"book-review\"\u003e\n\n\u003cdiv itemprop=\"review\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Review\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36753575542940,"sku":"","price":130.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/ARAKI_SHIKIIN_COUV.jpg?v=1604597170"},{"product_id":"aikaterini-gegisian-handbook-of-the-spontaneous-other","title":"Aikaterine Gegisian - Handbook of the Spontaneous Other","description":"\u003cp\u003e \u003cb\u003eAikaterine Gegisian\u003c\/b\u003e\u003cbr\u003e \u003cb\u003e\u003ci\u003eHandbook of the Spontaneous Other\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMack, 2020\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSize 17 x 24 cm\u003c\/span\u003e\u003cbr\u003e Pages 144 pages\u003cbr\u003e Hardcover\u003cbr\u003e Language: English\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003eISBN 978-1-912339-69-3\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cdiv class=\"\"\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"last  column\"\u003e\n\n\u003cdiv\u003e\n\n\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cdiv\u003e\n\n \u003cp\u003eIn Handbook of the Spontaneous Other, Aikaterini Gegisian brings together a diverse range of photographs found and produced in Western Europe and the United States during the 1960s and 1970s. Comprised of a series of 59 collages, the book playfully recontextualizes images from popular culture that Gegisian sourced—from pornographic magazines, travel catalogs, and National Geographic—in order to subvert the ways in which the body, nature, and pleasure have been represented in Western capitalist fantasies.\u003c\/p\u003e\n\n\u003cp\u003e Divided into nine chapters that follow a metaphysical narrative of color and sensation, the book ultimately seeks to locate a “spontaneous other”; a notion of self and pleasure that exists beyond the confines of popular culture and its dominant modes of representation; color photographs.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36753604182172,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/gegisian_COUV2.jpg?v=1604598532"},{"product_id":"helmut-giersiefen-crime-scenes","title":"Helmut Giersiefen – Crime Scenes","description":"\u003cp\u003e \u003cb\u003eHelmut Giersiefen\u003c\/b\u003e\u003cbr\u003e \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCrime Scenes (Signed)\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by \u003cspan data-mce-fragment=\"1\"\u003eX SurMesure, Patrick Remy Studio, 2020\u003c\/span\u003e\u003cbr\u003e Size: \u003cspan data-mce-fragment=\"1\"\u003e27.5 x 21.5 cm\u003c\/span\u003e\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003e88 pages -\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e47 images\u003c\/span\u003e\u003cbr\u003e Hardcover\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003eLimited Edition of 200 numbered copies\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eISBN\u003cmeta charset=\"utf-8\"\u003e 9-782957001309\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003eThey are usually hidden at the edge of forests or in clearings, in clusters with trees, bushes, or electricity pylons. Most are made of wood to perfectly fit their environment. High seats are constructions used for hunting from a hide. Sitting above the wind to avoid detection by wild animals, the hunter is hidden in ambush. Helmut Giersiefen calls these watchtowers in his series of black and white analog photographs \"crime scenes.\"\u003c\/p\u003e\n\n\u003cp\u003e Although they only come in six basic forms, the viewer is fascinated by the \"architectural\" diversity of these high chairs, which photographer Helmut Giersiefen calls \"anonymous wooden sculptures in nature.\" He uses a special black and white film called Washi to photograph them in their respective environments, giving his views the eerie atmosphere of a crime scene.\u003c\/p\u003e\n\n \u003cp\u003eProduced by a small factory in Saint-Nazaire, France, Washi film is made by manually applying a photographic emulsion to Moriki paper. Washi means “handmade translucent paper” in Japanese. Orthochromatic film has a low sensitivity (ISO 25\/15°) and high gradation. This requires the photographer to very precisely assess the lighting conditions and the contrast range of their motif. Analog baryta prints offer astonishing tonal richness and surprising graphic effects. The origin of the term “photography” comes from the ancient Greek – photós (light) and graphein (drawing). Helmut Giersiefen’s “Crime Scenes” series combines the presentation of typological motifs with the original concept of photography – drawing with light.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36753675878556,"sku":"","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/CrimeScenes_HelmutGiersiefen_couv.jpg?v=1604599076"},{"product_id":"casper-kent-sakura-lust","title":"Casper Kent - Sakura Lust","description":"\u003cp\u003e \u003cb\u003eCasper Kent\u003c\/b\u003e\u003cbr\u003e \u003cb\u003e\u003ci\u003eSakura Lust\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e Published by \u003cspan data-mce-fragment=\"1\"\u003eKawako Press, 2019\u003c\/span\u003e\u003cbr\u003e Book size\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e21 x 29.7 cm\u003c\/span\u003e\u003cbr\u003e Pages\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e112 pages\u003c\/span\u003e\u003cbr\u003e Hardcover in \u003cspan data-mce-fragment=\"1\"\u003elinen-bound (\u003cmeta charset=\"utf-8\"\u003e De-bossed with tip-in