{"title":"Miyako ISHIUCHI","description":"","products":[{"product_id":"yokosuka-again-1980-1990-signed","title":"YOKOSUKA AGAIN 1980 - 1990 (SIGNED)","description":"","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":56721298751820,"sku":"IM2-000002","price":180.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/e7a64cf8-3ad6-44fd-a685-38be52fd9380-l.jpg?v=1771011867"},{"product_id":"childhood-garments-signed","title":"Childhood Garments (SIGNED)","description":"\u003cp\u003eAt best, the silk kimono has a lifespan of three generations. From grandmother, to mother, down to daughter - roughly a hundred years. Beyond that, it would not be fit for wearing. One formal kimono of superb craftsmanship that I received had cotton filling in the lining of the skirt hem, identical patterns on the outer material and lining, and was gorgeously embroidered with flowers and plovers; a kimono likey worn by an individual of high standing. As a section of it was damaged and could not be worn, I decided to take it apart and have the fabric repurposed into some other article of clothing. But when I pulled on the seam, it disintegrated as though the very foundation of the fiber had crumbed. I let out a gasp. The kimono was a historical artifact that should not have been meddled with. Proving itself to be well over a hudnred years old, there was little else I could do but apologize to that crumbling, disintegrating silk cloth.\u003c\/p\u003e\n\n\u003cp\u003e-Excerpt Garments of Life afterword by Ishiuchi Miyako\u003c\/p\u003e\n\n\u003cp\u003eIshiuchi Miyako's Childhood Garments presents a series of portraits which delve into the power of objects and memories. Tied alongside her images which capture the personal artifacts of subjects as private as her mother to famed individuals within the public sphere; Frida Kahlo, the photographs bring forth an intimacy shared between a person and an object into a realm of public experience. Working with Shinjoji Temple located in Kanazawa, Ishiuchi’s Childhood Garments illustrates a collection of kimono worn and created specifically for the young. Known as hyakutoku kimono and semamori, the portraits capture the embodied thoughts, prayers and lives of both community and family for the new born child.\u003c\/p\u003e","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":56721300881740,"sku":"IM2-000011","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/a66ccde9-c937-468a-b558-20e937776c3b-l.jpg?v=1771011972"},{"product_id":"moving-away-signed","title":"Moving Away (SIGNED)","description":"\u003cp\u003eDans « Moving Away », la photographe japonaise Miyako Ishiuchi devient elle-même le sujet de sa photographie. Au cours des trois années qui se sont écoulées entre la décision soudaine de quitter la maison dans laquelle elle avait vécu pendant 43 ans et son déménagement réel, elle a pris une série de paysages, de photos de rues, de plans de détail et de vies autour de sa maison et de son quartier que tous – soit directement comme une image miroir ou indirectement – la présentez d’une manière ou d’une autre. Ishiuchi documente la fin d’un autre chapitre de sa vie avec attention, sentimentalité mais aussi résolument positivement.\u003c\/p\u003e\n\n\u003cp\u003e« J’ai toujours cru que chaque photographie est le reflet de son créateur, quel que soit son sujet. Je ne me suis donc jamais photographié intentionnellement. Mes photographies se sont toujours démarquées de l’essence de la photographie en tant que documentation afin d’évoquer l’extraordinaire.\u003c\/p\u003e","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":56721303273804,"sku":"IM2-000015","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/d9299afb-61c1-4977-ba22-20c4babb91e8-l.png?v=1771012006"},{"product_id":"beginnings-1975-signed","title":"Beginnings 1975 (SIGNED)","description":"\u003cp\u003e«Beginnings: 1975» est une collection des premières photographies de Miyako Ishiuchi. Ishiuchi a découvert les images par hasard en préparant une exposition personnelle au Yokohama Museum of Art.\n\u003cbr\u003eLes photos ont été prises dans la vie quotidienne d’Ishiuchi et développées dans une chambre noire de fortune de la maison de ses parents.\n\u003cbr\u003eLes photos en noir et blanc «ne provoquent aucune nostalgie, aucun souvenir sentimental; ils apparaissent plutôt comme une preuve mystérieuse de la profondeur des décennies entre cette époque et ma vie aujourd’hui », écrit Ishiuchi dans sa postface (disponible en japonais et en anglais), ajoutant:\n\u003cbr\u003e«Bien que je les trouve toujours imparfaits, je reconnais que j’ai déjà eu la vision qui m’a amené à créer‘ Yokosuka Story ’,‘ Apartment ’et‘ Endless Nights ’.»\u003c\/p\u003e","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":56721303667020,"sku":"IM2-000018","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/c29cf1c3-a214-47bf-903f-841c04372e5b-l.jpg?v=1771012039"},{"product_id":"new-artwork-1","title":"1947","description":"\u003cp\u003e\"the reason why I watched to shoot those photographs was simply because I was born in the year 1947.