Galerie &co119 is pleased to present the work of Japanese photographer Eiji Ohashi for his first solo exhibition in Europe.

One snowy stormy night, as he was walking home late after work, Eiji Ohashi could only nd his way home thanks to the lights on vending machines. He realized they were glowing for him.

Since then, Ohashi has been travelling all over Japan. For over 9 nine years, he has been chasing vending machines in very different surroundings. He understood that they were much more than simple machines. They were very symbolic of Japanese society.

There is probably no other country where vending machines can be found in such a large number. They can be found in every corner, every small village, and sometimes in the middle of nowhere.

But just as people, the machines have to prove pro table to stay in place. When Ohashi came back to shoot a remote mountain location that he had photographed a few months before: only one machine resisted out of the two he had previously seen.

Vending machines are clearly part of the Japanese relentless efforts to make every aspect of life as convenient as possibly be. Ohashi’s photographs of isolated machines questions Japanese values. He says: “The typically earnest and very methodical mentality of the Japanese has been a factor in the roll out of vending machines far and wide, but this same disposition has also contributed to Japanese society becoming oppressive and suffocating” or ”that quest conti-

nues relentlessly, but we don’t need this degree of convenience in order to live. Rather, having achieved this level of comfort, we should now be asking what is the true essence of happiness”.

For Ohashi, vending machines are quite ubiquitous. While revealing the laws in the society he lives in, he also says: “One message in my work is that I wish for a world in which each and everyone is able to shine”, perhaps like the machines he is passionately photographed.