TIANE DOAN NA CHAMPASSAK - PARIS-HOLLYWOOD

TIANE DOAN NA CHAMPASSAK
PARIS-HOLLYWOOD

Published by RVB BOOK, 2022
Book size 22.2 x 34 cm
Pages, 72 pages
Softcover
Language, English

After "Siam's Guy", the Thai erotic magazine that the artist reappropriated in a book, Tiane Doan na Champassak revisits this time a number of issues of the iconic magazine "Paris-Hollywood", launched in France in the 1940'. In the middle of its pages, the original magazine had the particularity of presenting images of pin-ups in relief or on tracing paper that the reader could undress. Using her vast arsenal of post-modern tools, Doan na After "Siam's Guy", the Thai erotic magazine that the artist reappropriated in a book, Tiane Doan na Champassak revisits this time a number of issues of the iconic magazine "Paris-Hollywood" , launched in France in the 1940'. In the middle of its pages, the original magazine had the particularity of presenting images of pin-ups in relief or on tracing paper that the reader could undress. Using her vast arsenal of post-modern tools, Doan na Champassak transforms the original content of these magazines with her own images, creating a hypnotic back-and-forth between then and now; clothed - nude; Bangkok - Paris; reflecting, in a unique way, the politics of the female body and its photographic representation over the past decades.

- Publisher's statement.

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After "Siam's Guy", the Thai erotic magazine that the artist reappropriated in a book, Tiane Doan na Champassak revisits this time a certain number of issues of the iconic magazine "Paris-Hollywood", launched in France in the 1940s. In the middle of its pages, the original magazine had the particularity of presenting images of pin-ups in relief or on tracing paper that the reader could undress. Using his vast arsenal of post-modern tools, Doan na After “Siam's Guy”, the Thai erotic magazine that the artist reappropriated in a book, Tiane Doan na Champassak revisits this time a number of issues of the iconic magazine “Paris-Hollywood”, launched in France in the 1940s. In the middle of its pages, the original magazine had the particularity of presenting images of pin-ups in relief or on tracing paper that the reader could undress. Using his vast arsenal of post-modern tools, Doan na Champassak transforms the original content of these magazines with his own images, creating a hypnotic back and forth between then and now; dressed - naked; Bangkok - Paris; thus reflecting, from a unique point of view, the politics of the female body and its photographic representation in recent decades.
- Text from the publisher.