\"\u003c\/p\u003e","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":56721333158220,"sku":"ECHO-MIYI-002","price":149.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/c176bbc0-e198-47c3-a0f2-20c5154b342e-l_a2184784-1637-4f07-940f-a252beab0dbc.png?v=1778379969"},{"product_id":"frida","title":"Frida","description":"\u003cp\u003eFrida by Ishiuchi is the first ever photographic documentation of Mexican artist Frida Kahlo's archive of dresses and personal belongings. Portrayed by Japanese artist Miyako Ishiuchi, the book gives an intimate view of Ishiuchi's very personal take on Kahlo's private universe. Following her acclaimed series Mother's (2005) and Hiroshima (2007), Frida Kahlo's archive presents once again the soft yet powerful style of Ishiuchi, transforming still, quotidian objects into rich evocations of memories and lives. As a female artist looking at the wardrobe of another female artist, Ishiuchi reveals an intuitive poetry of what it is to dress and how these items are worn. A very special and unique documentation of Kahlo's archive is presented by Miyako Ishiuchi in this unforgettable book.\u003c\/p\u003e","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":56721336959308,"sku":"ECHO-MIYI-003","price":65.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/d7a66547-38c4-485f-ba75-300419c4f938-l.jpg?v=1771013907"},{"product_id":"scars","title":"Scars","description":"\u003cp\u003eChaque photo en gros plan de la cicatrice est accompagné d’une légende donnant la date et l’origine de la cicatrice d’un mot (accident, maladie, transplantation, guerre, brûlure) ; texte de Aki Kusumoto, postface de Miyako Ishiuchi, photos en n.b.\u003c\/p\u003e\n\n\u003cp\u003e“Scars generally carry a rather negative connotation. They are not shown to others, not exhibited in public, and are to be kept quietly hidden away, or measures are taken so that they won’t be seen – they belong to an extremely private realm. I take photographs of such scars, which are so very like a personal secret.\n\u003cbr\u003eIllness, Injury, accidents, war. These re all distressing, painful, unhappy experiences that one day, suddenly befall a person. While a person hopes to remain unblemished through life, we must all sustain and live with wounds, visible and invisible. Running fingers over the smooth flesh, the encounter of some irregular coarseness, an unevenness of sensation, will tell you of the presence of a scar. It is an imprint of the past, welded onto a part of the body.” ?from Miyako Ishiuchi’s afterword\u003c\/p\u003e","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":56721337221452,"sku":"ECHO-MIYI-004","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/ed1a1a9c-6229-4014-b398-144aaa0bd380-l.jpg?v=1771013940"},{"product_id":"1906-to-the-skin","title":"1906 to the skin","description":"\u003cp\u003eA collection of photographs by Miyako Ishiuchi, a representative of modern Japan, “1906 to the Skin (With OBI)”. The atmosphere and signs of the town, the appearance of the buildings, and the smell of humans. . . The initial works in Ishiuchi, represented by the trilogy “Zetsu-Yokosuka Story”, “Apartment” and “City of Night”, show the invisible “people's activities” through the landscape of “town” and “building”. The style that keeps portraying was the center. Such a stone moved to “people” and “things”, shortened the sense of distance to the subject, and became the opportunity to spin the background of people and things and invisible stories.・ 7 」. Since then, many masterpieces of the close-up series such as `` Mother's '', `` Hiroshima '', `` Frida by Ishiuchi '' have been announced, but this book is a collection of works published in 1994 following 1, 9, 4, 7 Butoh, Kazuo Ohno \". Born in 1906, the title is “1906 to the skin”. Over the years of more than 80 years, there are traces of the life of an artist who wears perfect skin and sometimes wears garments elegantly.\u003c\/p\u003e","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":56721337319756,"sku":"ECHO-MIYI-005","price":120.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/101b32fe-88d3-4078-9365-c2f2bc7fadb5-l.jpg?v=1771013974"},{"product_id":"mothers-2000-2005-traces-of-the-future","title":"mother's 2000-2005 : traces of the future","description":"\u003cp\u003e'Ishiuchi Miyako, Mother's 2000-2005: Traces of the Future' was first shown in the Japanese Pavilion at the 51st Venice Biennale in 2005. Works presented at the Biennale, together with previously unpublished works are on view in this exhibition held at the Tokyo Metropolitan Museum of Photography.\u003c\/p\u003e\n\n\u003cp\u003e'Ishiuchi Miyako' series of work, entitled \"Mother's 2000-2005: Traces of the Future\", consists of photographs of her mother's nude body, taken shortly prior to her mother's death at eighty-four, together with pictures of her mother's chemise, girdle, lipstick, false teeth, shoes, etc. that her mother kept about her body while she was still alive, each presented in the form of portrait. This series was created by the photographer in an effort to overcome her feelings of loss after her mother's death, but simultaneously, it captures her mother as another woman while graphically describing the changes that occurred in women's attitudes in the postwar years, through the stormy life of a single individual.' - excerpt from essay by Michiko Kasahara.