DAIDO MORIYAMA - RECORD N°50 (SIGNED)

DAIDO MORIYAMA
RECORD N°50

Published by Akio Nagasawa, 2022
Book size 28 x 21 cm
Pages 120
Softcover
Signed by the artist

One evening in early December 2021, I met a woman named Yaco at Akio Nagasawa Publishing in the Ginza area. At the time, I was a little tired of putting only street snaps into the Record journals, and had begun to think about doing things like female portraits. That was when Mr. Nagasawa introduced me to Yaco-san. We spent a while chatting about this and that, and as the conversation went on, as if by accident, she displayed a unique kind of sensitivity, and that instantly helped me make up my mind. The next volume of Record was going to be all about Yaco-san!

Once I had made the decision, things quickly fell into place. Without further discussion, I took her around the dusky Ginza and Yurakucho neighborhoods, and took pictures of her in the rough coat that she was wearing. It was the season when Christmas illuminations were turning every street corner into a gorgeous setting, and as Yaco-san moved around freely and flexibly in front of the camera, we were done with the shooting and returned to the gallery in less than two hours.

After a short break, we did some nude shots on the floors under and above the gallery. Yaco-san undressed without hesitating, and began to strike some casual poses quite naturally before I could even start giving instructions. So all I had to do was to keep releasing the shutter, and once again, the entire session took less than two hours.
I was sure that the records and the memories of that evening, of the photographer and the photographed alike, would casually manifest themselves on the pages of Record.

Even when taking into account my motivation this time, making an entire issue of Record into a Yaco-san special was an exception to the rule I guess. Not that this is something terribly important, but it is issue number 50 after all, so with this one being a special case, from here I'm going to return to my usual pace. Walk, watch, and shoot. This is my rhythm, and this is all that I do. When I put Mr. Nagasawa in a coffee shop in Kamakura the other day, he lightly said to me, “Let's make it to Record No. 100,” and I lightly said thank you. His commitment to the publication made me very happy. Nevertheless, I can only do one at a time, so next is number 51, and after that, number 52.
Anyway, at this point, Record is the lifework and the lifeline of my photography…

– from afterwords by Daido Moriyama

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One evening in early December 2021, I met a woman named Yaco at Akio Nagasawa Publishing in the Ginza area. At the time, I was a little tired of only putting street photos in the Record newspapers, and I had started thinking about doing things like portraits of women. That's when Mr. Nagasawa introduced me to Yaco-san. We spent a while chatting about this and that, and as the conversation progressed, as if by accident, she demonstrated a unique sensitivity, and it immediately helped me make up my mind. The next volume of Record was going to be all about Yaco-san!

Once I made up my mind, things fell into place quickly. Without further discussion, I took her to the darkened neighborhoods of Ginza and Yurakucho and took pictures of her in the coarse coat she was wearing. It was the season when Christmas lights turned every street corner into a beautiful setting, and because Yaco-san moved freely and smoothly in front of the camera, we finished shooting and returned to the gallery in less than two hours.

After a short break, we did some nude photography at the gallery. Yaco-san undressed without hesitation and started striking casual poses quite naturally before I could even start giving instructions. So all I had to do was keep the shutter clicking, and again, the entire session took less than two hours.
I was sure that the recordings and memories of that evening, of the photographer as well as the photographed, would nonchalantly manifest themselves on the pages of Record.

Even considering my motivation this time, turning an entire issue of Record into a Yaco-san special was an exception to the rule, I suppose. Not that it’s anything very important, but it is issue 50 after all, so this being a special case, from here on out I’ll be back to my usual rhythm. Walk, look, and photograph. That’s my rhythm, and that’s all I do. When I met Mr. Nagasawa at a café in Kamakura the other day, he said lightly, “Let’s go all the way to Record No. 100,” and I lightly said thank you. His commitment to the publication made me very happy. Still, I can only do one at a time, so the next one is issue 51, and after that, issue 52.
Anyway, at this point, Record is my life's work and lifeline of photography…

– based on afterwords by Daido Moriyama