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In the 1960s, Tanaka discovered his interest in Tokyo as a subject of his photography. It was an era of change both for Japan and Tokyo itself, driven by rapid economic growth and the newly redefined image of Japan in the world following the 1964 Toko Olympics. Resultingly, Tanaka’s snapshots, cityscapes and street photographs, taken in the 1960s and 1970s, offer not only a look at Tanaka’s early steps as a photographer but also capture the ambivalent atmosphere of a country that suddenly found itself within stratospheric growth.\u003c\/p\u003e\n\n\u003cp\u003e“It wasn’t until the Tokyo Olympics in 1964 that I came to appreciate Tokyo as a theme. 1964 was the year when Tokyo was first recognized not as the capital of a defeated country, but as a dynamic city in the Far East.”\n\u003cbr\u003e― from Chotoku Tanaka’s afterword\u003c\/p\u003e\n\n\u003cp\u003e----\u003c\/p\u003e\n\n\u003cp\u003e\"Today Tokyo\" présente des photographies prises par Chotoku Tanaka dans les premières années de sa carrière. Dans les années 1960, Tanaka découvre son intérêt pour Tokyo comme sujet de sa photographie. Ce fut une ère de changement à la fois pour le Japon et pour Tokyo elle-même, stimulée par une croissance économique rapide et l'image nouvellement redéfinie du Japon dans le monde après les Jeux olympiques de Toko en 1964. En conséquence, les instantanés, les paysages urbains et les photographies de rue de Tanaka, pris dans les années 1960 et 1970, offrent non seulement un regard sur les premiers pas de Tanaka en tant que photographe, mais capturent également l'atmosphère ambivalente d'un pays qui s'est soudainement retrouvé dans une croissance stratosphérique.\u003c\/p\u003e\n\n\u003cp\u003e\"Ce n'est qu'aux Jeux olympiques de Tokyo en 1964 que j'ai appris à apprécier Tokyo comme thème. 1964 a été l'année où Tokyo a été reconnue pour la première fois non pas comme la capitale d'un pays vaincu, mais comme une ville dynamique d'Extrême-Orient.\n\u003cbr\u003e― de la postface de Chotoku Tanaka\u003c\/p\u003e","brand":"Tanaka Chotoku","offers":[{"title":"Default Title","offer_id":56719139569996,"sku":"ECHO-CHOT-001","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/3c513c29-7d62-41bc-a31d-6049fda17aea-l_98e70393-e4fb-4c47-ac7c-877a1a315c6a.jpg?v=1778035102"},{"product_id":"moriyama-shinjuku-araki","title":"Moriyama Shinjuku Araki","description":"\u003cp\u003eNobuyoshi Araki \u0026amp; Daido Moriyama\n\u003cbr\u003eShinjuku\u003c\/p\u003e\n\n\u003cp\u003ePublié par Heibonsha in 2005\n\u003cbr\u003eTaille : 21x30cm\n\u003cbr\u003e304 Pages\n\u003cbr\u003eSoftcover \n\u003cbr\u003eLangues : Japonais, Anglais\n\u003cbr\u003ePremière Édition, Deuxième Impression\u003c\/p\u003e\n\n\u003cp\u003eDeux célèbres maîtres de la photographie japonaise aux visions individuelles très différentes retournent dans un quartier de Tokyo qui a joué un rôle central dans leur travail, Shinjuku. 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Le projet de Tokyo présente des illustrations photographiques de son exploration de la vie et de l'espace urbain de sa ville natale.\n\u003cbr\u003e \u003c\/p\u003e","brand":"Nobuyoshi Araki","offers":[{"title":"Default Title","offer_id":57294858027340,"sku":"AN2-000200","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/4a15e6e0-9f63-48c1-b6d2-1d99ebb05ed9-l.jpg?v=1776229675"},{"product_id":"tokyo-labyrinth-signed","title":"Tokyo Labyrinth (SIGNED)","description":"\u003cp\u003eHiro Kikai \n\u003cbr\u003eTokyo Labyrinth \u003c\/p\u003e\n\n\u003cp\u003ePublished by Shogakukan, Japan, 1999\n\u003cbr\u003eBook size 23,4 x 21 x 1,5cm \n\u003cbr\u003ePages 117 pages \n\u003cbr\u003eHardcorver\n\u003cbr\u003eGood condition\u003c\/p\u003e\n\n\u003cp\u003eHiroh Kikai's Tokyo Labryinth is a collection of works of a 30 year exploration fo the city's urban landscape by the photographer. Taken in-between 1976 and 1989 in the old downtown suburbs of Tokyo, Kikai's images here explore the cities urban landscape without the presence of its inhabitants.