image on front cover)\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e First edition of 500\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e Each copy hand numbered\u003c\/span\u003e\u003cbr\u003e Language English\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003eISBN\u003c\/span\u003e 978-1-9164276-0-0\u003c\/p\u003e\n\n\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003eSakura Lust is the first monograph by Casper Kent. Shot over the course of a year – from the arrival of the first cherry blossom through the Japanese Autumn – during nights spent in ryokans and love hotels throughout Japan. Echoing the Japanese adoration for Hanami (The annual tradition of welcoming the briefly blossoming Sakura, enjoying that moment and celebrating all it represents) the intimacy captured in Sakura Lust floats somewhere between an erotic dream and reality. The book serves as a lust story, an attempt to sixteen a fleeting moment in life and make it last indefinitely. First edition of 500 copies, hand numbered.\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e------\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cdiv class=\"last  column\"\u003e\n\n\u003cdiv\u003e\n\n\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cdiv\u003e\n\n\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSakura Lust is Casper Kent's first monograph. Shot over the course of a year—from the arrival of the first cherry blossom through the Japanese autumn—during nights spent in ryokans and love hotels across Japan. Echoing the Japanese adoration for hanami (the annual tradition of welcoming the briefly blooming sakura, enjoying the moment, and celebrating all it represents), the intimacy captured in Sakura Lust floats somewhere between an erotic dream and reality. The book is a story of lust, an attempt to seize a fleeting moment in life and make it last indefinitely. Original edition of 500 copies, hand-numbered.\u003c\/em\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36761465618588,"sku":"","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/casperkent-sakura-lust-COUV.jpg?v=1604669003"},{"product_id":"hendrik-zeitler-a-place-of-one-s-own","title":"Hendrik Zeitler - A Place of One's Own","description":"\u003cp\u003e \u003cstrong\u003eHendrik Zeitler\u003c\/strong\u003e\u003cbr\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA Place of One´s Own, 2004 – 2010 (Signed)\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e Published by \u003cspan data-mce-fragment=\"1\"\u003eJournal\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e, 2011\u003c\/span\u003e\u003cbr\u003e Size :\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e28 x 34.5 x 3 cm\u003c\/span\u003e\u003cbr\u003e 150 \u003cspan data-mce-fragment=\"1\"\u003epages\u003c\/span\u003e\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eHardcover\u003cbr\u003e Languages: English, Swedish, German\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"tws-article-attribute-title\" data-mce-fragment=\"1\"\u003eISBN\u003c\/span\u003e \u003cspan class=\"tws-article-attribute-value\" data-mce-fragment=\"1\"\u003e9789197696678\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\n \u003cp\u003eImages of three alternative collective houses in Norway and Sweden: Blitz and Ya Basta in Oslo and Kvarnis in Western Bothnia. The houses are havens for political movements, necessary meeting places where politics are discussed and practiced on a daily basis. “In these houses, we encounter an underlying aesthetic that reflects lifestyle, through fashion and decoration. Although we strongly recognize many similar places in other countries, the houses are subject to change—slogans and symbols change, houses are demolished or renovated, people come and go. While history is present for the residents, it is also elusive. Over time, living memory will disappear, and documents will become the only thing left to tell us about people and daily life.” Text by Ana Betancour\u003c\/p\u003e\n\n \u003cp\u003eI first came into contact with the Ya Basta house in 2000 through a friend from the animal rights movement. From then until the house was demolished in 2005, I spent a lot of time there. Contacts with the other two houses were also established through a mixture of political networking and personal friendship. Suddenly, I saw how quickly these places were changing: Ya Basta was demolished in 2005, Blitz was renovated in 2009, and at Kvarnis, the rooms were constantly being changed by people coming and going. The images of Ya Basta were taken in 2004–2005, Blitz in 2006–2010, and Kvarnis in 2007–2009.\u003c\/p\u003e\n\n\u003cp\u003e - Text by the artist\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36761995378844,"sku":"","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/HENDRIKZEITLER-Couv.jpg?v=1604674404"},{"product_id":"chris-shaw-horizon-icons","title":"Chris Shaw - Horizon Icons","description":"\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong\u003eChris Shaw\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eHorizon Icons (Signed)\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Published by Adad Books \u003cspan data-mce-fragment=\"1\"\u003e, 2015\u003c\/span\u003e\u003cbr\u003e Size :\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e31 x 24.5 cm\u003c\/span\u003e\u003cbr\u003e 80 pages\u003cspan data-mce-fragment=\"1\"\u003e \u003cbr\u003eLimited Edition of 500 copies.