• ALEX LLOVET - SUMMER'S ALMOST GONE
  • ALEX LLOVET - SUMMER'S ALMOST GONE
  • ALEX LLOVET - SUMMER'S ALMOST GONE
  • ALEX LLOVET - SUMMER'S ALMOST GONE
  • ALEX LLOVET - SUMMER'S ALMOST GONE
  • ALEX LLOVET - SUMMER'S ALMOST GONE

    ALEX LLOVET - SUMMER'S ALMOST GONE

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    ALEX LLOVET
    SUMMER'S ALMOST GONE

    Published by Ediociones Posibles, 2022
    Book size 15 x 22 cm
    94 tritone photographs
    216 pages (24 foldouts)
    Text Lara Moreno (in English and Spanish)
    Design underbau / Pre-press Josep Maria de Llobet / Printing Grafilur
    Swiss hardback binding with paper-covered hardcover and exposed spine
    First edition
    Limited edition 600 copies

    Over the last ten years, Alex Llovet's work has been structured around two main themes: identity and memory. Using the photobook format to conceptualize and present his projects increasingly focused on his immediate environment -his partner, his daughters and the territory he inhabits-, he has constructed his own universe in which the photographic document and the poetic image constantly intertwine and question each other .

    Is it possible to long for something that is still happening? This is the starting point of Summer's Almost Gone, one hundred images taken during the summers of 2016 to 2021, in different places in England and Spain, which make up his own unique family album of the summer holidays. During these periods of contact with nature, synonymous with freedom, discovery and play, but also with challenges, growth and confrontation with one's own ghosts, Llovet appeals to the awareness of the transience of life while questioning the limitations of photographic practice in the face of the frustration of not being able to be both actor and spectator at the same time.

    If our memory constructs an autobiographical narrative from unconnected fragments, filling in the gaps with our imagination, the editing of this work, based more on sensation than on reason, acts in the same way, using 24 sequences structured in the form of quadriptychs of images that behave like vertical frames of a fake documentary, that of the author's life. After six years of work and five different dummies, this book is the formal culmination of a poetic and conceptual investigation in which the layout on the page brings to mind how memory itself works: veiled images, moments we barely remember, pages that the reader must unfold in order to peer into the windows of the past.

    Publisher's statement

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    Over the last ten years, Alex Llovet's work has been structured around two main themes: identity and memory. Using the photobook format to conceptualize and present his projects, which are increasingly focused on his immediate environment - his partner, his daughters and the territory he inhabits - he has built his own universe in which the photographic document and the poetic image intertwine and constantly question each other.

    Is it possible to desire something that is still happening? This is the starting point of Summer's Almost Gone, a hundred images taken during the summers of 2016 to 2021, in different places in England and Spain, which make up his unique family album of summer holidays. During these periods of contact with nature, synonymous with freedom, discovery and play, but also with challenges, fulfillment and confrontation with his own ghosts, Llovet calls upon the awareness of the transience of life while questioning the limits of photographic practice in the face of the frustration of not being able to be both actor and spectator.

    If our memory constructs an autobiographical narrative from unrelated fragments, filling in the gaps with our imagination, the editing of this work, based more on sensation than on reason, acts in the same way, using 24 sequences structured in the form of quadriptychs of images that behave like vertical frames of a fake documentary, that of the author's life. After six years of work and five different models, this book is the formal culmination of a poetic and conceptual investigation where the layout of the page recalls the very functioning of memory: veiled images, moments that we barely remember, pages that the reader must unfold to scrutinize the windows of the past.

    Editor's text