\u003c\/p\u003e\n\n\u003cp\u003e\"Kikai's images combine a careful description of place with elegant abstraction; windows, laundry, pipes and telephone lines are reduced to lines and planes. Regardless of the rigor of his compositions, Kikai is essentially a humanist who is interested in people and how they live. He describes his work as asking the question, \"What does it mean to be human?\" Kikai's images describe with affection the details of human existence in one of the most cramped cities on earth, expressing the eloquence of the commonplace found in the side streets and back alleys of modest neighborhoods with formal precision and an eye for the surreal. With an economy of means, Kikai's work projects honesty and a deep respect for the evidence of time and humanity.\"\u003c\/p\u003e\n\n\u003cp\u003eYancy Richardson Gallery New York excerpt from exhibition press release.\u003c\/p\u003e\n\n\u003cp\u003e---------------\u003c\/p\u003e\n\n\u003cp\u003eTokyo Labryinth de Hiroh Kikai regroupe 30 ans du paysage urbain de la ville par le photographe. Prises entre 1976 et 1989 dans la vieille banlieue du centre-ville de Tokyo, les images de Kikai explorent ici le paysage urbain des villes sans la présence de ses habitants.\u003c\/p\u003e\n\n\u003cp\u003e\"Les images de Kikai combinent une description minutieuse du lieu avec une élégante abstraction ; les fenêtres, le linge, les tuyaux et les lignes téléphoniques sont réduits à des lignes et des avions. Quelle que soit la rigueur de ses compositions, Kikai est essentiellement un humaniste qui s'intéresse aux gens et à la façon dont ils vivent. Il décrit son travail comme posant la question : \" Qu'est-ce que cela signifie d'être humain? \" Les images de Kikai décrivent avec affection les détails de l'existence humaine dans l'une des villes les plus exiguës de la terre, exprimant l'éloquence du lieu commun, des rues et des ruelles de quartiers modestes avec une précision formelle et un œil pour le surréaliste. 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From clashes with riot police to student discussions, the photographs vividly capture life within the University walls where routine and riot were played out behind the backdrop of the international anti-war movement.\u003c\/p\u003e\n\n\u003cp\u003e1968 was a year of instability – with the prolonged Vietnam war, student protests in Paris, repression of Czechoslovakia by those countries which were shaken by the “Prague Spring”. America saw the assassinations of Martin Luther King and Robert Kennedy. On the other hand, the Apollo mission landed on the moon the following year.\u003c\/p\u003e\n\n\u003cp\u003e1968 was also the year I began photography. I wandered around downtown Shinjuku with a camera, capturing people and whatever caught my attention. One night, I came across a crowd causing great turmoil in Shinjuku. I learned that it was an international anti-war protest. Before that, the Vietnam War had seemed to me merely information transmitted from the media, but I felt its reality after joining the protest. As the Riot Police searchlight lit up students’ helmets in the heaving crowd, their silhouettes would shiver violently. Student Power in Japan became a powerful tide fighting against society.\u003c\/p\u003e\n\n\u003cp\u003eAround that time, I stepped foot into Tokyo University’s Hongo Campus for the first time, and met Yoshitaka Yamamoto, who was then representative of Todai Zen-kyoto. He inspired me. It was he who made me so determined to document the Todai protests. Inside the barricades actually was an open space, into which non-local students, the general public and even high school students could go.\u003c\/p\u003e\n\n\u003cp\u003eForty-seven years have now passed since then, and some memories are dimming – but film creates new memory. The spirit of Zen-kyoto is brought back to life.