\u003c\/p\u003e","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":56721337418060,"sku":"ECHO-MIYI-006","price":100.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/267c00a6-ec84-429e-9bbf-39b3de1bd5f7-l.jpg?v=1771014006"},{"product_id":"from-hiroshima","title":"From Hiroshima","description":"\u003cp\u003eommemorative edition of Miyako Ishiuchi’s Hasselblad International Award for Photography in 2014\u003c\/p\u003e\n\n\u003cp\u003eA photobook comprising internationally acclaimed photographer Miyako Ishiuchi’s monumental “Hiroshima” series, in which she captured items and clothes left behind by victims of the atomic bomb explosion in her unique style.\n\u003cbr\u003eIncluding new photos shot after the publication of 2008’s initial “Hiroshima” (Shueisha Publishing), Ishiuchi reorganised her Hiroshima series for this new publication.\u003c\/p\u003e","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":56721337778508,"sku":"ECHO-MIYI-007","price":90.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/39ff6233-7742-4cc1-a6a6-9685701b9fe2-l.jpg?v=1771014040"},{"product_id":"belongings","title":"Belongings","description":"\u003cp\u003ePublished in 2015 by Case Publishing and produced by the Fine-Arts Photography Association of Japan, Ishiuchi Miyako’s Belongings contains a selection of her most recent and well known bodies of work published on occasion of the 2015 Daikanyama Photo Fair. Bound within are images from three of her photographic series; _Mothers (2000-2005), Hiroshima__(2007) _andFrida by Ishiuchi Miyako (2013), which bring together the most comprehensive collection of published images of her on going exploration into the remnants of individuals and our relationship to both time and memory.\u003c\/p\u003e\n\n\u003cp\u003eIncluded within is an afterward by Chief curator of Tokyo Metropolitan Museum of Photography Kasahara Michiko, Text is available in both Japanese and English.\u003c\/p\u003e","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":56721338040652,"sku":"ECHO-MIYI-008","price":65.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/51f80d39-c78b-4516-a164-5db5804fff02-l.jpg?v=1771014074"},{"product_id":"one-days","title":"One days","description":"","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":57295553462604,"sku":"IM2-000007","price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/7b76af35-e30f-400b-a8a8-57e6a637690d-l.jpg?v=1776238051"},{"product_id":"endless-night-2001-signed","title":"Endless Night 2001 (signed)","description":"","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":57297533960524,"sku":"ECHO-ISHM-001","price":200.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/10961041-418e-4a46-940d-9357fdaf1889-l.jpg?v=1779287685"},{"product_id":"yokosuka-again-1980-1990","title":"Miyako Ishiuchi - Yokosuka Again 1980 - 1990","description":"\u003cp\u003e\u003cstrong\u003eMiyako Ishiuchi \u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eYokosuka Again 1980 - 1990\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePublié par \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSohyu-Sha \u0026amp; Mole, 1998\u003cbr\u003eTaille : 27,2 x 23,2 cm\u003cbr\u003eCouverture souple dans un étui en carton\u003cbr\u003e62 images\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEnfant, Miyako a grandi dans la ville portuaire de Yokosuka, où elle est revenue à plusieurs reprises pour créer deux séries d’œuvres, \"Yokosuka Story\" (1976-1977) et \"Yokosuka Again\" (1980-1990).\u003c\/p\u003e\n\u003cp\u003eDans \"Yokosuka Again\", Miyako place son appareil photo au cœur même, ou à l’origine, de ses angoisses d’enfance. Elle se rend à Honchō, un quartier qui, aujourd’hui encore, est très fréquenté par les soldats américains et les travailleuses du sexe, et immortalise les bars et les boîtes de nuit qui lui étaient autrefois interdits lorsqu’elle était enfant. Ces images témoignent de sa volonté d’affronter le traumatisme de son passé ainsi que la base militaire américaine qui maintient la ville de Yokosuka figée dans le temps. Les clichés pris à l’intérieur de l’Enlisted Men’s Club, un lieu de rencontre délabré fréquenté par les soldats et démoli en 1990, ainsi que la silhouette sombre d’un navire de la marine américaine dans « Yokosuka Again #43 » (1980–1990) apparaissent comme les spectres du passé de guerre et du présent militarisé de la ville.\u003c\/p\u003e","brand":"Miyako ISHIUCHI","offers":[{"title":"Default Title","offer_id":58004166508876,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/Miyako-ISHIUCHI_YokosukaAgain.png?v=1783438741"}],"url":"https:\/\/www.galerieecho119.com\/en\/collections\/miyako-ishiuchi.oembed","provider":"Galerie Écho","version":"1.0","type":"link"}