• DAIDO MORIYAMA - SPECIAL EDITION - OKINAWA S49 (SIGNED)
  • DAIDO MORIYAMA - SPECIAL EDITION - OKINAWA S49 (SIGNED)
  • DAIDO MORIYAMA - SPECIAL EDITION - OKINAWA S49 (SIGNED)
  • DAIDO MORIYAMA - SPECIAL EDITION - OKINAWA S49 (SIGNED)

    DAIDO MORIYAMA - SPECIAL EDITION - OKINAWA S49 (SIGNED)

    Regular price €120,00
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    Daido Moriyama
    Okinawa S49 (Special edition)

    Published by Super Lab, 2020
    Book Size 24.2 x 36.3 cm
    Pages 36 pages
    19 Images(b/w)

    Softcover (hand-sewn)
    Limited edition of 100

    Signed and numbered on the cover, N°54/100
    ISBN 978-4-908512-48-3

    “1974 was the first year that I went to Okinawa and it was exactly a one week stay. Most of the photos in this book are those I took during that trip.
    However, the purpose of the trip to Okinawa then was not to take photos but for Shomei Tomatsu, Eikou Hosoe, Masahisa Fukase, Nobuyoshi Araki, and myself who all lived in Tokyo then to conduct a photo workshop with “Photo Taking” as the main theme for 10 plus photographers and photo lovers living in Okinawa.
    Each time I found some time in between the 5 day Okinawa workshop schedule, I took along the only camera, a half size, I brought with me and shot approximately 2,000 cuts. I didn't set any theme to work along but hopped from place to place like a bird feeds itself, allowing the towns I encountered for the first time to guide me along.” artist statement

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    “1974 was the first year I went to Okinawa and it was exactly a one-week stay. Most of the photos in this book are ones I took during that trip.
    However, the purpose of the trip to Okinawa was not to take pictures but for Shomei Tomatsu, Eikou Hosoe, Masahisa Fukase, Nobuyoshi Araki, and myself who were all living in Tokyo to conduct a photo workshop with “Taking Pictures” as the main theme for more than 10 photographers and photo enthusiasts living in Okinawa.
    Whenever I found time between the 5 days of the Okinawa workshop, I took the only camera, a half-size, that I brought with me and photographed about 2000 sections. I did not set any theme to work with, but jumped from place to place like a bird pecking, allowing the cities I encountered for the first time to guide me.” artist text