\u003c\/p\u003e\n\n\u003cp\u003e----------\u003c\/p\u003e\n\n\u003cp\u003eTokyo University 1968-1968―Behind the Blockade de Hitomi Watanabe documente les manifestations étudiantes tenues à l’université de Tokyo en 1968-1969. Des affrontements avec la police anti-émeute aux discussions avec les étudiants, les photographies capturent de manière vivante la vie dans les murs de l'Université où la routine et l'émeute se déroulaient dans le contexte du mouvement international anti-guerre.\u003c\/p\u003e\n\n\u003cp\u003e1968 a été une année d'instabilité - avec la guerre du Vietnam prolongée, les manifestations étudiantes à Paris, la répression de la Tchécoslovaquie par les pays secoués par le «Printemps de Prague». L'Amérique a vu les assassinats de Martin Luther King et de Robert Kennedy. En revanche, la mission Apollo a atterri sur la lune l'année suivante.\u003c\/p\u003e\n\n\u003cp\u003e1968 a aussi été l'année où j'ai commencé la photographie. Je me suis promené dans le centre-ville de Shinjuku avec une caméra, capturant des gens et tout ce qui a attiré mon attention. Un soir, je suis tombé sur une foule provoquant une grande agitation à Shinjuku. J'ai appris que c'était une manifestation internationale contre la guerre. Avant cela, la guerre du Vietnam m'avait semblé simplement une information transmise par les médias, mais j'ai ressenti sa réalité après avoir rejoint la manifestation. Alors que le projecteur de la police anti-émeute éclairait les casques des étudiants dans la foule houleuse, leurs silhouettes tremblaient violemment. Le pouvoir étudiant au Japon est devenu une puissante vague de lutte contre la société.\u003c\/p\u003e\n\n\u003cp\u003eÀ cette époque, je suis entré pour la première fois dans le campus de Hongo de l’université de Tokyo et ai rencontré Yoshitaka Yamamoto, qui était alors représentant de Todai Zen-kyoto. Il m'a inspiré. C'est lui qui m'a rendu si déterminé à documenter les manifestations de Todai. À l'intérieur des barricades se trouvait en fait un espace ouvert, dans lequel les étudiants non locaux, le grand public et même les lycéens pouvaient aller.\u003c\/p\u003e\n\n\u003cp\u003eQuarante-sept ans se sont maintenant écoulés depuis, et certains souvenirs s'estompent - mais le film crée une nouvelle mémoire. L'esprit Zen-kyoto est ramené à la vie.\u003c\/p\u003e","brand":"Hitomi Watanabe","offers":[{"title":"Default Title","offer_id":57294861762892,"sku":"ECHO-WATH-015","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/efc1dd32-7c1b-4c8e-bdba-06e870c18fcd-l.jpg?v=1776229790"},{"product_id":"tokyo-monogatari-1st-edition-tokyo-story","title":"Tokyo Monogatari - 1st edition (Tokyo Story)","description":"","brand":"Nobuyoshi Araki","offers":[{"title":"Default Title","offer_id":57294863696204,"sku":"AN2-000337","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/59fa9b80-3493-458c-8df3-4df6d0e9b006-l.png?v=1776229826"},{"product_id":"tokyo-afterglow-1999","title":"Tokyo afterglow 1999","description":"","brand":"Yutaka Soejima","offers":[{"title":"Default Title","offer_id":57294867235148,"sku":"YS5-000001","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/61b4fb56-c094-4997-9bf0-a6cce0873bc3-l.jpg?v=1776229907"},{"product_id":"city-confessions-1-tokyo","title":"CITY CONFESSIONS #1 TOKYO","description":"\u003cp\u003eED TEMPLETON\n\u003cbr\u003eCITY CONFESSIONS #1 TOKYO\u003c\/p\u003e\n\n\u003cp\u003ePublished by Super Labo, 2019\n\u003cbr\u003eBook size 20.8 x 24 cm\n\u003cbr\u003ePages 56 Pages\n\u003cbr\u003e53 Images(b\/w) 5 Images(color)\n\u003cbr\u003eSoftcover (hand-sewn)\n\u003cbr\u003eFirst edition of 1000\n\u003cbr\u003eISBN 978-4-908512-80-3\u003c\/p\u003e\n\n\u003cp\u003eThe photographs in this book were taken during seven trips to Tokyo between the years 1998 and 2018, with the majority being shot between 2016 and 2018.