\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003eHardcover\u003cbr\u003e\u003c\/span\u003e Language: English \u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eISBN 978-0-9576923-3-6\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e Chris Shaw captured a dark and dramatic vision of the California desert during a residency in Joshua Tree National Park in the summer of 2013. He took photographs in the early morning using a powerful flash and printed at night in a makeshift darkroom in his bathroom, using an enlarger specially shipped from New York. In this series of bold and striking photographs, Joshua trees and various desert cacti are transformed into haunting anthropomorphic figures and dancing icons. The prints themselves bear the marks of the ad hoc printing process, with bleeding edges, fingerprints, shifted frames, and Shaw’s handwritten titles.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36762133299356,"sku":"","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/ChrisSHAW_HORIZONICONS_COUV.jpg?v=1604675264"},{"product_id":"daniel-blaufuks-this-business-of-living","title":"Daniel Blaufuks – This Business of Living","description":"\u003cp\u003e \u003cb\u003eDaniel Blaufuks\u003c\/b\u003e\u003cbr\u003e \u003cb\u003e\u003ci\u003eThis business of living\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003ePublished by\u003cmeta charset=\"utf-8\"\u003e Pierre von Kleist, 2015\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eSize :\u003cmeta charset=\"utf-8\"\u003e 25 x 19 cm\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e48 Pages\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eHardcover\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eFirst Edition limited to 600 copies.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003eLiving as a kind of work, as something that needs its own rules, as if it were a task in an office and the need, sometimes mechanical and bureaucratic, to organize time: waking up, eating, thinking, working, sleeping, living. Yesterday Today Tomorrow. This Business of Living is inspired by Cesare Pavese's diaries, by the experience of time and the memories left over the days. \u003c\/p\u003e\n\n\u003cdiv class=\"book-review\"\u003e\n\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36762499743900,"sku":"","price":33.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/DANIELBLAUFUKS-THEBUSINESSOFLIVING_COUV.jpg?v=1604677396"},{"product_id":"ed-templeton-teenage-smokers-2","title":"Ed Templeton - Teenage Smokers 2","description":"\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong\u003eED TEMPLETON\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e\u003ci data-mce-fragment=\"1\"\u003eTeenage Smokers 2\u003c\/i\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Published by\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSuper Lab, 2015\u003c\/span\u003e\u003cbr\u003e Book size\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e18.7 x 20 cm\u003c\/span\u003e\u003cbr\u003e Pages\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e96 pages\u003c\/span\u003e\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003eHardcover\u003c\/span\u003e\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003eFirst edition of 1000\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e ISBN 978-4-905052-90-6\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"txtEssay\"\u003eThe subject Teenage Smokers has always fascinated me. When I was young, for a very short period I thought it might be “cool” to smoke. I ripped a piece of paper down to the size of a cigarette and pulled some grass from our front lawn and rolled it into the paper and lit it on fire and took a puff. It felt like inhaling shards of glass and I coughed uncontrollably doubled over in pain. My friend's mother (a smoker herself) said to me, “Yeah, that's how smoking feels.” And that was enough for me. I was never going to smoke. So when I would see young people smoking I would always marvel at them. They are the ones who wanted to look cool so badly that they overcame the pain of starting smoking. They also overcame the logic of why it's a bad idea. Since my profession took me all over the world skateboarding, I was always surrounded by young skaters and, inevitably, teenage smokers.\u003c\/p\u003e\n\n \u003cp class=\"txtEssay\"\u003eThis book Teenage Smokers 2 starts off from where the original book ends. Many are images that could not fit into the original book (published in 1999 by Alleged Press) because that book was small, only 36 pages, and many of the images were Polaroid's. None of the photos from the original Teenage Smokers book are in this book because I wanted to keep the integrity of the original book intact.\u003c\/p\u003e\n\n \u003cp class=\"txtEssay\"\u003eThe idea for this book sprang from finding the original boxes of Polaroid's that started this whole series, shot in 1994 at my local skateboard park in Huntington Beach, California. I would be skating there when the kids finished school and they would collect there to hang out and smoke. One day I brought a Polaroid camera to the park and started asking all of them for a portrait while smoking. Those first Polaroid's were the photos that Aaron Rose saw when I did an exhibition at his Alleged Gallery in 1999. With the limited money he had we made the original book Teenage Smokers that sold out immediately and is now a collectors' item. The photos in this book are a continuation of that series that I have been shooting non-stop since '94 to the present. All photos are shot on film.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e ----\u003c\/p\u003e\n\n \u003cp\u003e\u003cem\u003eThe subject of Teenage Smokers has always fascinated me. When I was young, for a very brief period of time, I thought it was “cool” to smoke. I tore off a cigarette-sized piece of paper and pulled some grass from our front lawn, rolled it in the paper, lit it, and took a drag. It felt like I was inhaling shards of glass and I was coughing uncontrollably in pain. My friend’s mother (a smoker herself) said to me, “Yes, that’s what smoking feels like.” And that was enough for me. I was never going to smoke. So when I saw young people smoking, I always marveled at them. They were the ones who wanted to look cool so badly that they overcame the pain of starting smoking. They also overcame the logic of why it’s a bad idea. Since my profession took me into the world of skateboarding, I have always been surrounded by young skaters and, inevitably, by smoking teenagers.\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003eThis Teenage Smokers 2 book starts where the original book ends. Many are pictures that couldn't fit in the original book (published in 1999 by Alleged Press) because that book was small, only 36 pages, and most of the pictures were Polaroids. None of the pictures from the original Teenage Smokers book are in this book because I wanted to keep the integrity of the original book.\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cem\u003eThe idea for this book came from finding the original Polaroid boxes that started this whole series, shot in 1994 at my local skate park in Huntington Beach, California. I would skate there after the kids got out of school and they would gather there to hang out and smoke. One day I brought a Polaroid camera to the park and started asking them all for a portrait while smoking. Those first Polaroids were the photos Aaron Rose saw when I did a show at his Alleged Gallery in 1999. With the limited money he had, we made the original Teenage Smokers book which sold out immediately and is now a collector's item. The photos in this book are a continuation of this series that I have been shooting relentlessly since 1994 to the present day. All of the photos are shot on roll film.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36762627965084,"sku":"","price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/EDTEMPLETON-TEENAGESMOKERS_1.jpg?v=1604679921"},{"product_id":"tatsuya-shimohira-seisorenkan","title":"TATSUYA SHIMOHIRA – SEISORENKAN","description":"\u003cp\u003e \u003cstrong\u003eTATSUYA SHIMOHIRA\u003c\/strong\u003e\u003cbr\u003e \u003cb\u003e\u003ci\u003eSEISORENKAN\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Published by\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eZen Foto Gallery, 2015\u003c\/span\u003e\u003cbr\u003e Book Size\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e29.7 x 29.7 cm\u003c\/span\u003e \u003cbr\u003ePages \u003cspan data-mce-fragment=\"1\"\u003e48 pages\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e40 images\u003c\/span\u003e\u003cbr\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eSoftcover\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eLimited edition of 500\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSIGNED by the artist\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\n \u003cp\u003eAbout 10 years ago, I was fortunate enough to move to Hachinohe in Aomori Prefecture and live there for a while. I heard various stories about the area where I lived, especially about Matsuri (traditional Japanese festivals). Festivals originated in ancient times and tradition as an effective way to connect with the land. Almost inevitably, I was drawn to Matsuri and traditions that concern the land as a central theme of my photography. One day, for a moment, while watching the \"Shishimai\" (Lion Dance) at an old shrine in Hachinohe, I felt as if I had returned to ancient times. This experience was quite difficult to express in words, the unknown and strange feeling that was going through my head. After I finished shooting in Tohoku, I returned to Kanto, then moved to Ise in Mie Prefecture and continued taking photographs.\u003c\/p\u003e\n\n \u003cp\u003e“When Something Begins” —— In ancient times, when human beings first appeared, they saw or felt visible or invisible boundaries on the surface of the landscape, rocks, trees, water, and so on. 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My happiness is complete if I am able to express these unknown feelings by printing these photographs.\u003c\/p\u003e\n\n \u003cp\u003e– Artist's Statement\u003c\/p\u003e","brand":"Galerie Écho 119","offers":[{"title":"Default Title","offer_id":36763378679964,"sku":"","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/products\/TATSUYASHIMOHIRA_SEISORENKAN_COUV.jpg?v=1747158348"},{"product_id":"masato-sudo-japanese-tattooing-ransho","title":"Masato Sudo - Japanese Tattooing RANSHO","description":"\u003cp class=\"p1\"\u003e \u003cb\u003eMasato Sudo\u003c\/b\u003e\u003cbr\u003e \u003cb\u003e\u003ci\u003eJapanese Tattooing RANSHO\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Published by Masato Sudo, 1985\u003cbr\u003e Size: 31 x 31 x 2 cm\u003cbr\u003e Hardcover\u003cbr\u003e 143 Pages\u003cbr\u003e First Edition\u003cbr\u003e Good condition\u003cbr\u003e\u003cbr\u003e Japanese Tattooing RANSHO is a catalog exploring the Japanese tebori tattooing method, which is done using a thin, bamboo or metal needle. 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