\u003c\/p\u003e\n\n\u003cp\u003e“I first came to Tokyo in 1998 on a skateboarding tour, and then again two times in 2001, first for a big citywide art exhibition called “Untitled 2001” and then again as a skateboarder later that year. Those first visits to Tokyo were full of walking and wandering and photographing in the streets when I wasn’t skateboarding. Then in 2016 I came back to Tokyo as a tourist after a long absence. These more recent trips have been more focussed on shooting photographs and observing the life and rhythms of the people of Tokyo. I like to find moments that speak to human existence and specifically to the customs and rituals of life in Tokyo.\u003c\/p\u003e\n\n\u003cp\u003e“City Confessions #1 Tokyo” is the first book in the City Confessions series. City Confessions will be an ongoing series of books that will be later slipcased together as a set. Each volume will be a selection of photographs from a city that I have spent significant time working in and exploring.” artist statement\u003c\/p\u003e\n\n\u003cp\u003e----\u003c\/p\u003e\n\n\u003cp\u003eLes photographies de ce livre ont été prises lors de sept voyages à Tokyo entre les années 1998 et 2018, la majorité étant prise entre 2016 et 2018.\u003c\/p\u003e\n\n\u003cp\u003e“Je suis venu pour la première fois à Tokyo en 1998 pour une tournée de skateboard, puis à nouveau deux fois en 2001, d’abord pour une grande exposition d’art dans toute la ville appelée “Untitled 2001”, puis de nouveau en tant que skateur plus tard cette année-là. Ces premières visites à Tokyo étaient pleines de marche, d’errance et de photographie dans les rues quand je ne faisais pas de skate. Puis en 2016 je suis revenu à Tokyo en tant que touriste après une longue absence. Ces voyages plus récents ont été davantage axés sur la prise de photos et l’observation de la vie et des rythmes des habitants de Tokyo. J’aime trouver des moments qui parlent de l’existence humaine et plus particulièrement des coutumes et rituels de la vie à Tokyo.\u003c\/p\u003e\n\n\u003cp\u003e“City Confessions # 1 Tokyo” est le premier livre de la série City Confessions. City Confessions sera une série continue de livres qui seront plus tard regroupés sous forme d’ensemble. Chaque volume sera une sélection de photographies d’une ville dans laquelle j’ai passé beaucoup de temps à travailler et à explorer.” texte de l’artiste\u003c\/p\u003e","brand":"Templeton Ed","offers":[{"title":"Default Title","offer_id":57294869692748,"sku":"ECHO-EDT-001","price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/a5e46794-21c7-4e08-9fcf-80b57333081e-l.jpg?v=1778207803"},{"product_id":"slice-of-life-in-good-old-neighborhoods-of-tokyo","title":"Slice of life in good old neighborhoods of Tokyo","description":"","brand":"Hiroshi Nagao","offers":[{"title":"Default Title","offer_id":57294870741324,"sku":"HN3-000001","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/00bf2ed2-add1-42ec-8898-56f772168b03-l_c4d72b56-83c7-4b57-a2d1-d472987d9687.jpg?v=1778035627"},{"product_id":"exposition-tokyo-showa-modern","title":"Exposition \"Tokyo Showa Modern\"","description":"","brand":"Kineo KUWABARA","offers":[{"title":"Default Title","offer_id":57294873362764,"sku":"KK10-000003","price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/24ed0708-8e81-452f-823d-887fd756c153-l.jpg?v=1776230016"},{"product_id":"shibuya-shibuya","title":"Shibuya, shibuya","description":"","brand":"Ishimoto Yasuhiro","offers":[{"title":"Default Title","offer_id":57294874280268,"sku":"IY-000012","price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/245af7e2-ef76-4aa1-9930-5c5115b69b49-l.jpg?v=1776230049"},{"product_id":"tokyo-eyes","title":"Tokyo Eyes","description":"\u003cp\u003eHERBIE YAMAGUCHI\n\u003cbr\u003eTOKYO EYES\u003c\/p\u003e\n\n\u003cp\u003ePublished by Super Labo, 2022\n\u003cbr\u003eBook size 22 x 23 cm\n\u003cbr\u003ePages 48 (40 images) \n\u003cbr\u003eSoftcover \n\u003cbr\u003eLanguages English and Japanese \n\u003cbr\u003eISBN 978-4-908512-56-8\u003c\/p\u003e\n\n\u003cp\u003eUntil a few years ago, before the Covid-19 pandemic, I would have instantly stepped away from people walking towards me wearing black face masks because I thought they looked suspicious. Since wearing masks has now become an ordinary routine, those wearing black masks appear to me as stylish people who are fashionably coordinating their masks with their clothing. It is incredible how much our habit of wearing masks has changed perceptions. To me now, people wearing masks look as beautiful as never before because their eyes seem to shine all the more brightly, and with a strong willingness. While it is also true that some people put on make-up only around the eyes, they strive to express their feelings just with their eyes. As the saying \"the apple of one's eyes\" implies, such eyes are captivating. There are people who feel more comfortable wearing masks as well. Among them, many ones want to wear masks even after the pandemic subsides. In Western countries, a dominant opinion is that people want to take off masks as soon as possible because it is hard to read the feelings of others. This certainly makes sense because quite a few people in Japan, too, worry about the relationship between young children and their carers screened by masks. Nonetheless, a face mask is an important item to save human beings from the Covid disaster. \u003c\/p\u003e\n\n\u003cp\u003e      While many photographs included in this book were taken in Tokyo, there are some photographed in other places such as Fukuoka and Fukushima, and so I should have titled the book \"Japanese Eyes.\" However, I dared to title it Tokyo Eyes. Apples of eyes, love, and cues from Japan to the world. What do we have to learn from now on and what will save human beings?\u003c\/p\u003e\n\n\u003cp\u003e-----\u003c\/p\u003e\n\n\u003cp\u003eJusqu'à il y a quelques années, avant la pandémie de Covid-19, je me serais instantanément éloigné des personnes marchant vers moi portant des masques noirs parce que je pensais qu'elles avaient l'air suspectes. Depuis que le port de masques est devenu une routine ordinaire, ceux qui portent des masques noirs m'apparaissent comme des personnes stylées qui coordonnent à la mode leurs masques avec leurs vêtements. C'est incroyable à quel point notre habitude de porter des masques a changé les perceptions. Pour moi maintenant, les personnes portant des masques sont plus belles que jamais parce que leurs yeux semblent briller d'autant plus fort et avec une forte volonté. S'il est également vrai que certaines personnes ne se maquillent qu'autour des yeux, elles s'efforcent d'exprimer leurs sentiments uniquement avec leurs yeux. Comme le dit le dicton \"la prunelle de ses yeux\", de tels yeux sont captivants. Il y a aussi des gens qui se sentent plus à l'aise avec des masques. Parmi eux, beaucoup veulent porter des masques même après la fin de la pandémie. Dans les pays occidentaux, une opinion dominante est que les gens veulent enlever les masques le plus tôt possible car il est difficile de lire les sentiments des autres. Cela a certainement du sens car bon nombre de personnes au Japon s'inquiètent également de la relation entre les jeunes enfants et leurs soignants dépistés par des masques. Néanmoins, un masque facial est un élément important pour sauver les êtres humains de la catastrophe de Covid.\u003c\/p\u003e\n\n\u003cp\u003eAlors que de nombreuses photographies incluses dans ce livre ont été prises à Tokyo, certaines ont été photographiées dans d'autres endroits tels que Fukuoka et Fukushima, et j'aurais donc dû intituler le livre \"Japanese Eyes\". Cependant, j'ai osé l'intituler Tokyo Eyes. Des prunelles d'yeux, de l'amour et des indices du Japon au monde. Que devons-nous apprendre désormais et qu'est-ce qui sauvera les êtres humains \u003c\/p\u003e","brand":"Herbie Yamaguchi","offers":[{"title":"Default Title","offer_id":57294875525452,"sku":"ECHO-YAMH-012","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0258\/7433\/3748\/files\/69b0d435-e549-4f2a-9a52-52046e23b455-l.jpg?v=1776230091"},{"product_id":"shinjuku-guntoden-66-73-shinjuku-the-story-of-band-of-thieves-66-73","title":"Shinjuku Guntoden 66\/73. 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